Ted Chiang - Arrival

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Arrival: краткое содержание, описание и аннотация

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NOW A MAJOR MOTION PICTURE Previously published as
With his masterful first collection, multiple-award-winning author Ted Chiang deftly blends human emotion and scientific rationalism in eight remarkably diverse stories, all told in his trademark precise and evocative prose.
From a soaring Babylonian tower that connects a flat Earth with the heavens above, to a world where angelic visitations are a wondrous and terrifying part of everyday life; from a neural modification that eliminates the appeal of physical beauty, to an alien language that challenges our very perception of time and reality…
Chiang’s rigorously imagined fantasia invites us to question our understanding of the universe and our place in it.
Copies of
will feature either Amy Adams or Jeremy Renner on the cover.

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Was there anything in the room he could use as a weapon? The menagerie of automata included some squat mining engines, whose forelimbs terminated in enormous pickaxes, but the ax heads were bolted to their limbs. There was no way he could remove one.

Stratton could hear the assassin opening side doors and searching other storerooms. Then he noticed an automaton standing off to the side: a porter used for moving the inventory about. It was anthropomorphic in form, the only automaton in the room of that type. An idea came to him.

Stratton checked the back of the porter’s head. Porters’ names had entered the public domain long ago, so there were no locks protecting its name slot; a tab of parchment protruded from the horizontal slot in the iron. He reached into his coat pocket for the notebook and pencil he always carried and tore out a small portion of a blank leaf. In the darkness he quickly wrote seventy-two letters in a familiar combination, and then folded the paper into a tight square.

To the porter, he whispered, ‘Go stand as close to the door as you can.’ The cast-iron figure stepped forward and headed for the door. Its gait was very smooth, but not rapid, and the assassin would reach this storeroom any moment now. ‘Faster,’ hissed Stratton, and the porter obeyed.

Just as it reached the door, Stratton saw through the grille that his pursuer had arrived on the other side. ‘Get out of the way,’ barked the man.

Ever obedient, the automaton shifted to take a step back when Stratton yanked out its name. The assassin began pushing against the door, but Stratton was able to insert the new name, cramming the square of paper into the slot as deeply as he could.

The porter resumed walking forward, this time with a fast, stiff gait: his childhood doll, now life-size. It immediately ran into the door and, unperturbed, kept it shut with the force of its marching, its iron hands leaving fresh dents in the door’s oaken surface with every swing of its arms, its rubber-shod feet chafing heavily against the brick floor. Stratton retreated to the back of the storeroom.

‘Stop,’ the assassin ordered. ‘Stop walking, you! Stop!’

The automaton continued marching, oblivious to all commands. The man pushed on the door, but to no avail. He then tried slamming into it with his shoulder, each impact causing the automaton to slide back slightly, but its rapid strides brought it forward again before the man could squeeze inside. There was a brief pause, and then something poked through the grille in the door; the man was prying it off with a crowbar. The grille abruptly popped free, leaving an open window. The man stretched his arm through and reached around to the back of the automaton’s head, his fingers searching for the name each time its head bobbed forward, but there was nothing for them to grasp; the paper was wedged too deeply in the slot.

The arm withdrew. The assassin’s face appeared in the window. ‘Fancy yourself clever, don’t you?’ he called out. Then he disappeared.

Stratton relaxed slightly. Had the man given up? A minute passed, and Stratton began to think about his next move. He could wait here until the factory opened; there would be too many people about for the assassin to remain.

Suddenly the man’s arm came through the window again, this time carrying a jar of fluid. He poured it over the automaton’s head, the liquid splattering and dripping down its back. The man’s arm withdrew, and then Stratton heard the sound of a match being struck and then flaring alight. The man’s arm reappeared bearing the match, and touched it to the automaton.

The room was flooded with light as the automaton’s head and upper back burst into flames. The man had doused it with lamp oil. Stratton squinted at the spectacle: light and shadow danced across the floor and walls, transforming the storeroom into the site of some druidic ceremony. The heat caused the automaton to hasten its vague assault on the door, like a salamandrine priest dancing with increasing frenzy, until it abruptly froze: its name had caught fire, and the letters were being consumed.

The flames gradually died out, and to Stratton’s newly light-adapted eyes the room seemed almost completely black. More by sound than by sight, he realized the man was pushing at the door again, this time forcing the automaton back enough for him to gain entrance.

‘Enough of that, then.’

Stratton tried to run past him, but the assassin easily grabbed him and knocked him down with a clout to the head.

His senses returned almost immediately, but by then the assassin had him facedown on the floor, one knee pressed into his back. The man tore the health amulet from Stratton’s wrist and then tied his hands together behind his back, drawing the rope tightly enough that the hemp fibers scraped the skin of his wrists.

‘What kind of man are you, to do things like this?’ Stratton gasped, his cheek flattened against the brick floor.

The assassin chuckled. ‘Men are no different from your automata; slip a bloke a piece of paper with the proper figures on it, and he’ll do your bidding.’ The room grew light as the man lit an oil lamp.

‘What if I paid you more to leave me alone?’

‘Can’t do it. Have to think about my reputation, haven’t I? Now let’s get to business.’ He grasped the smallest finger of Stratton’s left hand and abruptly broke it.

The pain was shocking, so intense that for a moment Stratton was insensible to all else. He was distantly aware that he had cried out. Then he heard the man speaking again. ‘Answer my questions straight now. Do you keep copies of your work at home?’

‘Yes.’ He could only get a few words out at a time. ‘At my desk. In the study.’

‘No other copies hidden anywhere? Under the floor, perhaps?’

‘No.’

‘Your friend upstairs didn’t have copies. But perhaps someone else does?’

He couldn’t direct the man to Darrington Hall. ‘No one.’

The man pulled the notebook out of Stratton’s coat pocket. Stratton could hear him leisurely flipping through the pages. ‘Didn’t post any letters? Corresponding with colleagues, that sort of thing?’

‘Nothing that anyone could use to reconstruct my work.’

‘You’re lying to me.’ The man grasped Stratton’s ring finger.

‘No! It’s the truth!’ He couldn’t keep the hysteria from his voice.

Then Stratton heard a sharp thud, and the pressure in his back eased. Cautiously, he raised his head and looked around. His assailant lay unconscious on the floor next to him. Standing next to him was Davies, holding a leather blackjack.

Davies pocketed his weapon and crouched to unknot the rope that bound Stratton. ‘Are you badly hurt, sir?’

‘He’s broken one of my fingers. Davies, how did you—?’

‘Lord Fieldhurst sent me the moment he learned whom Willoughby had contacted.’

‘Thank God you arrived when you did.’ Stratton saw the irony of the situation – his rescue ordered by the very man he was plotting against – but he was too grateful to care.

Davies helped Stratton to his feet and handed him his notebook. Then he used the rope to tie up the assassin. ‘I went to your office first. Who’s the fellow there?’

‘His name is – was – Benjamin Roth.’ Stratton managed to recount his previous meeting with the kabbalist. ‘I don’t know what he was doing there.’

‘Many religious types have a bit of the fanatic in them,’ said Davies, checking the assassin’s bonds. ‘As you wouldn’t give him your work, he likely felt justified in taking it himself. He came to your office to look for it, and had the bad luck to be there when this fellow arrived.’

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