Lev Grossman - The Magicians

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The Magicians: краткое содержание, описание и аннотация

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A thrilling and original coming-of-age novel about a young man practicing magic in the real world. Quentin Coldwater is brilliant but miserable. A senior in high school, he’s still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.
He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn’t bring Quentin the happiness and adventure he dreamed it would. After graduation he and his friends make a stunning discovery: Fillory is real. But the land of Quentin’s fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart.
At once psychologically piercing and magnificently absorbing,
boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren’t black and white, love and sex aren’t simple or innocent, and power comes at a terrible price.
Cover art by Didier Massard,

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“That’s enough,” he said quietly.

“Dean Fogg—” Penny began as if here, finally, was a voice of reason he could appeal to.

“I said that’s enough.” Quentin had never heard the Dean raise his voice, and he didn’t now. Fogg was always a faintly ridiculous figure in the daytime, but now, at night, wreathed in his kimono, in the alien confines of the infirmary, he looked powerful and otherworldly. Wizardly. “You’re not going to speak again except to answer my questions. Is that clear?”

Did that count as a question? To be safe Quentin just nodded. His head hurt worse now.

“Yes sir,” Penny said promptly.

“I have heard absolutely enough about this. Who instigated this appalling incident?”

“I did,” Penny said instantly. “Sir. Quentin didn’t do anything, he had nothing to do with it.”

Quentin said nothing. That was the funny thing about Penny. He was insane, but he did have his insane principles, and he stuck to them.

“And yet,” Fogg said, “somehow your nose found its way into the path of Quentin’s forehead. Will it happen again?”

“No, sir.”

“No.”

“All right.” Quentin heard springs chirp as the Dean sat down on an empty bed. He didn’t turn his head. “There is only one thing that pleases me about this afternoon’s altercation, which is that neither of you resorted to magic to hurt each other. Neither of you is advanced enough in your studies to understand this properly, but in time you will learn that wielding magic means working with enormously powerful energies. And controlling those energies requires a calm and dispassionate mind.

“Use magic in anger, and you will harm yourself much more quickly than you will harm your adversary. There are certain spells… if you lose control of them, they will change you. Consume you. Transform you into something not human, a niffin , a spirit of raw, uncontrolled magical energy.”

Fogg regarded them both with stern composure. Very dramatic. Quentin looked up at the infirmary’s pressed-tin ceiling stubbornly. His consciousness was guttering and fading. Where was the part where he told Penny to stop being a dick?

“Listen to me carefully,” Fogg was saying. “Most people are blind to magic. They move through a blank and empty world. They’re bored with their lives, and there’s nothing they can do about it. They’re eaten alive by longing, and they’re dead before they die.

“But you live in the magical world, and it’s a great gift. And if you want to get killed here, you’ll find plenty of opportunities without killing each other.”

He stood up to go.

“Will we be punished, sir?” Penny asked.

Punished? He must honestly believe they were still in high school. The Dean paused at the door. The light from his finger was almost extinguished.

“Yes, Penny, as a matter of fact you will be. Six weeks of washing dishes, lunch and dinner. If this or anything like it happens again, you’re expelled. Quentin—” he stopped to consider. “Just learn to handle yourself better. I don’t want any more problems.”

The door closed behind him. Quentin exhaled. He closed his eyes, and the room drifted silently off its moorings and out to sea. He wondered, with no special interest either way, whether Penny was in love with Alice.

“Wow,” Penny said, apparently unfazed by the prospect of spending the next month and a half with pruny fingertips. He sounded like a little kid. “I mean, wow . Did you hear what he said? About magic consuming you? I didn’t know any of that. Did you know any of that stuff?”

“Penny,” Quentin said. “One, your hair is stupid. And two, I don’t know what it’s like where you come from, but if you ever do anything that could get me sent back to Brooklyn again, I won’t just break your nose. I will motherfucking kill you.”

THE PHYSICAL KIDS

Six months later, in September, Quentin and Alice spent the first day of their Third Year at Brakebills sitting outside a small square Victorian outbuilding about a half mile from the House. It was a piece of pure folly architecture, a miniature house, white with a gray roof, complete with windows and gables, that might at one time have been servants’ quarters, or a guest cottage, or a largish garden shed.

There was a weathervane on top, wrought iron and shaped like a pig, that always pointed somewhere other than where the wind was blowing. Quentin couldn’t make out anything through the windows, but he thought he heard snatches of conversation coming from inside. The cottage stood on the edge of a wide hayfield.

It was midafternoon. The sky was blue and the early autumn sun was high. The air was silent and still. A rusted-out old piece of farm machinery stood half drowned in the same long grass it used to mow.

“This is bullshit. Knock again.”

“You knock,” Alice said. She released a convulsive sneeze. “I’ve been knocking for twenty… for twenty…”

She sneezed again. She was allergic to pollen.

“Bless you.”

“Twenty minutes. Thank you.” She blew her nose. “They’re in there, they just won’t open the door.”

“What do you think we should do?”

Quentin thought for a minute.

“I don’t know,” he said. “Maybe it’s a test.”

Back in June, after finals, all twenty members of the Second Year had been marched through the Practical Applications room one at a time to be assigned their Disciplines. The sessions were scheduled at two-hour intervals, though sometimes it took longer; the entire process lasted three days. It was a circus atmosphere. Most of the students, and probably the faculty, were ambivalent about the whole idea of Disciplines. They were socially divisive, the theory behind them was weak, and everybody ended up studying pretty much the same curriculum anyway, so what was the point? But it was traditional for every student to have one, so a Discipline every student would have. Alice called it her magic bat mitzvah.

The P.A. lab was transformed for the occasion. All the cabinets were open, and every inch of the counters and tabletops was crammed with old instruments made of wood and silver and etched brass and worked glass. There were calipers and bulbs and beakers and clockwork and scales and magnifying glasses and dusty glass bulbs full of wobbling mercury and other less easily identifiable substances. Brakebills was largely dependent on Victorian-era technology. It wasn’t an affectation, or not entirely; electronics, Quentin was told, behaved unpredictably in the presence of sorcery.

Professor Sunderland presided over the circus. Quentin had avoided her as much as possible since that horrible, dreamlike period when she tutored him during his first semester. His crush on her had faded to a faint but still pathetic echo of its former self, to the point where he could almost look at her and not want to fill his hands with her hair.

“I’ll be with you in just one minute!” she said brightly, busily repacking a set of very fine, sharp-looking silver instruments in a velvet carrying case.

“So.” She snapped the case shut and latched it. “Everybody at Brakebills has an aptitude for magic, but there are individual variations — people tend to have an affinity for some specific strain.” She delivered this speech by rote, like a stewardess demonstrating in-flight safety procedures. “It’s a very personal thing. It has to do with where you were born, and where the moon was, and what the weather was like, and what kind of person you are, plus all kinds of technical stuff that’s not worth getting into. There are two hundred or so other factors which Professor March would be happy to list for you. It’s one of his specialties. In fact I think Disciplines are his Discipline.”

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