Mark de Silva - Square Wave

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Square Wave: краткое содержание, описание и аннотация

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"A novel that looks our technocratic, militarized present in the face,
tells the story of a night watchman who discovers weaponized weather modification technologies. It sounds crazy, but in de Silva’s hands it all makes perfect (and terrifying) sense."
—  "Part mystery, part sci-fi thriller… highly topical for Americans today."
—  "Mark de Silva’s truly accomplished
defies all categories. Provocative, fascinating, and edifying,
is a fiercely intelligent and thrillingly inventive novel."
— Dana Spiotta
"Enticing and enthralling, [
] aims to hit all the literary neurons. This might be the closest we get to David Mitchell on LSD.
is the perfect concoction for the thirsty mind."
—  "The novel of ideas is alive and well in de Silva's high-minded debut, in which the pursuit of art, the exercise of power, and climate control are strangely entwined."
—  "Intriguing. A satisfying twist on more traditional dystopian fare… De Silva manages these varied plots skillfully."
—  "A brilliant debut, ambitious with its ideas, extraordinary in their syntheses and execution, and its stylish prose lit up everywhere by a piercing intelligence."
— Neel Mukherjee
"
is, above all, just excellent. Mark de Silva’s prose is simultaneously uncompromising and unassailable. The resulting work is kinetic with an almost wistful erudition that relentlessly but organically plumbs the intersections between art, politics, and our baser human qualities. Ultimately, the novel's defiance of easy categorization or explication charges the story with a compelling mental resonance that somehow feels instructive."
— Sergio De La Pava
Carl Stagg, a writer researching imperial power struggles in 17th century Sri Lanka, ekes out a living as a watchman in a factionalized America where confidence in democracy has eroded. Along his nightly patrol, Stagg finds a beaten prostitute, one in a series of monstrous attacks. Suspicious of his supervisor's intentions, Stagg partners with a fellow part-time watchman, Ravan, to seek the truth. Ravan hails from a family developing storm-dispersal technologies, whose research is jointly funded by the Indian and American governments.
The watchmen's discoveries put a troubling complexion on Stagg's research, giving it new shape and impetus, just as the weather modification project begins to appear less about dispersing storms than weaponizing them.
By gracefully weaving a study of the psychological effects of a militarized state upon its citizenry with topics as diverse as microtonal music and cloud physics,
signals the triumphant arrival of a young writer certain to be considered one of the most ambitious and intelligent of his generation. Gatefold cover.
Mark de Silva
New York Times
Square Wave

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The chat rooms took things a step further, though. Now, he had to react from the very point of view of the ones he held in contempt. It was a way of putting himself in the girls’ shoes — in its way a compassionate act. He felt more empathic for it, and his moral thinking seemed suppler to him. He was learning something, not just about himself, or even the girls, but about the space between them and how it might be closed.

Skye wasn’t his only character. He had others going at rival forums, some of which were dedicated to more extreme pornography. In one case, the raw fact around which he built his lies was that Maya Haven, a Czech newbie to Porn Valley, was to star in the latest Piss Mops flick. Lewis-as-Maya had so far explained to the fans in the chat room how, in shooting the scene, the taste of urine was not unlike white beer; that though the first sip was always jarring, no matter how many times you’d had it before, by the third swallow, there was something quenching in it, even if the aftertaste was worse and more persistent than beer.

In shooting the scene, he, Maya, had kneeled in the bathtub. Her patellas ached from the ceramic. Each man — there were three, though in the most heroic scenes in the series, there might be twice that — each man undid his jeans, just slightly off camera, and the first man up, his cock would dangle into frame. Lewis described the initial spurt onto the tongue; how Maya was encouraged to gargle with the piss; how she let the first stream, a golden brown, leak down her chest, running over her tits and belly through her legs.

But to the surprise of all, including herself, with the second stream she began to drink. She angled her head so that the piss struck the back of her throat and disappeared directly down her gullet. By the end of it, she’d consumed more than two pints. The men clapped spontaneously as she stood and twisted the shower knob. The sound of the falling water merged with the extravagant claps as the image went dark and she rinsed the piss from her hair and body. Just this once, she nearly forgot about the money. The director even threw in an extra hundred for drinking.

So far, no one had called Maya out, questioned her reality. The forum members seemed entranced, touched, disgusted, and yes, slightly shamed by Lewis’s tale. Which was his hope. It was also a funny story, he thought, and nothing hurts like humor.

But would the real Maya ever discover what she’d said in the forum? And would she be shocked by the odd detachment of her words, the self-lacerating wit? Or would she reluctantly recognize her reflection in them and hate herself more for it? Maybe she’d even learn something about herself from Lewis, just before she reported the deception to the moderators.

And then Violet, who was becoming far more famous than Maya. What would she think of what she’d said, which was altogether more reflective, if equally troubling? Maybe she’d be proud, and want to take up the challenge, live up to the portrait. Maybe one day soon she’d give it all up, this twisted image of the good life. Unlikely, but not impossible.

The only woman’s thoughts Lewis didn’t seem to speculate about lately were Janice’s. He spoke to her mostly in freighted trivialities now. Overall he simply spoke less, and even before he’d stopped getting off on porn, he’d stopped getting off on her. He was willing enough to go through the motions for her, she found. But she wasn’t. So they didn’t.

She of course could speculate about no one’s thoughts but his anymore. It felt to her as if he were flattening out, shrinking. There was less of him to inhabit now, to live in or with. At the same time, she had the odd feeling he was also deepening, growing, and rapidly. But the growth was taking place far away from her, on the other side of him, a place she knew existed but always left alone out of respect, love. Now it seemed ground was being gained there, so much that it was dwarfing all she knew of him. It was changing too, seeming no longer merely unknown, though available in principle to her, if she felt it important to know. It was becoming unknowable territory, and it chilled her. She had to admit that what she had left of him now was mostly abandoned land, scorched earth. No one could survive here for long.

He shut the laptop. She shut the window and left him to himself in the kitchen.

22

It’s been two weeks now since the great museum’s facade was pocked. Tiny plastic charges, military grade RDX, arranged with art. The paintings escaped damage, the guests and patrons too. The event did not. A philanthropic gathering, hosted by the Wintry, dedicated only to strengthening political literacy in the city’s charter schools — put simply, an education fundraiser — dispersed like that. It will be restaged. Most of the funds, we hope, will be collected, perhaps through online auctions, if in-the-flesh meetings remain fraught. (There is every chance they will.)

The bare idea of introducing a discussion of weighted voting, of power indexes, of phronesis , fundamentally, into our schools — readers of this magazine must wonder: how, and whom, does it disturb?

Before this, we had the leveling of the Morlen Center, which federal and city officials had planned on using to address, first privately, then in a series of town halls, what they have come to call the background instabilities, and what I prefer to call the quiet dissonances, of the last year and a half. Three people did die in the destruction. But that seems, from what we know and have come to expect, beyond the intention. The means were primitive, effective, they could even be symbolic. Ammonium nitrate — ANFO — packed tight into minivan casings. (Fertilizer, in essence, in a doorstep detonation.) Those talks have been delayed, will have to be moved, and one expects security will have to be ratcheted up again.

Then, three weeks ago, there was the careful disembowelment of a downtown pool hall that doubles as a meeting place for labor. It’s Emile Jenko’s. The talks held there were organized by a fine speaker, quietly convincing, so far from his roots: Javier Celano IV. Now he must seek a new place to lecture, to beseech, to plead. Another of Jenko’s halls, perhaps. It’s not known where he’s spoken, if at all, since the attack. The meetings, if there have been any, must be of a smaller scale, less visible. Perhaps he is gathering his thoughts, privately. Perhaps he finds other ways to speak.

And the source of the implosion, of the hall, the first in what can seem — though this cannot be known, or is not, yet — a chain. Whom can it trouble? Celano speaks, yes, for the lay, the common. But must that put him at odds with those wondering, like us, how character, knowledge, habit, and influence — political influence — should relate? If the education, or better, the life-training, on which the apportionment of political power properly depends were to be made available to all — the charter schools need only be the beginning — why should that be so? Even the most extreme electoral reweightings needn’t create inherent disadvantages. All those I have heard floated, anyway, call for a phasing-in, where the relevant opportunities would be made available beforehand.

I should say, I have no settled opinion if any of those proposals are worthy, though for predictable reasons, it is assumed I and others of the Wintry do, that we want things to come out a certain way. But public debate might well lead, probably would lead, only to quite moderate revisions of our understanding of political say-so. In fact, and this bears emphasis, we might well end up only reconfirming our existing arrangements, that brute, biological one: one person, one vote. Why not, if the basis is as sound as we have been assuming, collectively, it is, all these years?

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