Thomas Aldrich - Marjorie Daw

A green mould is settling on the names of the deceased, carved on the silver door-plates. Sardonic spiders have sewed up the key-holes. All is silence and dust and desolation.—I interrupt this a moment, to take a shy at Watkins with the second volume of Cesar Birotteau. Missed him! I think I could bring him down with a copy of Sainte-Beuve or the Dictionnaire Universel, if I had it. These small Balzac books somehow do not quite fit my hand; but I shall fetch him yet. I’ve an idea that Watkins is tapping the old gentleman’s Chateau Yquem. Duplicate key of the wine-cellar. Hibernian swarries in the front basement. Young Cheops up stairs, snug in his cerements. Watkins glides into my chamber, with that colorless, hypocritical face of his drawn out long like an accordion; but I know he grins all the way down stairs, and is glad I have broken my leg. Was not my evil star in the very zenith when I ran up to town to attend that dinner at Delmonico’s? I didn’t come up altogether for that. It was partly to buy Frank Livingstone’s roan mare Margot. And now I shall not be able to sit in the saddle these two months. I’ll send the mare down to you at The Pines—is that the name of the place?

Old Dillon fancies that I have something on my mind. He drives me wild with lemons. Lemons for a mind diseased! Nonsense. I am only as restless as the devil under this confinement—a thing I’m not used to. Take a man who has never had so much as a headache or a toothache in his life, strap one of his legs in a section of water-spout, keep him in a room in the city for weeks, with the hot weather turned on, and then expect him to smile and purr and be happy! It is preposterous. I can’t be cheerful or calm.

Your letter is the first consoling thing I have had since my disaster, ten days ago. It really cheered me up for half an hour. Send me a screed, Ned, as often as you can, if you love me. Anything will do. Write me more about that little girl in the hammock. That was very pretty, all that about the Dresden china shepherdess and the pond-lily; the imagery a little mixed, perhaps, but very pretty. I didn’t suppose you had so much sentimental furniture in your upper story. It shows how one may be familiar for years with the reception-room of his neighbor, and never suspect what is directly under his mansard. I supposed your loft stuffed with dry legal parchments, mortgages, and affidavits; you take down a package of manuscript, and lo! there are lyrics and sonnets and canzonettas. You really have a graphic descriptive touch, Edward Delaney, and I suspect you of anonymous love-tales in the magazines.

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