Brian Aldiss - Helliconia

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Helliconia: краткое содержание, описание и аннотация

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Helliconia is a planet that, due to the massively eccentric orbit of its own sun around another star, experiences seasons that lasts eons. Whole civilisations grow in the Spring, flourish in the Summer and then die in the brutal winters. The human-like inhabitants have been profoundly changed by their experience of this harsh cycle.
Helliconia is a planet that, due to the massively eccentric orbit of its own sun around another star, experiences seasons that lasts eons. Whole civilisations grow in the Spring, flourish in the Summer and then die in the brutal winters. The human-like inhabitants have been profoundly changed by their experience of this harsh cycle. In orbit above the planet a terran mission struggles to observe and understand the effects on society of such a massive climatic impact. Massive, thoroughly researched, minutely organised, full of action, pulp references and deep drama this is a classic trilogy.
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‘Our ablest SF writer.’
Guardian
‘Propels the reader headlong into marvel. A trilogy which has acquired monumental nobility.’
The Times
‘Science fiction has never before had this grandeur.’
Times Literary Supplement
‘Brian Aldiss’ towering imagination places his
trilogy far above standard science fiction.’
Daily Mail
‘Rarely has someone else’s brave new world been brought so stunningly to life.’
Daily Telegraph
‘One of the best SF writers Britain has ever produced.’
Iain M. Banks ‘A marvellous journey to another world — a remarkable feat of the imagination.’
John Fowles

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In one of these livings, Tusca, Kyale’s kindly wife, found Yuli a chamber of his own, only three doors from where she and Kyale lived. It was roofless and its walls curved; he felt as if he had been set down within a stone flower.

Vakk sloped steeply, and was dimly lit by natural light — more dimly than Market. The air was sooty with the exhalations of fat lamps, but clerics collected tax on every lamp, which had numbers stamped on their clay bases, so that they were used sparingly. The mysterious fogs which afflicted Market had less power in Vakk.

From Vakk, a gallery led direct to Reck. There were also, on lower ground, ragged arches leading to a high-roofed cavern called Groyne, which had good clean air, although the inhabitants of Vakk thought the inhabitants of Groyne rather barbarous, chiefly because they were members of more lowly guilds, slaughterers, tanners, diggers of chert and clay and fossil wood.

In the honeycombed rock adjoining both Groyne and Reck was another large cavern full of habitations and cattle. This was Prayn, which many avoided. It was being energetically extended by the sappers’ guild when Yuli arrived. Prayn collected all the night soil from the other suburbs and fed it to swine and noctiferous crops, which thrived on heat. Some of the farmers in Prayn bred as a sideline a strain of bird called a preet, which had luminous eyes and luminescent patches on its wings. Preets were popular as cage birds; they added a little brightness to the livings of Vakk and Groyne — though they also were the subject of taxes collected by priests for Akha.

‘In Groyne they are gruff, in Prayn pretty tough,’ went a local saying. But Yuli found the people lifeless, except when roused by the games, rare exceptions being those few traders and trappers living in Market in terraces of their own guild, who regularly had occasion to be blessed by Akha and sent on business in the outside world, as had been the case with the two gentlemen of his acquaintance.

From all the major caverns, and from smaller ones, paths and tunnels led into the blind rock, some ascending, some descending. Pannoval was full of legends of magical beasts that came in from the primordial dark of the rock, or of people who were spirited away from their livings into the mountain. Best to stay put in Pannoval, where Akha looked after his own with his blind eyes. Better Pannoval, too, and taxes, than the cold glare of outside.

These legends were kept alive by the sayers’ guild, members of which stood on every stairway, or waited on terraces, and spun fantastic tales. In this world of nebulous gloom, words were like lights.

To one other section of Pannoval, which figured largely in people’s whispered discourse, Yuli was not allowed to make his way. That was the Holies. The Holies could be reached by gallery and stair from Market, but it was guarded by the militia, and set apart by repute. No one went voluntarily through its winding approaches. In the Holies lived the militia, forever guarding the law of Pannoval, and the priesthood, forever guarding its soul.

All these arrangements were so magnificent to Yuli that he could not see their meanness.

It took Yuli little time to find how closely the people were governed. They expressed no surprise in a system to which they had been born; but Yuli, accustomed to open spaces and the easily comprehended law of survival, was astonished at the way in which their every movement was circumscribed. Yet they thought themselves uniquely privileged.

With his legitimately acquired stock of skins, Yuli planned to purchase a stall next to Kyale, and set up shop. He discovered that there were many regulations that forbade anything so simple. Nor could he trade without a stall — unless he had a special licence — and for that he would have to have been born a member of a hawkers’ guild. He needed a guild, an apprenticeship, and certain qualifications — a kind of exam — that only the priesthood could confer. He also needed a two-part certificate from the militia, together with insurance and references. Nor would he be able to trade until he owned a living. Yet he could not possess the room Tusca had rented for him until he was fully accredited with the militia. He was unable to meet even the most elementary qualification: a belief in Akha and a proof of regular sacrifices to the god.

‘It’s simple. First you, as a savage, must attend a priest.’ That was the dictum of a sharp-faced militia captain before whom Yuli had to appear. He confronted Yuli in a little stone room, the balcony of which was a metre or so above one of Market’s terraces, and from which one might survey the whole animated scene.

The captain wore a floor-length cloak of black and white over the customary skins. On his head he wore a bronze helmet displaying the holy symbol of Akha, a kind of two-spoked wheel. His hide boots came halfway up his calf. Behind him stood a phagor, a black and white woven band tied round its hairy white brow.

‘Pay attention to me,’ growled the captain. But Yuli found his eyes ever drifting towards the silent phagor, wondering at its presence.

The ancipital stood with an air of taciturn repose, ungainly head thrust forward. Its horns were blunt; they had been sawn short, and their cutting edges dulled with a file. Yuli saw that it had a leather collar and thong about its throat, half-concealed under white hair, a sign of its submission to man’s rule. Yet it was a threat to the citizens of Pannoval. Many officers appeared everywhere with a submissive phagor beside them; the phagors were valued for their superior ability to see in the dark. Ordinary people went in fear of the shambling animals that spoke basic Olonets. How was it possible, Yuli wondered, for men to form liaisons with the same beasts who had imprisoned his father — beasts that everyone in the wilds hated from birth?

The interview with the captain was dispiriting, and worse was to come. He could not live unless he obeyed the rules, and they appeared interminable; there was nothing for it — as Kyale impressed upon him — but to conform. To be a citizen of Pannoval, you had to think and feel like a Pannovalian.

So he was consigned to attend the priest in the alley of livings where he had his room. This entailed numerous sessions at which he was taught a ritualised history of Pannoval (‘born from Great Akha’s shadow on the eternal snows…’) and forced to learn many of the scriptures by heart. He also had to do whatever Sataal, the priest, told him to do, including the running of many tedious errands, for Sataal was lazy. It was no great consolation to Yuli to find that the children of Pannoval went through similar courses of instruction at an early age.

Sataal was a solidly built man, pale of face, small of ear, heavy of hand. His head was shaven, his beard plaited, in the manner of many priests of his order. There were twists of white in the plaits. He wore a knee-length smock of black and white. His face was deeply pocked. It took Yuli some while to realise that, despite the white hairs, Sataal was not past middle age, being only in his late teens. Yet he walked in a round-shouldered way suggesting both age and piety.

When he addressed Yuli, Sataal spoke always kindly but remotely, keeping a gulf between them. Yuli was reassured by the man’s attitude, which seemed to say, This is your job and mine, but I shall not complicate it by probing into what your inner feelings are. So Yuli kept quiet, applying himself to the task of learning all the necessary fustian verses.

‘But what do they mean?’ he asked at one point, in bewilderment.

Sataal rose slowly in the small room, and turned about, so that his shoulders loomed black in a distant source of light, and all the rest of him flowed into encompassing shadow. A dull highlight gleamed on his pate as he inclined his head towards Yuli, saying, admonishingly, ‘Learning first, young fellow, then interpretation. After learning, then less difficulty in interpretation. Get everything by heart, you hardly need it by head. Akha never enforces understanding from his people, only obedience.’

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