Джек Макдевитт - A Voice in the Night

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A Voice in the Night: краткое содержание, описание и аннотация

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Jack McDevitt has been a Sherlock Holmes fan since he was a teenager, although he reports that Holmes-style mysteries, whodunits, are not his favorite style. Jack encountered Gilbert Chesterton’s Father Brown tales a few years later and they ultimately became the prime influence in his science fiction. The issue with Father Brown was never a question of who committed the murder, but rather what in heaven’s name is going on here?
Why does an astronaut, in “Cathedral,” sacrifice her life to collide with an asteroid that she knows poses no threat to the Earth? Why does a scientist who’s designed an actual working AI in “The Play’s the Thing,” hide what he’s done? How is it that the lives of two people working at Moonbase in “Blinker” depend on a quasar?
In “Lucy,” Jack shows us why sending automated vehicles to explore the distant outposts of the solar system may not be a good idea. And in “Searching for Oz,” an alternate history story, how things might have been if SETI had gotten what it was looking for. He describes our reaction in “Listen Up, Nitwits,” when a voice begins speaking to us, apparently from Jupiter, in Greek. And in “The Lost Equation,” a Holmes adventure, we discover who really was first to arrive at e=mc2.
Jack also provides two episodes, “Maiden Voyage” and “Waiting At the Altar,” from Priscilla Hutchins’ qualification flight; and an effort by a sixteen-year-old Alex Benedict, in the title story with his uncle Gabe and Chase Kolpath’s mom, Tori, who are trying to understand why a brilliant radio entertainer, lost in the stars when his drive unit suffered a malfunction, never said goodbye.
These and thirteen other rides into odd places await the reader.

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“The rules are different in that universe.”

“You mean the laws of physics?” said Max.

“Yes.”

“I think we talked about that.”

“But we didn’t think it out. Why do you suppose the artificial gravity generator malfunctioned?”

“Ohhh,” said Jay. “I bet you’re right.”

Max, who wasn’t anxious to head back into a dangerous location, was losing patience. “One of you guys want to explain it to me?”

“The reason,” said Jay, “that the generator didn’t work was because the other universe doesn’t have gravity.”

“Wait, wait. That’s not possible, is it?”

“Not on this side of the gate.”

“Okay. So where does that take us?”

“Max,” said Emily, “speaking of the gate…”

They were getting close. They’d been moving slowly, but now Max reduced their velocity enough that someone on foot could have kept pace. “So what,” he asked, “does the lack of gravity have to do with anything?” Jay was about to respond when the pilot got it. “Oh, wait,” he said. “This has nothing to do with gravity directly. It’s physical laws. In this case,” he had to pause while he thought about it, “the speed of light is slower.”

“Correct,” said Emily. “Much slower. I’d bet it takes a while for a radio transmission to reach him.”

Max was looking out through the windows, juggling the numbers, when the prow started to disappear.

A Voice in the Night - изображение 263

They arrived back on the other side. Max immediately halted their progress to avoid losing touch with the gate. “So we’re used to radio conversations that are pretty much instantaneous,” Emily said. “But if the transmissions travel at, say, fifty kilometers per second instead of three hundred thousand, even if he’s only a few thousand kilometers away, it would take almost six or seven minutes for a message to reach him, and just as long to get a reply.”

“Yes. And that’s probably what happened.”

“But why didn’t the scanner pick him up?”

“Same reason. Instead of a fraction of a second, it takes the scanning signal seven minutes or whatever to find him and just as long to bounce back. We didn’t wait long enough.”

The other side was still filled with the gray fog. But they were only seconds clear of the gate when Horace’s desperate voice erupted from the radio. “Where the hell did you guys go? Hello, Max. Where in God’s name are you?”

“We’re here, Horace. It’s okay.”

Again there was no response. Max’s natural reaction was to ask the question again. But he reminded himself to sit back and wait.

It took twenty-six minutes while their message traveled out to wherever Horace was adrift and his reply came back. It was twenty-six minutes full of nervousness, exasperation, and frustration.

“It’s a good thing,” Max told Emily, “ you were with us.”

A Voice in the Night - изображение 264

Horace tracked their transmissions back in and followed the Breckinridge through the gate into the wormhole and finally back out under a starry sky. Minutes later, he was on board.

“I got pretty thoroughly screwed up,” he said. “I expected to be able to see the gate. But all I got was the cloud. I thought all I had to do was get clear of that and I’d be able to see the wormhole.”

“Which would allow you to find the gate.”

“Right. I’m glad you guys figured it out.”

“You can thank Emily for that.”

“Thank you, Emily,” he said. “I knew all along you were the brains on this mission.” He grinned at Jay. “But I told you not to come after me.”

Jay laughed. “You don’t sound as if you’re mad at us.”

“No. I guess I was pretty dumb.” They were seated in the passenger cabin while the Breckinridge recharged. “But we didn’t get much of a look at our next door neighbor.”

“It doesn’t matter,” said Emily.

Horace rolled his eyes. “How can you say that? We’ve been to another universe and we’ve only seen one cloud.”

“You’re not thinking, Horace. It has no gravity. That’s all that place is: a giant hydrogen cloud. With probably some helium. Come back in a few million years and they might have picked up a few atoms.”

Jay shrugged. “Not that it matters. If there’s no gravity, they’ll never have anything.”

A VOICE IN THE NIGHT

For Jean Shepherd Alex Benedict first encountered the voice while playing a - фото 265

—For Jean Shepherd

Alex Benedict first encountered the voice while playing a board game on a friend’s porch when he was about twelve. The friend was Augie McLeish. It was a guy reminiscing about what he’d gone through trying to summon the nerve to ask a girl to go out with him. “It’s a recording,” Augie said. “My folks listen to them a lot.”

The girl’s name was Peggy and she was the girl of his dreams. The narrator said he’d been in the sixth grade at the time. “My problem,” he continued, “was that whenever I got close to her, I froze, completely and absolutely. Then I saw an advertisement for a self-hypnosis package that guaranteed I could persuade myself that I was the ultimate prize. Good-looking, smart, funny.” He laughed at the sheer stupidity of the idea. His voice crackled with energy. “Any girl could be mine. That was what they guaranteed.” He laughed again and they cut in with some music. The show’s theme, growing louder, indicated they were coming to a close. “I’m still trying to get it to work,” he said.

The theme, Alex learned later, was Shefski’s “Liftoff.” It suggested a musical rocket, soaring into the stratosphere. It was a great voice, and Alex realized he’d been paying more attention to the recording than to the game.

“Who is that guy?” he asked the father.

“He’s Horace Brandon, Alex. A radio comedian from, I don’t know, fifty or sixty years ago.”

Alex had never heard of him. He did a search and discovered his program had been three hours long, broadcast on Sunday evenings to an impassioned audience across the North American continent. North America and Earth were a long way from where Alex lived, but he and Horace connected. He downloaded some of his stuff, learned that he was known as ‘Brandy’ rather than Horace, and became an overnight addict. Brandy was the funniest guy he’d ever heard, while simultaneously describing a life Alex knew quite well. He talked about his misadventures trying to “become one of the gang,” wearing a cape, and collecting superhero memorabilia. “My favorite,” he said “was Captain Chaos. Her special power was that wherever she went, she sowed utter confusion. Her abilities derived,” Brandy explained, “from the fact that she came from a long line of politicians.”

Alex listened to the recordings whenever he had time. Over a span of about two years, Brandy provided him with a sense of what it meant to be human, why he should be skeptical of people’s opinions, especially his own, and how easy it was to laugh at most of life’s misfortunes. He talked about things he wanted to do, to sit down with one of the Ashyurreans, and see what it felt like to get his mind read. To visit a star that was about to explode. “Most of all,” he said on several occasions, “I’d like to live long enough to share a few beers with whoever lives in Andromeda.”

Alex loved the guy. After encountering Brandy, he was never the same. He was sorry to learn that he was no longer alive.

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