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Эдит Несбит: The Phoenix and the Carpet

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Эдит Несбит The Phoenix and the Carpet

The Phoenix and the Carpet: краткое содержание, описание и аннотация

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All hands now rushed to the rescue, and the paraffin fire was only a bundle of trampled carpet, when suddenly a sharp crack beneath their feet made the amateur firemen start back. Another crack—the carpet moved as if it had had a cat wrapped in it; the Jack-in-the-box had at last allowed itself to be lighted, and it was going off with desperate violence inside the carpet.

Robert, with the air of one doing the only possible thing, rushed to the window and opened it. Anthea screamed, Jane burst into tears, and Cyril turned the table wrong way up on top of the carpet heap. But the firework went on, banging and bursting and spluttering even underneath the table.

Next moment mother rushed in, attracted by the howls of Anthea, and in a few moments the firework desisted and there was a dead silence, and the children stood looking at each other’s black faces, and, out of the corners of their eyes, at mother’s white one.

The fact that the nursery carpet was ruined occasioned but little surprise, nor was any one really astonished that bed should prove the immediate end of the adventure. It has been said that all roads lead to Rome; this may be true, but at any rate, in early youth I am quite sure that many roads lead to BED, and stop there—or YOU do.

The rest of the fireworks were confiscated, and mother was not pleased when father let them off himself in the back garden, though he said, ‘Well, how else can you get rid of them, my dear?’

You see, father had forgotten that the children were in disgrace, and that their bedroom windows looked out on to the back garden. So that they all saw the fireworks most beautifully, and admired the skill with which father handled them.

Next day all was forgotten and forgiven; only the nursery had to be deeply cleaned (like spring-cleaning), and the ceiling had to be whitewashed.

And mother went out; and just at tea-time next day a man came with a rolled-up carpet, and father paid him, and mother said—

‘If the carpet isn’t in good condition, you know, I shall expect you to change it.’ And the man replied—

‘There ain’t a thread gone in it nowhere, mum. It’s a bargain, if ever there was one, and I’m more’n ‘arf sorry I let it go at the price; but we can’t resist the lydies, can we, sir?’ and he winked at father and went away.

Then the carpet was put down in the nursery, and sure enough there wasn’t a hole in it anywhere.

As the last fold was unrolled something hard and loud-sounding bumped out of it and trundled along the nursery floor. All the children scrambled for it, and Cyril got it. He took it to the gas. It was shaped like an egg, very yellow and shiny, half-transparent, and it had an odd sort of light in it that changed as you held it in different ways. It was as though it was an egg with a yolk of pale fire that just showed through the stone.

‘I MAY keep it, mayn’t I, mother?’ Cyril asked.

And of course mother said no; they must take it back to the man who had brought the carpet, because she had only paid for a carpet, and not for a stone egg with a fiery yolk to it.

So she told them where the shop was, and it was in the Kentish Town Road, not far from the hotel that is called the Bull and Gate. It was a poky little shop, and the man was arranging furniture outside on the pavement very cunningly, so that the more broken parts should show as little as possible. And directly he saw the children he knew them again, and he began at once, without giving them a chance to speak.

‘No you don’t’ he cried loudly; ‘I ain’t a-goin’ to take back no carpets, so don’t you make no bloomin’ errer. A bargain’s a bargain, and the carpet’s puffik throughout.’

‘We don’t want you to take it back,’ said Cyril; ‘but we found something in it.’

‘It must have got into it up at your place, then,’ said the man, with indignant promptness, ‘for there ain’t nothing in nothing as I sell. It’s all as clean as a whistle.’

‘I never said it wasn’t CLEAN,’ said Cyril, ‘but—’

‘Oh, if it’s MOTHS,’ said the man, ‘that’s easy cured with borax. But I expect it was only an odd one. I tell you the carpet’s good through and through. It hadn’t got no moths when it left my ‘ands—not so much as an hegg.’

‘But that’s just it,’ interrupted Jane; ‘there WAS so much as an egg.’

The man made a sort of rush at the children and stamped his foot.

‘Clear out, I say!’ he shouted, ‘or I’ll call for the police. A nice thing for customers to ‘ear you a-coming ‘ere a-charging me with finding things in goods what I sells. ‘Ere, be off, afore I sends you off with a flea in your ears. Hi! constable—’

The children fled, and they think, and their father thinks, that they couldn’t have done anything else. Mother has her own opinion.

But father said they might keep the egg.

‘The man certainly didn’t know the egg was there when he brought the carpet,’ said he, ‘any more than your mother did, and we’ve as much right to it as he had.’

So the egg was put on the mantelpiece, where it quite brightened up the dingy nursery. The nursery was dingy, because it was a basement room, and its windows looked out on a stone area with a rockery made of clinkers facing the windows. Nothing grew in the rockery except London pride and snails.

The room had been described in the house agent’s list as a ‘convenient breakfast-room in basement,’ and in the daytime it was rather dark. This did not matter so much in the evenings when the gas was alight, but then it was in the evening that the blackbeetles got so sociable, and used to come out of the low cupboards on each side of the fireplace where their homes were, and try to make friends with the children. At least, I suppose that was what they wanted, but the children never would.

On the Fifth of November father and mother went to the theatre, and the children were not happy, because the Prossers next door had lots of fireworks and they had none.

They were not even allowed to have a bonfire in the garden.

‘No more playing with fire, thank you,’ was father’s answer, when they asked him.

When the baby had been put to bed the children sat sadly round the fire in the nursery.

‘I’m beastly bored,’ said Robert.

‘Let’s talk about the Psammead,’ said Anthea, who generally tried to give the conversation a cheerful turn.

‘What’s the good of TALKING?’ said Cyril. ‘What I want is for something to happen. It’s awfully stuffy for a chap not to be allowed out in the evenings. There’s simply nothing to do when you’ve got through your homers.’

Jane finished the last of her home-lessons and shut the book with a bang.

‘We’ve got the pleasure of memory,’ said she. ‘Just think of last holidays.’

Last holidays, indeed, offered something to think of—for they had been spent in the country at a white house between a sand-pit and a gravel-pit, and things had happened. The children had found a Psammead, or sand-fairy, and it had let them have anything they wished for—just exactly anything, with no bother about its not being really for their good, or anything like that. And if you want to know what kind of things they wished for, and how their wishes turned out you can read it all in a book called Five Children and It (It was the Psammead). If you’ve not read it, perhaps I ought to tell you that the fifth child was the baby brother, who was called the Lamb, because the first thing he ever said was ‘Baa!’ and that the other children were not particularly handsome, nor were they extra clever, nor extraordinarily good. But they were not bad sorts on the whole; in fact, they were rather like you.

‘I don’t want to think about the pleasures of memory,’ said Cyril; ‘I want some more things to happen.’

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