Thomas Bailey Aldrich
The Sisters' Tragedy, with Other Poems, Lyrical and Dramatic
A. D. 1670
AGLAE, a widow
MURIEL, her unmarried sister.
IT happened once, in that brave land that lies
For half the twelvemonth wrapt in sombre skies,
Two sisters loved one man. He being dead,
Grief loosed the lips of her he had not wed,
And all the passion that through heavy years
Had masked in smiles unmasked itself in tears.
No purer love may mortals know than this,
The hidden love that guards another's bliss.
High in a turret's westward-facing room,
Whose painted window held the sunset's bloom,
The two together grieving, each to each
Unveiled her soul with sobs and broken speech.
Both still were young, in life's rich summer yet;
And one was dark, with tints of violet
In hair and eyes, and one was blond as she
Who rose—a second daybreak—from the sea,
Gold-tressed and azure-eyed. In that lone place,
Like dusk and dawn, they sat there face to face.
She spoke the first whose strangely silvering hair
No wreath had worn, nor widow's weed might wear,
And told her blameless love, and knew no shame—
Her holy love that, like a vestal flame
Beside the sacred body of some queen
Within a guarded crypt had burned unseen
From weary year to year. And she who heard
Smiled proudly through her tears and said no word,
But, drawing closer, on the troubled brow
Laid one long kiss, and that was words enow!
MURIEL.
Be still, my heart! Grown patient with thine ache,
Thou shouldst be dumb, yet needs must speak, or break.
The world is empty now that he is gone.
AGLAE.
MURIEL.
None was like him, no, not one.
From other men he stood apart, alone
In honor spotless as unfallen snow.
Nothing all evil was it his to know;
His charity still found some germ, some spark
Of light in natures that seemed wholly dark.
He read men's souls; the lowly and the high
Moved on the self-same level in his eye.
Gracious to all, to none subservient,
Without offence he spake the word he meant—
His word no trick of tact or courtly art,
But the white flowering of the noble heart.
Careless he was of much the world counts gain,
Careless of self, too simple to be vain,
Yet strung so finely that for conscience-sake
He would have gone like Cranmer to the stake.
I saw—how could I help but love? And you—
AGLAE.
At this perfection did I worship too . . .
'Twas this that stabbed me. Heed not what I say!
I meant it not, my wits are gone astray,
With all that is and has been. No, I lie—
Had he been less perfection, happier I!
MURIEL.
Strange words and wild! 'Tis the distracted mind
Breathes them, not you, and I no meaning find.
AGLAE.
Yet 'twere as plain as writing on a scroll
Had you but eyes to read within my soul.—
How a grief hidden feeds on its own mood,
Poisons the healthful currents of the blood
With bitterness, and turns the heart to stone!
I think, in truth, 'twere better to make moan,
And so be done with it. This many a year,
Sweetheart, have I laughed lightly and made cheer,
Pierced through with sorrow!
Then the widowed one
With sorrowfullest eyes beneath the sun,
Faltered, irresolute, and bending low
Her head, half whispered,
Dear, how could you know?
What masks are faces!—yours, unread by me
These seven long summers; mine, so placidly
Shielding my woe! No tremble of the lip,
No cheek's quick pallor let our secret slip!
Mere players we, and she that played the queen,
Now in her homespun, looks how poor and mean!
How shall I say it, how find words to tell
What thing it was for me made earth a hell
That else had been my heaven! 'Twould blanch your cheek
Were I to speak it. Nay, but I will speak,
Since like two souls at compt we seem to stand,
Where nothing may be hidden. Hold my hand,
But look not at me! Noble 'twas, and meet,
To hide your heart, nor fling it at his feet
To lie despised there. Thus saved you our pride
And that white honor for which earls have died.
You were not all unhappy, loving so!
I with a difference wore my weight of woe.
My lord was he. It was my cruel lot,
My hell, to love him—for he loved me not!
Then came a silence. Suddenly like death
The truth flashed on them, and each held her breath—
A flash of light whereby they both were slain,
She that was loved and she that loved in vain!
1851-1870
I
Now there was one who came in later days
To play at Emperor: in the dead of night
Stole crown and sceptre, and stood forth to light
In sudden purple. The dawn's straggling rays
Showed Paris fettered, murmuring in amaze,
With red hands at her throat—a piteous sight.
Then the new Caesar, stricken with affright
At his own daring, shrunk from public gaze
In the Elysee, and had lost the day
But that around him flocked his birds of prey,
Sharp-beaked, voracious, hungry for the deed.
'Twixt hope and fear behold great Caesar hang!
Meanwhile, methinks, a ghostly laughter rang
Through the rotunda of the Invalides.
II
What if the boulevards, at set of sun,
Reddened, but not with sunset's kindly glow?
What if from quai and square the murmured woe
Swept heavenward, pleadingly? The prize was won,
A kingling made and Liberty undone.
No Emperor, this, like him awhile ago,
But his Name's shadow; that one struck the blow
Himself, and sighted the street-sweeping gun!
This was a man of tortuous heart and brain,
So warped he knew not his own point of view—
The master of a dark, mysterious smile.
And there he plotted, by the storied Seine
And in the fairy gardens of St. Cloud,
The Sphinx that puzzled Europe, for awhile.
III
I see him as men saw him once—a face
Of true Napoleon pallor; round the eyes
The wrinkled care; mustache spread pinion-wise,
Pointing his smile with odd sardonic grace
As wearily he turns him in his place,
And bends before the hoarse Parisian cries—
Then vanishes, with glitter of gold-lace
And trumpets blaring to the patient skies.
Not thus he vanished later! On his path
The Furies waited for the hour and man,
Foreknowing that they waited not in vain.
Then fell the day, O day of dreadful wrath!
Bow down in shame, O crimson-girt Sedan!
Weep, fair Alsace! weep, loveliest Lorraine!
So mused I, sitting underneath the trees
In that old garden of the Tuileries,
Watching the dust of twilight sifting down
Through chestnut boughs just toucht with autumn's brown—
Not twilight yet, but that illusive bloom
Which holds before the deep-etched shadows come;
For still the garden stood in golden mist,
Still, like a river of molten amethyst,
The Seine slipt through its spans of fretted stone,
And, near the grille that once fenced in a throne,
The fountains still unbraided to the day
The unsubstantial silver of their spray.
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