Emma Orczy - The Nest of the Sparrowhawk

"But what is it, master?" she asked, as—obeying him mechanically—she took the bucket from him. It was heavy, for it was filled almost to the brim with a liquid which seemed very evil-smelling.

The next moment Master Courage was standing beside her. He took the bucket from her and then walked as rapidly as he could with it back towards the elm tree.

"It will help me to dislodge the bats, mistress," he said enigmatically, speaking over his shoulder as he walked.

She followed him—excited but timorous—until together they once more reached the spot, where Master Courage's amorous declarations had been so rudely interrupted. He put the bucket down beside him, and rubbed his hands together whilst uttering certain sounds which betrayed his glee.

Then only did she notice that he was carrying under one arm a long curious-looking instrument—round and made of tin, with a handle at one end.

She looked curiously into the bucket and at the instrument.

"'Tis the tar-water used for syringing the cattle," she whispered, "ye must not touch it, master. Where did you find it?"

"Just by the wall," he rejoined. "I knew it was kept there. They wash the sheep with it to destroy the vermin in them. This is the squirt for it," he added calmly, placing the end of the instrument in the liquid, "and I will mayhap destroy the vermin which is lodged in that elm tree."

A cry of terror issuing from above froze the very blood in Mistress Charity's veins.

"Stop! stop! you young limb of Satan!" came from Master Busy's nearly choking throat.

"It's evildoers or evil spirits, master," cried Mistress Charity in an agony of fear.

"Whatever it be, mistress, this should destroy it!" said Master Courage philosophically, as turning the syringe upwards he squirted the whole of its contents straight into the fork of the ivy-covered branches.

There was a cry of rage, followed by a cry of terror, then Master Hymn-of-Praise Busy with a terrific clatter of breaking boughs, fell in a heap upon the soft carpet of moss.

Master Courage be it said to the eternal shame of venturesome youth, took incontinently to his heels, leaving Mistress Charity to bear the brunt of the irate saintly man's wrath.

Master Busy, we must admit had but little saintliness left in him now. Let us assume that—as he explained afterwards—he was not immediately aware of Mistress Charity's presence, and that his own sense of propriety and of decorum had been drowned in a cataract of tar water. Certain it is that a volley of oaths, which would have surprised Sir Marmaduke himself, escaped his lips.

Had he not every excuse? He was dripping from head to foot, spluttering, blinded, choked and bruised.

He shook himself like a wet spaniel. Then hearing the sound of a smothered exclamation which did not seem altogether unlike a giggle, he turned round savagely and perceived the dim outline of Mistress Charity's dainty figure.

"The Lord love thee, Master Hymn-of-Praise," she began, somewhat nervously, "but you have made yourself look a sight."

"And by G—d I'll make that young jackanapes look a sight ere I take my hand off him," he retorted savagely.

"But what were you . . . hem! what wert thou doing up in the elm tree, friend Hymn-of-Praise?" she asked demurely.

"Thee me no thou!" he said with enigmatic pompousness, followed by a distinctly vicious snarl, "Master Busy will be my name in future for a saucy wench like thee."

He turned towards the house. Mistress Charity following meekly—somewhat subdued, for Master Busy was her affianced husband, and she had no mind to mar her future, through any of young Courage's dare-devil escapades.

"Thou wouldst wish to know what I was doing up in that forked tree?" he asked her with calm dignity after a while, when the hedges of the flower garden came in sight. "I was making a home for thee, according to the commands of the Lord."

"Not in the elm trees of a surety, Master Busy?"

"I was making a home for thee," he repeated without heeding her flippant observation, "by rendering myself illustrious. I told thee, wench, did I not? that something was happening within the precincts of Acol Court, and that it is my duty to lie in wait and to watch. The heiress is about to be abducted, and it is my task to frustrate the evil designs of the mysterious criminal."

She looked at him in speechless amazement. He certainly looked strangely weird in the semi-darkness with his lanky hair plastered against his cheeks, his collar half torn from round his neck, the dripping, oily substance flowing in rivulets from his garments down upon the ground.

The girl had no longer any desire to laugh, and when Master Busy strode majestically across the rustic bridge, then over the garden paths to the kitchen quarter of the house, she followed him without a word, awed by his extraordinary utterances, vaguely feeling that in his dripping garments he somehow reminded her of Jonah and the whale.

The pavilion had been built some fifty years ago, by one of the Spantons of Acol who had a taste for fanciful architecture.

It had been proudly held by several deceased representatives of the family to be the reproduction of a Greek temple. It certainly had columns supporting the portico, and steps leading thence to the ground. It was also circular in shape and was innocent of windows, deriving its sole light from the door, when it was open.

The late Sir Jeremy, I believe, had been very fond of the place. Being of a somewhat morose and taciturn disposition, he liked the seclusion of this lonely corner of the park. He had a chair or two put into the pavilion and 'twas said that he indulged there in the smoking of that fragrant weed which of late had been more generously imported into this country.

After Sir Jeremy's death, the pavilion fell into disuse. Sir Marmaduke openly expressed his dislike of the forlorn hole, as he was wont to call it. He caused the door to be locked, and since then no one had entered the little building. The key, it was presumed, had been lost; the lock certainly looked rusty. The roof, too, soon fell into disrepair, and no doubt within, the place soon became the prey of damp and mildew, the nest of homing birds, or the lair of timid beasts. Very soon the proud copy of an archaic temple took on that miserable and forlorn look peculiar to uninhabited spots.

From an air of abandonment to that of eeriness was but a step, and now the building towered in splendid isolation, in this remote corner of the park, at the confines of the wood, with a reputation for being the abode of ghosts, of bats and witches, and other evil things.

When Master Busy sought for tracks of imaginary criminals bent on abducting the heiress he naturally drifted to this lonely spot; when Master Courage was bent on whispering sweet nothings into the ear of the other man's betrothed, he enticed her to that corner of the park where he was least like to meet the heavy-booted saint.

Thus it was that these three met on the one spot where as a rule at a late hour of the evening Prince Amédé d'Orléans was wont to commence his wanderings, sure of being undisturbed, and with the final disappearance of Master Busy and Mistress Charity the place was once more deserted.

The bats once more found delight in this loneliness and from all around came that subdued murmur, that creaking of twigs, that silence so full of subtle sounds, which betrays the presence of animal life on the prowl.

Anon there came the harsh noise of a key grating in a rusty lock. The door of the pavilion was cautiously opened from within and the mysterious French prince, bewigged, booted and hatted, emerged into the open. The night had drawn a singularly dark mantle over the woods. Banks of cloud obscured the sky; the tall elm trees with their ivy-covered branches, and their impenetrable shadows beneath, formed a dense wall which the sight of human creatures was not keen enough to pierce. Sir Marmaduke de Chavasse, in spite of this darkness, which he hailed gleefully, peered cautiously and intently round as he descended the steps.