William White - In the Heart of a Fool

Tom Van Dorn and Henry Fenn rioted in their twenties. John Hollander saved a bleeding country, pervaded the courthouse and did the housework at home while Rhoda, his wife, who couldn’t cook hard boiled eggs, organized the French Cooking Club. Captain Ezra Morton spent his mental energy upon the invention of a self-heating molasses spigot, which he hoped would revolutionize the grocery business while his physical energy was devoted to introducing a burglar proof window fastener into the proud homes that were dotting the tall grass environs of Harvey. Amos Adams was hearing rappings and holding-high communion with great spirits in the vasty deep. Daniel Sands, having buried his second wife, was making eyes at a third and spinning his financial web over the town. Dr. and Mrs. Nesbit were marvelling at the mystery of a child’s soul, a maiden’s soul, reaching out tendril after tendril as the days made years. The Dick Bowman’s were holding biennial receptions to the little angels who came to the house in the Doctor’s valise–and welcomed, hilariously welcomed babies they were–welcomed with cigars and free drinks at Riley’s saloon by Dick, and in awed silence by Lida, his wife–welcomed even though the parents never knew exactly how the celestial guests were to be robed and harped; while the Joe Calvins of proud Elm Street, opulent in an eight room house, with the town’s one bath tub, scowled at the angels who kept on coming nevertheless–for such is the careless and often captious way of angels that come to the world in the doctor’s black bag–kept on coming to the frowning house of Calvin as frequently and as idly as they came to the gay Bowmans. Looking back on those days a generation later, it would seem as if the whole town were a wilderness of babies. They came on the hill in Elm Street, a star-eyed baby named Ann even came to the Daniel Sandses, and a third baby to the Ezra Mortons and another to the Kollanders (which gave Rhoda an excuse for forming a lifelong habit of making John serve her breakfast in bed to the scorn of Mrs. Nesbit and Mrs. Herdicker who for thirty years sniffed audibly about Rhoda’s amiable laziness) and the John Dexters had one that came and went in the night. But down by the river–there they came in flocks. The Dooleys, the McPhersons, the Williamses and the hordes of unidentified men and women who came to saw boards, mix mortar, make bricks and dig–to them the kingdom of Heaven was very near, for they suffered little children and forbade them not. And also, because the kingdom was so near–so near even to homes without sewers, homes where dirt and cold and often hunger came–the children were prone to hurry back to the Kingdom discouraged with their little earthly pilgrimages. For those who had dragged chains and hewed wood and drawn water in the town’s first days seemed by some specific gravity of the social system to be holding their places at those lower levels–always reaching vainly and eagerly, but always reaching a little higher and a little further from them for that equality of opportunity which seemed to lie about them that first day when the town was born.

In the upper reaches of the town Henry Fenn’s bibulous habits became accepted matters to a wider and wider circle and Tom Van Dorn still had his way with the girls while the town grinned at the two young men in gay reproval. But Amos Adams through his familiar spirits got solemn, cryptic messages for the young men–from Tom’s mother and Henry’s father. Amos, abashed, but never afraid, used to deliver these messages with incidental admonitions of his own–kind, gentle and gorgeously ineffective. Then he would return to his office with a serene sense of a duty well done, and meet and feast upon the eyes of Mary, his wife, keen, hungry eyes, filled with more or less sinful pride in his strength.

No defeat that ever came to Amos Adams, and because he was born out of his time, defeat was his common portion, and no contumely ever was his in a time when men scorned the evidence of things not seen, no failure, no apparent weakness in her husband’s nature, ever put a tremor in her faith in him. For she knew his heart. She could hear his armor clank and see it shine; she could feel the force and the precision of his lance when all the world of Harvey saw only a dreamer in rusty clothes, fumbling with some stupid and ponderous folly that the world did not understand. The printing office that Mary and Amos thought so grand was really a little pine shack, set on wooden piers on a side street. Inside in the single room, with the rough-coated walls above the press and type-cases covered with inky old sale bills, and specimens of the Tribune’s printing–inside the office which seemed to Mary and Amos the palace of a race of giants, others saw only a shabby, inky, little room, with an old fashioned press and a jobber among the type racks in the gloom to the rear. Through the front window that looked into a street filled with loads of hay and wood, and with broken wagons, and scrap iron from a wheelwright’s shop, Amos Adams looked for the everlasting sunrise, and Mary saw it always in his face.

But this is idling; it is not getting on with the Book. A score of men and women are crowding up to these pages waiting to get into the story. And the town of Harvey, how it is bursting its bounds, how it is sprawling out over the white paper, tumbling its new stores and houses and gas mains and water pipes all over the table; with what a clatter and clamor and with what vain pride! Now the pride of those years in Harvey came with the railroad, and here, pulling at the paper, stands big George Brotherton with his ten stone heart. He has been sputtering and nagging for a dozen pages to swing off the front platform of the first passenger car that came to town. He was a fat, overgrown youth in his late teens, but he wore the uniform of a train newsboy, and any uniform is a uniform. His laugh was like the crash of worlds–and it is to-day after thirty years. When the road pushed on westward Brotherton remained in Harvey and even though the railroad roundhouse employed five hundred men and even though the town’s population doubled and then trebled, still George Brotherton was better than everything else that the railroad brought. He found work in a pool and billiard hall; but that was a pent-up Utica for him and his contracted powers sent him to Daniel Sands for a loan of twenty-five dollars. The unruffled exterior, the calm impudence with which the boy waived aside the banker’s request for a second name on George’s note, and the boy’s obvious eagerness to be selling something, secured the money and established him in a cigar store and news stand. Within a year the store became a social center that rivaled Riley’s saloon and being near the midst of things in business, attracted people of a different sort from those who frequented Casper Herdicker’s debating school in the shoe shop. To the cigar stand by day came Dr. Nesbit with his festive but guileful politics, Joe Calvin, Amos Adams, stuttering Kyle Perry, deaf John Kollander, occasionally Dick Bowman, Ahab Wright in his white necktie and formal garden whiskers, Rev. John Dexter and Captain Morton; while by night the little store was a forum for young Mortimer Sands, for Tom Van Dorn, for Henry Fenn, for the clerks of Market Street and for such gay young blades as were either unmarried or being married were brave enough to break the apron string. For thirty years, nearly a generation, they have been meeting there night after night and on rainy days, taking the world apart and putting it together again to suit themselves. And though strangers have come into the council at Brotherton’s, Captain Morton remains dean. And though the Captain does not know it, being corroded with pride, there still clings about the place a tradition of the day when Captain Morton rode his high wheeled bicycle, the first the town ever had seen, in the procession to his wife’s funeral. They say it was the Captain’s serene conviction that his agency for the bicycle–exclusive for five counties–would make him rich, and that it was no lack of love and respect for his wife but rather an artist’s pride in his work as the distributor of a long-felt want which perched Ezra Morton on that high wheel in the funeral procession. For Mary Adams who knew, who was with the stricken family when death came, who was in the lonely house when the family came home from the cemetery, says that Ezra’s grief was real. Surely thirty years of singlehearted devotion to the three motherless girls should prove his love.