Mike McQuay - Escape From New York

Plissken went back with the man, but didn’t fall. The Indian held his hands up taut, holding piano wire stretched between them. The throat was what he wanted. In flashes, Plissken watched the humming wire vibrate toward him. He got his hand up at the last second to protect himself.

The wire twanged on his hand-F# above middle C. It tightened the hand against his own neck, strangulating, cutting deeply into the side of his palm. The arms tightening the noose were impossibly strong, the strength of madness.

They pulled him backward. He went with it, forcing the flow, not fighting. When he connected with the man’s body, he jammed back with his free elbow, plunging hard into soft belly flesh.

The Indian’s scream turned to a gurgled choke and the man doubled over, releasing his hold on the wire. Plissken was around on him instinctively, his arm way above his head. He came down hard, like thunder on the exposed Indian neck. And even the choking stopped as the madman went to the demolished floor like someone had cut his string.

Plissken was off and running down the first corridor he saw. The shouts of the other Indians filled the hollow hall to cacophony all around him. They were too close.

Without turning or looking, his hand went to the survival pack, closing on the wide mouth barrel of a flare pistol. Still running, he got it out and cocked the less than precision hammer; he wheeled, skidded to a stop and fired.

His assailants were less than twenty feet behind him. The phosphorous ball whooshed from the barrel, exploding the hallway in brilliant light. It hit the floor, popping loudly, streamers of white-hot burning light squirting everywhere like a fountain, or like the Fourth of July. The Indians, in bold relief, lit to washed-out white, dove for cover. And Snake Plissken was off and running again.

The corridor ended in a metal door that looked like it had never been opened. He charged toward it, cocking the pistol again. Then, on a dead run, he fired. The door went up, blasting right out of its frame. On its other side, black night.

Plissken was through the door, in an alley. He just picked a direction and ran-free-at least for the moment.

Reaching the end of the alley, he skittered into the tangle of concrete jungle that was the city. He ran another block, two blocks, until he was sure that he wasn’t being followed.

Then he climbed the cracked, broken steps of a dead brownstone and squatted down in the shadows of its entryway. The building was intact for a floor above him. The rest of it was a pile of bricks and pretzel-twisted steel girders. Much of the block was bombed-out in the same way. It looked like the place where all the old buildings came to die.

He took his breath in measured doses, his eye roaming the deserted streets for enemies. It was a jungle, and he was both predator and prey in the chain of survival. There were no rational systems to apply here, no codes, no ethics. There was only life and death.

He wiped a hand across his sweat-streaming face and reached into the bulky holster. His rifle was in two parts. He took them out and snapped them together without looking; his eye was busy with the crumbling streets. The pieces locked together with a solid click, and he let his hands linger on the gun’s contours for just a second before reaching into the pouch for a clip of ammunition.

The ammo slid in slowly, sensuously, and locked into place. Snake Plissken stood up full and primed the bolt. He tucked the weapon under his arm and strode resolutely down the steps. If he had to survive here as an animal, let it be as a lion.

He moved into the street and turned around full. In the distance a wide avenue was filled completely with smoke. The plane. He moved toward it, eye wary, always watching.

Junked cars filled the street. He moved past each one carefully, checking for surprises. When he reached the smoke, he put on the ruby goggles and his field of vision became ghostlike; negative images drifted dreamlike before him. He felt removed from his body, like a spirit observing an unreal landscape.

Reaching into the pouch, he removed the tiny homer that was keyed to the President’s bracelet. Nothing. He wasn’t close enough to the source yet.

He kept moving through the smoke until he caught sight of the diffusing light from a dying fire. He moved toward the place. First he came to chunks of burned, twisted metal and scattered wreckage. Then a wheel. Then a seat-it was sitting upright, pretty as you please, right in the middle of the street. Something was strapped to it: it was a glob, an oozing broken glob. He had to assume that it had once been a human being, since he couldn’t imagine what else could have been strapped to a seat like that.

He moved on.

Most of the plane was in one spot. It had smashed into the building and then slid down its side, taking huge chunks of steel and concrete down with it. It had exploded at least once, and what had been a tail section was nothing more than a blackened hole. Part of the cabin remained intact, and the white fire came from in there.

He looked through one of the port windows. The whole inside of the cabin was charred black, fire apparently having flashed through the heavily oxygenated atmosphere to scald everyone in a matter of seconds. The bodies were black things, stiff and twiglike. The fire that still burned within the cabin was electrical, as wiring from reading lamps continued burning and shorting.

Plissken turned from the window and took off the goggles. His good eye caught movement and he turned toward it. A hunched figure, dressed in rags like a scarecrow, hobbled out from behind a section of the tail and scurried quickly into the blessed shadows. Plissken watched the human vulture gimp away, knowing that he would probably come back later to feed on the remains in the cabin.

Sitting on the twisted bulk of a wing, he got the radio back out again and turned it on. “I’m at the plane,” he said softly, eye still wandering. “Nobody made it”

He was startled by a beeping sound. “Wait a minute,” he said, looking down at the homing compass. It was flashing a tiny red light, northeast on its dial.

He slid off the wing. Looking down at the dial once again, he let his eye drift in the direction indicated. He was looking down a narrow, smoke-filled alley. He began to follow, moving slowly at first, then faster.

As he walked, he brought the radio up to his mouth. “I’ve got his pulse,” he said. “Right up ahead. It’s moving, to the… northwest.”

Hauk’s voice, loud, deafening. “YOU HAVE TO GET GOING, PLISSKEN..”

“Damn!” He shut off the noise and looked around. If there was any attention to attract, he did it. He picked up the pace and looked at the lifeclock strapped to his arm. It read 18:30:23, then changed to 18:30:22.

18:17:34.: 33, 32…

It was the only building with any light on the whole block: an old theater, its jutting marquee blank and shattered, reflecting the state of the art.

Plissken came up on it slowly, using the line of gutted, rusting cars as cover. The front was all boarded up, glass long gone, as a defense against the elements. Hard yellow light peeked through the cracks between the boards, escaping into the night in tiny, narrow shafts.

He looked at the homer. The blip was pulsing, pointing directly at the theater.

Moving in a crouch from between the cars, he ran up into the shadow of the boarded ticket booth. There were muffled sounds coming from inside the theater which sounded like music.

Darting from cover, he got right up to the window slats, listening. There was music… and laughter. The sound was small and far away, but it definitely was coming from within. He bent down slightly to try and look through the cracks in the wood, when suddenly a boarded-up door flew open right next to him.