Джек Макдевитт - A Voice in the Night

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A Voice in the Night: краткое содержание, описание и аннотация

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Jack McDevitt has been a Sherlock Holmes fan since he was a teenager, although he reports that Holmes-style mysteries, whodunits, are not his favorite style. Jack encountered Gilbert Chesterton’s Father Brown tales a few years later and they ultimately became the prime influence in his science fiction. The issue with Father Brown was never a question of who committed the murder, but rather what in heaven’s name is going on here?
Why does an astronaut, in “Cathedral,” sacrifice her life to collide with an asteroid that she knows poses no threat to the Earth? Why does a scientist who’s designed an actual working AI in “The Play’s the Thing,” hide what he’s done? How is it that the lives of two people working at Moonbase in “Blinker” depend on a quasar?
In “Lucy,” Jack shows us why sending automated vehicles to explore the distant outposts of the solar system may not be a good idea. And in “Searching for Oz,” an alternate history story, how things might have been if SETI had gotten what it was looking for. He describes our reaction in “Listen Up, Nitwits,” when a voice begins speaking to us, apparently from Jupiter, in Greek. And in “The Lost Equation,” a Holmes adventure, we discover who really was first to arrive at e=mc2.
Jack also provides two episodes, “Maiden Voyage” and “Waiting At the Altar,” from Priscilla Hutchins’ qualification flight; and an effort by a sixteen-year-old Alex Benedict, in the title story with his uncle Gabe and Chase Kolpath’s mom, Tori, who are trying to understand why a brilliant radio entertainer, lost in the stars when his drive unit suffered a malfunction, never said goodbye.
These and thirteen other rides into odd places await the reader.

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They crossed to the shuttle and looked in through the ports. Only one body was visible. It was in the pilot’s seat. It appeared in much better condition than Hutch would have expected after nine years. “The environment,” Jake explained. “In a case like this, you don’t get all the microbes and whatever else is involved in decomposition. A corpse is more likely to look a bit mummified.”

He opened the hatch, climbed into the airlock, and made room for her. She noticed he’d brought a laser. “Just in case,” he said. “You’re going aboard a vehicle that has very little power. You wouldn’t want to get trapped in the airlock.” He touched the control pad and the outer hatch closed. The lock should then have begun to fill with air. But nothing happened.

“See what I mean?” He used the laser to cut a hole in the inner hatch. There was air pressure inside, and it quickly equalized. Then the hatch opened and they floated into the cabin.

They turned on their wrist lamps. Jake went up front to identify the corpse. Hutch took a deep breath, told herself it was no problem, and joined him. She recognized the body immediately.

It was Simmons.

Hutch stared. Somehow, even now, he was sprawled beneath the restraints in that easy charge-the-hill manner she knew so well. Goodbye, Dave, she thought. Growing up, she’d loved the guy. “What do you think happened?”

“We’ll have to wait for somebody to find the Forscher to be sure,” he said. “But whatever the breakdown was, it probably killed Kobayashi and Trelawney.” Fudoki Kobayashi had been the pilot. Jake shook his head. “Terrible way to die.”

“I’m surprised he didn’t end it,” said Hutch. “He could have walked out of the airlock.”

“I suspect he kept hoping somebody would come. He’d sent out a distress call.”

“I guess so. But he must have known nobody would hear it for a long time.”

“Maybe. Still, he was an actor. Maybe he didn’t really understand how big it is out here. He gets here in a few days. You kind of lose the feel for the size of everything. Or maybe he didn’t know it wasn’t a hypercomm. Whatever it was, it doesn’t matter now.”

Maybe, she thought, he just wasn’t inclined to give up.

A Voice in the Night - изображение 153

Something had become stuck to one of the storage cabinets in the rear of the vehicle. It looked like a notebook. Hutch removed it, opened it, touched the keypad. Nothing happened. “I think it needs charging.”

“We’ll take it back with us.”

“What do we do about Simmons?”

“Leave him where he is. Let the pros take care of it.” He took a last look around. Shook his head. “Nothing more for us to do here.”

They crossed back to the Copperhead, and Jake called the Patrol to let them know what he’d found. They thanked us and said they already had a unit underway.

“Good,” said Jake.

“You’ll stay on the scene, right? Give us a signal to track?”

“We’ll be here. Copperhead out.”

Hutch connected the notebook to a power source. And began paging through.

“What’s it say?” asked Jake.

She frowned at it, scrolled through to the last entries: Whoever reads this: Get to Talios III by the last week of November . And, the last line: Guess we bombed.

Jake leaned down, closer to the screen. “What’s he talking about?”

Hutch started paging back. “Give me a minute. It sounds as if they were running an experiment of some kind.”

“Whatever,” said Jake. “It’s irrelevant now. That November is long gone.”

A Voice in the Night - изображение 154

It didn’t take long to find what they were talking about. Simmons had been enjoying a quiet hour, reading the comic novel Last Man Out , which was not at all the kind of book she’d have expected in his case. The voices of Trelawney and Kobayashi were just barely audible on the bridge. Then, in Simmons’ words, everything came apart. There was a loud bang, screams, and darkness.

“Probably a power surge,” Jake said. “It would have knocked everything offline. Including the AI.”

When Simmons got to Trelawney and Kobayashi, they were both dead on the bridge. Electrocuted. The backup lights had come on, and fortunately the system had maintained life support. But other than that—

The hypercomm system either didn’t come back online or Simmons didn’t know how to operate it manually. Normally, all that’s necessary is to give an instruction to the AI, but the AI was down. Simmons decided his best chance was to use the shuttle radio, and send out a distress call in case anybody was nearby. So he got into the shuttle and launched.

He’d planned to return to the ship after sending the code six. As if things could not have gotten worse, the launch doors closed behind him and wouldn’t reopen.

It was hopeless. The last pages were filled with messages left for his two ex-wives, for his kids, and for friends and colleagues. There was no sign of self-pity. Frustration, yes. But if he was frightened, he didn’t leave any of it on the record. Incredibly, he remained the action hero so many had come to admire. Except this time it didn’t end happily.

Get to Talios by the last week of November.

Guess we bombed.

Benny broke into her thoughts: “I think,” he said, “There’s more in the notebook. About November.”

“What’s that?” Hutch asked.

“In the Talios system, they encountered an interstellar vehicle.”

“Too bad it wasn’t around when they broke down,” said Jake.

“You misunderstand me, Captain. It doesn’t seem to have been one of ours.”

Jake and Hutch sat quietly while Benny explained. “They were walking around on the fourth planet admiring the scenery when their AI alerted them that they weren’t alone. She told them there was a spacecraft in the area that did not fit any known configuration. And that it was approaching.”

“My God,” said Jake.

“Do you want me to put the pertinent sections onscreen?”

“Yes,” he said. “Please.”

The vehicle had been considerably larger than the Forscher . It was enormous. Probably two miles long, its hull black and smooth. They could see illuminated ports, including an area that had to be the bridge. We ran for the shuttle, Simmons wrote. Ten minutes after we got back inside the ship they were on the radio. Strange-sounding voices. Not human. Nothing like us. We said hello to them, and I’ll admit I used the friendliest tone I could come up with. They answered. One of them did. Don’t know what it said. Though it wasn’t hard to guess.

“You know,” said Jake, “there should be a complete record of this on the Forscher . Pictures, the radio transmissions, everything. We’re going to have to find the ship.”

“That won’t be easy out here,” said Hutch.

She kept her eyes on the screen, reading Simmons’ narrative. During the course of the first day, the AI’s learned to communicate with each other. Greetings went back and forth. The alien vessel was an explorer from a distant place. Trelawney, apparently beside himself with exhilaration, pointed out to the aliens that Forscher also meant ‘explorer.’

They got a quick reply: “There is little to do out here other than explore.”

The aliens had a sense of humor. And another question came from them: “Would you allow us to visit your home world?”

Nobody on board the Forscher thought that would be a good idea. There was no way to know their intentions. Above our grade level, Simmons commented. They didn’t dare reveal Earth’s location.

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