Alastair Reynolds - Beyond the Aquila Rift - The Best of Alastair Reynolds

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This is an amazing collection of some of the best short fiction ever written in the SF genre, by an author acclaimed as ‘the mastersinger of space opera’ (THE TIMES).
Alastair Reynolds has won the Sidewise Award and been nominated for The Hugo Awards for his short fiction. One of the most thought-provoking and accomplished short-fiction writers of our time, this collection is a delight for all SF readers.

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“I am not turning, Prakash. I am taking this man back to his friends.”

“I wouldn’t do that, Soya. You’re only on the Moon under our sufferance. We can pull you out of the link at any moment, slot someone else in.”

“Who will do as they are told?”

“Who knows what’s good for them.”

“Then that is not me.”

Prakash is right: I can be pulled from the link at any time. Or rather, he would be right, if I did not have so much experience at driving robots. Scraping barnacles off a supertanker, scudding across the Moon: nothing much changes. And I know the tricks and dodges that will make it difficult or time-consuming for the link to be snapped. I have seldom had cause to use these things, but they are well remembered.

“Will you get into trouble for this?” Luttrell says.

“I think the damage is already done.”

“Thank you.” He is silent again. “I think I need to stay awake. Maybe if you told me something about yourself, that would help.”

“There is not much to tell. I was born in Dar es Salaam, around the turn of the century.”

“Before or after?”

“I don’t know. My mother never knew. There would have been records, I suppose. But I have never seen them.” I steer us around a boulder as large as the overlander itself. “It doesn’t matter. That’s all over now. Now tell me where you came from.”

He tells me his story. We drive.

* * *

IN THE MORNING the dust settles. My refusal to obey Prakash has not gone unpunished. Proficiency ratings have been set back to zero. Black marks have been set against my name, forbidding whole categories of employment. The credits I ought to have earned from the last task—I did, after all, save Luttrell—have failed to appear.

But I am resigned to my fate. It is not the end of the world, or at least not the end of mine. There are other types of work out here. Whatever is in store for me, I shall make the best of it. Just as long as it keeps my daughter from starvation.

On the way to the school, Eunice asks me what I did last night.

“Helped a man,” I say. “He did a bad thing, but I helped him anyway. That has made some people angry.”

“What did the man do?”

“It’s complicated. He took something that wasn’t his, or tried to. We’ll talk about it later.”

I think of Luttrell. When they finally broke me out of the link, we were still some way from his camp. I don’t know what happened after that. I hope his people were able to find him. I watch the news, but there’s nothing. It’s a border incident, that’s all. Not worth a mention.

While she is in school, I go to the community tent where the water thief waits her verdict. The place is crowded, the atmosphere volatile. The mantises have withdrawn: they have done their work, the patient has been stabilised, she is mostly conscious. I study the fluid in the woman’s drip and imagine that it is pure water. I think of gulping down its sweet clear contents.

I shoulder my way through the onlookers to the low trestle table, where the votes are being administered. I tell them who I am, although I think by now they know. A finger tracks down a list, a line is scratched through my name. I am invited to cast my vote. There are black balls and white balls, in open-topped cardboard medicine boxes.

I scoop up one ball from each box, both in one hand. For a moment the possibilities feel equally balanced. In the end, it is the white ball that I let go, the black one that I return to its box. Someone else can have that pleasure.

Leaving the community tent, I try to gauge the public mood. My sense is that it will not go well for this woman. But perhaps the nurses, doctors and mantises have already done enough. Perhaps the water thief will be strong enough, with or without medicine.

I am thinking what to do next when something tugs at my hem. It is the little boy, the one who is always following me. I reach into my pocket and feel the fat round bulge of the eye. I think about the purple light, how pretty it is. The eye has been my vigil and my gateway, but I don’t have much use for it now.

I tell the boy to hold out his hand. He obeys.

THE OLD MAN AND THE MARTIAN SEA

IN THE belly of the airship, alone except for freight pods and dirt-smeared machines, Yukimi dug into her satchel and pulled out her companion. She had been given it on her thirteenth birthday, by her older sister. It had been just before Shirin left Mars, so the companion had been a farewell present as well as a birthday gift.

It wasn’t the smartest companion in the world. It had all the usual recording functions, and enough wit to arrange and categorize Yukimi’s entries, but when it spoke back to her she never had the impression that there was a living mind trapped inside the floral-patterned—and now slightly dog-eared—hardback covers. And when it tried to engage her in conversation, when it tried to act like a friend or even a sister, it wasn’t clever enough to come out with the sort of thing a real person would have said. But Yukimi didn’t mind, really. It had still been a gift from Shirin, and if she stopped the companion talking back to her—which she mostly did, unless there was something she absolutely had to know—then it was still a place to record her thoughts and observations, and a useful window into the aug. When she was seventeen she would be legally entitled to receive the implants that gave her direct access to that shifting, teeming sea of universal knowledge. For now, all she had was the glowing portal of the companion.

“I’ve done it now,” she told it. “After all those times where we used to dare each other to sneak aboard, I’ve actually stayed behind until after the doors are closed. And now we’re in the air.” She paused, tiptoeing to peer through a grubby, dust-scoured window as her home fell slowly away. “I can see Shalbatana now, Shirin—it looks much smaller from up here. I can see Sagan Park and the causeway and the school. I can’t believe that was our whole world, everything we knew. Not that that’s any surprise to you, I suppose.”

It wasn’t Shirin she was talking to, of course. It was just the companion. But early on she had fallen into the habit of making the entries as if she was telling them to her sister, and she had never broken it.

“I couldn’t have done it if we hadn’t played those games,” Yukimi went on. “It was pretty hard, even then. Easy enough to sneak onto the docks—not much has changed since you left—but much harder to get aboard the airship. I waited until there was a lot going on, with everyone running around trying to get it loaded on time. Then I just made a run for it, dodging between robots and dock workers. I kept thinking: what’s the worst that can happen? They’ll find me and take me home. But I won’t be in any more trouble than if I do manage to sneak aboard. I know they’ll find me sooner or later anyway. I bet you’re shaking your head now, wondering what the point of all this is. But it’s easy for you, Shirin. You’re on another planet, with your job, so you don’t have to deal with any of this. I’m stuck back here and I can’t even escape into the aug. So I’m doing something stupid and childish: I’m running away. It’s your fault for showing me how easy it would be to get aboard one of the airships. You’d better be ready to take some of the blame.”

It was too much effort to keep on tiptoe so she lowered down. “I know it won’t make any difference: I’m not a baby. But they keep telling me I’ll be fine and I know I won’t be, and everything they say is exactly what I don’t want to hear. It’s not you, it’s us. We still love you, darling daughter. We’ve just grown apart . As if any of that makes it all right. God, I hate being me.”

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