Lev Grossman - The Magicians

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The Magicians: краткое содержание, описание и аннотация

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A thrilling and original coming-of-age novel about a young man practicing magic in the real world. Quentin Coldwater is brilliant but miserable. A senior in high school, he’s still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.
He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn’t bring Quentin the happiness and adventure he dreamed it would. After graduation he and his friends make a stunning discovery: Fillory is real. But the land of Quentin’s fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart.
At once psychologically piercing and magnificently absorbing,
boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren’t black and white, love and sex aren’t simple or innocent, and power comes at a terrible price.
Cover art by Didier Massard,

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He slept lightly and very little. His urine turned a deep amber then ceased to flow entirely. The monotony of the scenery was relentless. Each low crunchy ridge he topped revealed a vista composed of its identical clones, arranged in a pattern of infinite regress. His thoughts went around in circles. He lost track of time. He sang the Oscar Mayer jingle and the Simpsons theme song. He talked to James and Julia. Sometimes he confused James with Martin Chatwin and Julia with Jane. The fat melted out of his body; his ribs grew more prominent, tried to push their way out through his skin. He had to be careful. His margin of error was not large. The spells he was using were powerful and highly durable, with a life of their own. He could die out here, and his corpse would probably keep jogging merrily along toward the pole on its own.

Once or twice a day, sometimes more, a lipless blue crevasse would open beneath his feet, and he would have to trot around it or cross it with a magic-assisted leap. Once he stumbled right into one and fell forty feet down into blue-tinted darkness. The ward-and-shield spells around his pale, nude body were so thick that he barely noticed. He just ground to a slow stop, jammed in between two rough ice walls, and then lifted himself back out again, like the Lorax, and kept on running.

Even as his physical strength faded he leaned on the iron magical vigor that his sojourn under Professor Mayakovsky had given him. It no longer felt like a fluke when he worked magic successfully. The worlds of magical and physical reality felt equally real and present to him. He summoned simple spells into being without conscious thought. He reached for the magical force within him as naturally as he would reach for the salt on the dinner table. He had even gained the ability to extemporize a little, to guess at magical Circumstances when he hadn’t been drilled on them. The implications of this were stunning: magic wasn’t simply random, it had an actual shape — a fractal, chaotic shape, but subconsciously his blindly groping mental fingertips had begun to parse it.

He remembered a lecture Mayakovsky had given a few weeks before, which at the time he hadn’t paid much attention to. Now, however, jogging forever south across the frozen, broken plains, it came back to him almost word for word.

“You dislike me,” Mayakovsky had begun. “You are sick of the sight of me, skraelings .” That was what he called them, skraelings . Apparently it was a Viking word that meant, roughly, “wretches.”

“But if you listen to me only one more time in your lives, listen to me now. Once you reach a certain level of fluency as a spellcaster, you will begin to manipulate reality freely. Not all of you — Dale, I think you in particular are unlikely to cross that Rubicon. But for some of you spells will one day come very easily, almost automatically, with very little in the way of conscious effort.

“When the change comes, I ask only that you know it for what it is, and be aware. For the true magician there is no very clear line between what lies inside the mind and what lies outside it. If you desire something, it will become substance. If you despise it, you will see it destroyed. A master magician is not much different from a child or a madman in that respect. It takes a very clear head and a very strong will to operate once you are in that place. And you will find out very quickly whether or not you have that clarity and that strength.”

Mayakovsky stared out at their silent faces a moment longer, with undisguised disgust, then stepped down from the lectern. “Age,” Quentin heard him mutter. “It’s wasted on the young. Just like youth.”

When night finally fell the stars burned shrilly overhead with impossible force and beauty. Quentin jogged with his head up, knees high, no longer feeling anything below his waist, gloriously isolated, lost in the spectacle. He became nothing, a running wraith, a wisp of warm flesh in a silent universe of midnight frost.

Once, for a few minutes, the darkness was disturbed by a flickering on the horizon. He realized it must be another student, another skraeling like himself, moving on a parallel path but way off to the east, twenty or thirty miles at least, and ahead of him. He thought about changing course to make contact. But seriously, what was the point? Should he risk getting busted for collaborating, just to say hi? What did he, a wraith, a wisp of warm flesh, need with anybody else?

Whoever it was, he thought dispassionately, was using a different set of spells than he was. He couldn’t piece out the magic at this distance, but they were throwing off a whole lot of pale pink-white light.

Inefficient, he thought. Inelegant.

When the sun rose he lost sight of the other student again.

Some immeasurable period of time later, Quentin blinked. He had lost the habit of closing his magically weatherproofed eyes, but something was bothering him. It was a matter for concern, though he could barely formulate why in any conscious, coherent way. There was a black spot in his vision.

The landscape had, if anything, gotten more monotonous. Far behind him were the moments when streaks of dark frozen schist occasionally marred the white snow. Once he’d passed what he was fairly sure was a fallen meteorite stuck in the ice, a lump of something black, like a lost charcoal briquette. But that was a long time ago.

He was far gone. After days without real sleep his mind was a machine for monitoring spells and moving his feet, nothing else. But while he was checking off anomalies, there was something screwy going on with his compass wheel, too. It wobbled erratically, and it was getting kind of distorted. The N had grown vast and swollen; it was taking up five-sixths of the circle, and the other directions had withered away to almost nothing. The S he was supposed to be following had shrunk to a tiny squiggle in microscopic jewel type.

The black spot was taller than it was wide, and it bobbed up and down with his stride the way an external object would. So it wasn’t corneal damage. And it was growing larger and larger, too. It was Mayakovsky, standing by himself in the powdery nothingness, holding a blanket. He must be at the pole. Quentin had completely forgotten where he was going or why.

When he got close enough Mayakovsky caught him. The tall man grunted, wrapping the heavy, scratchy blanket around him, and swung him down to the snow. Quentin’s legs kept moving for a few seconds, then he lay still, panting, on his side, twitching like a netted fish. It was the first time in nine days that he’d stopped running. The sky spun. He retched.

Mayakovsky stood over him.

Molodyetz , Quentin. Good man. Good man. You made it. You are going home.”

There was something odd in Mayakovsky’s voice. The sneer was gone, and it was thick with emotion. A twisted smile revealed for a moment the older wizard’s yellow teeth in his unshaven face. He hauled Quentin to his feet with one hand; the other hand he flourished, and a portal appeared in the air. He shoved Quentin unceremoniously through it.

Quentin staggered and fell into a psychedelic riot of green that assaulted him so violently that at first he didn’t recognize it as the rear terrace of Brakebills on a hot summer day. After the blankness of the polar ice the campus was a hallucinatory swirl of sound and color and warmth. He squeezed his eyes tight shut. He was home.

He rolled over on his back on the baking smooth stone. Birds sang deafeningly. He opened his eyes. A sight even stranger than the trees and the grass met them: looking back through the portal, he could still see the tall, soft-shouldered magician standing there with Antarctica in the background. Snow kicked up around him. A few stray crystals drifted through and evaporated in midflight. It looked like a painting executed on an oval panel and hung in midair. But the magical window was already closing. He must be preparing himself to go back to his empty polar mansion, Quentin thought. He waved, but Mayakovsky wasn’t looking at him. He was looking out at the Maze and the rest of the Brakebills campus. The unguarded longing on his face was so excruciating Quentin had to look away.

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