Pittacus Lore - I Am Number Four

I sit in the grass and I hold Henri while the last cannon falls silent. The pain leaves my own body and with the cold of the night I feel my own self begin to fade. The moon and the stars shine overhead. I hear a cackle of laughter carried on the wind. My ears attune to it. I turn my head. Through the dizziness and blurry vision I see a scout fifteen feet away from me. Long trench coat, hat pulled to its eyes. It drops the coat and takes off the hat to reveal a pale and hairless head. It reaches to the back of its belt and removes a bowie knife, the blade of which is no less than twelve inches long. I close my eyes. I don't care anymore. The scout's raspy breathing comes my way, ten feet, then five. And then the footsteps end. The scout grunts in pain, and begins gurgling.

I open my eyes, the scout so close that I can smell it. The bowie knife falls from its hand, and there in its chest, where I assume its heart must be, is the end of a butcher's knife. The knife is pulled free. The scout drops to its knees, falls to its side, and explodes into a puff of ash. Behind it, holding the knife in her shaky right hand, with tears in her eyes, stands Sarah. She drops the knife and rushes over to me, wrapping her arms around me with my arms around Henri. I hold Henri as my own head falls and the world dims away into nothingness. The aftermath of war, the school destroyed, the trees fallen and heaps of ash piled in the grass of the football field and I still hold Henri. And Sarah holds me.

Images flicker, each one bringing its own sorrow or its own smile. Sometimes both. At the very worst an impenetrable and sightless black and at best a happiness so bright that it hurts the eyes to see, coming and going on some unseen projector perpetually turned by an invisible hand. One, then another. The hollow click of the shutter. Now stop. Freeze this frame. Pluck it down and hold it close and be damned by what you see. Henri always said: the price of a memory is the memory of the sorrow it brings.

A warm summer day in the cool grass with the sun high in the cloudless sky. The air coming off the water, carrying the freshness of the sea. A man walks up to the house, briefcase in hand. A younger man, brown hair cut short, freshly shaven, dressed casually. A sense of nervousness by the way he switches his briefcase from one hand to the other and the thin layer of sweat glistening on his forehead. He knocks at the door. My grandfather answers, opens the door for the man to enter, then closes it behind him. I resume my romping in the yard. Hadley changing forms, flying, then dodging, then charging. Wrestling with one another and laughing until it hurts. The day passing as time only can under the reckless abandon of childhood's invincibility, of its innocence.

Fifteen minutes pass. Maybe less. At that age a day can last forever. The door opens and closes. I look up. My grandfather is standing with the man I had seen approach, both of them looking down at me.

"There is somebody I would like you to meet," he says.

I stand from the grass and clap my hands together to knock away the dirt.

"This is Brandon," my grandfather says. "He is your Cepan. Do you know what that means?"

I shake my head. Brandon. That was his name. All these years and only now does it come back to me.

"It means he's going to be spending a lot of time with you from here on out. The two of you, it means you are connected. You are bound to one another. Do you understand?"

I nod and walk to the man and I offer him my hand as I have seen done many times by grown men before. The man smiles and drops to one knee. He takes my small hand in his right and he closes his fingers around it.

"Pleased to meet you, sir," I say.

Bright, kind eyes full of life look into mine as though offering a promise, a bond, yet I'm too young to know what that promise or bond really means.

He nods and brings his left hand on top of his right, my tiny hand lost somewhere in the middle. He nods at me, still smiling.

"My dear child," he says. "The pleasure is all mine."

I am jolted awake. I lie on my back, my heart racing, breathing heavily as though I had been running. My eyes stay closed but I can tell the sun has just risen by the long shadows and the crispness of air in the room. Pain returns, my limbs still heavy. With the pain comes another pain, a pain far greater than any physical ailment I could ever be afflicted with: the memory of the hours before.

I take a deep breath and exhale. A single tear rolls down the side of my face. I keep my eyes closed. An irrational hope that if I don't find the day then the day won't find me, that the things in the night will be nullified. My body shudders, a silent cry turning into a hard one. I shake my head and let it in. I know that Henri is dead and that all the hope in the world won't change it.

I feel movement beside me. I tense myself, try to remain motionless so as not to be detected. A hand reaches up and touches the side of my face. A delicate touch done with love. My eyes come open, adjusting to the postdawn light until the ceiling of a foreign room comes into focus. I have no idea where I am, nor how I could have gotten here. Sarah is sitting next to me. She brings her hand to the side of my face and traces my brow with her thumb. She leans down and kisses me, a soft lingering kiss that I wish I could bottle and save for all time. She pulls away and I take a deep breath and close my eyes and kiss her on the forehead.

"Where are we?" I ask.

"A hotel thirty miles from Paradise."

"How did I get here?"

"Sam drove us," she says.

"I mean from the school. What happened? I remember that you were with me last night, but I don't remember a thing after," I say. "It almost seems like a dream."

"I waited on the field with you until Mark arrived and he carried you to Sam's truck. I couldn't stay hidden any longer. Being in the school without knowing what was happening out there was killing me. And I felt like I could help somehow."

"You certainly helped," I say. "You saved my life."

"I killed an alien," she says, as though the fact still hasn't settled in.

She wraps her arms around me, her hand resting on the back of my head. I try to sit up. I make it halfway on my own and then Sarah helps me the rest of the way, pushing on my back but being careful not to touch the wound left by the knife. I swing my feet over the edge of the bed and reach down and feel the scars around my ankle, counting them with the tips of my fingers. Still only three, and in this way I know that Six has survived. I had already accepted the fate of the rest of my days being spent alone, an itinerant wanderer with no place to go. But I won't be alone. Six is still here, still with me, my tie to a past world.

"Is Six okay?"

"Yes," she says. "She's been stabbed and shot but she seems to be doing okay now. I don't think she would have survived had Sam not carried her to the truck."

"Where is she?"

"In the room next door, with Sam and Mark."

I stand. My muscles and joints ache in protest, everything stiff and sore. I am wearing a clean T-shirt, a pair of mesh shorts. My skin is fresh with the smell of soap. The cuts have been cleaned and bandaged, a few of them stitched.

"Did you do all of this?" I ask.

"Most of it. The stitches were hard. We only had the ones Henri put in your head to go on as an example. Sam helped with them."

I look at Sarah sitting on the bed, her legs pulled underneath her. Something else catches my eye, a small mass that has shifted beneath the blanket at the foot of the bed. I tense, and immediately my mind returns to the weasels that sped across the gym. Sarah sees what I am looking at and smiles. She crawls to the bottom of the bed on her hands and knees.