George Henty - The Cornet of Horse - A Tale of Marlborough's Wars

"One, two, three, four, one, two, three, four–turn to your lady; one, two, three, four–now deep reverence. Now you take her hand; no, not her whole hand–the tips of her fingers; now you lead her to her seat; now a deep bow, so. That will do. You are improving, but you must be more light, more graceful, more courtly in your air; still you will do.

"Now run away, Mignon. to the garden; you have madam's permission to gather fruit.

"Now, Monsieur Rupert, we will take our lesson in fencing."

The above speech was in the French language, and the speaker was a tall, slightly-built man of about fifty years of age. The scene was a long low room, in a mansion situated some two miles from Derby. The month was January, 1702, and King William the Third sat upon the throne. In the room, in addition to the dancing master, were the lad he was teaching, an active, healthy-looking boy between fifteen and sixteen; his partner, a bright-faced French girl of some twelve years of age; and an old man, nearer eighty than seventy, but still erect and active, who sat in a large armchair, looking on.

By the alacrity with which the lad went to an armoire and took out the foils, and steel caps with visors which served as fencing masks, it was clear that he preferred the fencing lesson to the dancing. He threw off his coat, buttoned a padded guard across his chest, and handing a foil to his instructor, took his place before him.

"Now let us practise that thrust in tierce after the feint and disengage. You were not quite so close as you might have been, yesterday. Ha! ha! that is better. I think that monsieur your grandfather has been giving you a lesson, and poaching on my manor. Is it not so?"

"Yes," said the old man, "I gave him ten minutes yesterday evening; but I must give it up. My sword begins to fail me, and your pupil gets more skillful, and stronger in the wrist, every day. In the days when I was at Saint Germains with the king, when the cropheads lorded it here, I could hold my own with the best of your young blades. But even allowing fully for the stiffness of age, I think I can still gauge the strength of an opponent, and I think the boy promises to be of premiere force."

"It is as you say, monsieur le colonel. My pupil is born to be a fencer; he learns it with all his heart; he has had two good teachers for three years; he has worked with all his energy at it; and he has one of those supple strong wrists that seem made for the sword. He presses me hard.

"Now, Monsieur Rupert, open play, and do your best."

Then began a struggle which would have done credit to any fencing school in Europe. Rupert Holliday was as active as a cat, and was ever on the move, constantly shifting his ground, advancing and retreating with astonishing lightness and activity. At first he was too eager, and his instructor touched him twice over his guard. Then, rendered cautious, he fought more carefully, although with no less quickness than before; and for some minutes there was no advantage on either side, the master's longer reach and calm steady play baffling every effort of his assailant.

At last, with a quick turn of the wrist, he sent Rupert's foil flying across the room. Rupert gave an exclamation of disgust, followed by a merry laugh.

"You always have me so, Monsieur Dessin. Do what I will, sooner or later comes that twist, which I cannot stop."

"You must learn how, sir. Your sword is so; as you lunge I guard, and run my foil along yours, so as to get power near my hilt. Now if I press, your sword must go; but you must not let me press; you must disengage quickly. Thus, you see?

"Now let us try again. We will practise nothing else today–or tomorrow–or till you are perfect. It is your one weak point. Then you must practise to disarm your opponent, till you are perfect in that also. Then, as far as I can teach you, you will be a master of fencing. You know all my coups, and all those of monsieur le colonel. These face guards, too, have worked wonders, in enabling you to play with quickness and freedom. We are both fine blades.

"I tell you, young sir, you need not put up with an insult in any public place in Europe. I tell you so, who ought to know."

In the year 1702 fencing was far from having attained that perfection which it reached later. Masks had not yet been invented, and in consequence play was necessarily stiff and slow, as the danger of the loss of sight, or even of death, from a chance thrust was very great. When Rupert first began his lessons, he was so rash and hasty that his grandfather greatly feared an accident, and it struck him that by having visors affixed to a couple of light steel caps, not only would all possibility of an accident be obviated upon the part of either himself or his pupil, but the latter would attain a freedom and confidence of style which could otherwise be only gained from a long practice in actual war. The result had more than equalled his expectations; and Monsieur Dessin had, when he assumed the post of instructor, been delighted with the invention, and astonished at the freedom and boldness of the lad's play. It was, then, thanks to these masks, as well as to his teachers' skill and his own aptitude, that Rupert had obtained a certainty, a rapidity, and a freedom of style absolutely impossible in the case of a person, whatever his age, who had been accustomed to fence with the face unguarded, and with the caution and stiffness necessary to prevent the occurrence of terrible accident.

For another half hour the lesson went on. Then, just as the final salute was given, the door opened at the end of the room, and a lady entered, in the stiff dress with large hoops then in fashion. Colonel Holliday advanced with a courtly air, and offered her his hand. The French gentleman, with an air to the full as courtly as that of the colonel, brought forward a chair for her; and when she had seated herself, Rupert advanced to kiss her hand.

"No, Rupert, you are too hot. There, leave us; I wish to speak to Colonel Holliday and monsieur."

With a deep bow, and a manner far more respectful and distant than that which nowadays would be shown to a stranger who was worthy of all honour, Rupert Holliday left his mother's presence.

"I know what she wants," Rupert muttered to himself. "To stop my fencing lessons; just as if a gentleman could fence too well. She wants me to be a stiff, cold, finnikin fop, like that conceited young Brownlow, of the Haugh.

"Not if I know it, madame ma mere. You will never make a courtier of me, any more than you will a whig. The colonel fought at Naseby, and was with the king in France. Papa was a tory, and so am I."

And the lad whistled a Jacobite air as he made his way with a rapid step to the stables.

The terms Whig and Tory in the reign of King William had very little in common with the meaning which now attaches to these words. The principal difference between the two was in their views as to the succession to the throne. The Princess Anne would succeed King William, and the whigs desired to see George, Elector of Hanover, ascend the throne when it again became vacant; the tories looked to the return of the Stuarts. The princess's sympathies were with the tories, for she, as a daughter of James the Second, would naturally have preferred that the throne should revert to her brother, than that it should pass to a German prince, a stranger to her, a foreigner, and ignorant even of the language of the people. Roughly it may be said that the tories were the descendants of the cavaliers, while the whigs inherited the principles of the parliamentarians. Party feeling ran very high throughout the country; and as in the civil war, the towns were for the most part whig in their predilection, the country was tory.