Gardner Dozois: The Years Best Science Fiction, Vol. 20

Subscription addresses follow: The Magazine of Fantasy amp; Science Fiction, Spilogale, Inc., P.O. Box 3447, Hoboken, NJ, 07030, annual subscription-$38.97 in U.S.; Asimov’s Science Fiction, Dell Magazines, P.O. Box 54033, Boulder, CO, 80322-4033-$39.97 for annual subscription in U.S., Analog, Science Fiction and Fact, Dell Magazines, P.O. Box 54625, Boulder, CO, 80323-$39.97 for annual subscription in U.S.; Interzone, 217 Preston Drove, Brighton BN1 6FL, United Kingdom-$60.00 for an airmail one year (twelve issues) subscription; Realms of Fantasy, Sovereign Media Co. Inc., P.O. Box 1623, Williamsport, PA, 17703-$16.95 for an annual subscription in the U.S.; Spectrum SF, Spectrum Publishing, P.O. Box 10308, Aberdeen, ABU 6ZR, United Kingdom-17 pounds sterling for a four-issue subscription, make checks payable to “Spectrum Publishing”; 3SF, Big Engine Co., Ltd, P.O. Box 185, Abingdon, Oxon OX 14 1GR-$45.00 for a six-issue (one year) overseas subscription, or subscribe online at www.3SFmag.co.uk. Note that many of these magazines can also be subscribed to electronically online, at their various Web sites.

The internet scene evolves with such lightning speed, with new e-magazines and internet sites of general interest being born and dying in what seems a blink of the eye, that it remains possible that everything I say about it here will be obsolete by the time this book makes it into print and gets out on a bookshelf somewhere where you can buy it. The only way you can be sure to keep up with the online world is to check out what’s happening there yourself, and keep checking frequently.

Once again this year, one of the major players in the whole genre short-fiction market, not just the online segment of it, was Hugo-winner Ellen Datlow’s Sci Fiction page on the internet (www.scifi.com/scifiction/), a fiction site within the larger umbrella of The Sci-Fi Channel site, which published (or “published,” if you insist) a lot of the year’s best fiction, including stories by Nancy Kress, Robert Reed, Alex Irvine, Paul McAuley, Steven Popkes, James Van Pelt, Terry Bisson, and others. The site also features classic reprints, and a different original short-short story by Michael Swanwick every week.

Although Sci Fiction is no doubt your best bet on the Internet for good short fiction, it’s not the only place to look. Eileen Gunn’s The Infinite Matrix page (www.infinite matrix.net) also published literate and quirky fiction of high quality this year by Gene Wolfe, Ursula K. Le Guin, Benjamin Rosenbaum, Michael Swanwick, Walter Jon Williams, John Kessel, Maureen F. McHugh, Neal Barrett, Jr., John Varley, and others. The site also features a weblog from Bruce Sterling, a daily feature by Terry Bisson, a series of short-shorts from Richard Kadrey and the indefatigable Michael Swanwick, reviews by John Clute, and other neat stuff. (How long it will survive is, alas, another question; they’re running low on money again, after a grant from an unnamed benefactor kept them going throughout 2002, and have resorted to trying Public Television-style campaign-drives, offering offbeat prizes in return for contributions; let’s hope it works!) The Strange Horizons site (www.strangehorizons.com) is also worth checking out; as well as reprints, reviews, and articles, they run lots of original science fiction, fantasy, slipstream, and mild horror stories-I tend to like their fantasy better than their science fiction, but they published good stories of all sorts this year by Alex Irvine, Jay Lake, Ellen Klages, Tim Pratt, Ruth Nestvold, Greg Van Eekhout, Michael J. Jasper, Karen L. Abrahamson, and others. Another site where professional-quality stories can be found is at Oceans of the Mind (www.trantor publications.com/oceans.htm), where they’ll sell you an electronic download of one of their four annual issues as a PDF file to be read on your home computer or PDA; they ran good stories last year by Richard Paul Russo, Ryck Neube, John Alfred Taylor, Michelle Sahara, among others, and an additional point in their favor is that most of the stuff seems to be core science fiction (for some reason, original science fiction is relatively hard to find on the Internet, although you can find slipstream and horror by the ton; in fact, slipstream and horror (particularly horror) seem to be the Internet default-setting, as far as original short fiction is concerned). Another promising site, Future Orbits (www.futureorbits.com), which ran on the same principal as Oceans of the Mind, died this year after only having been introduced last year, showing you how quickly things can turnover in the online world.

A site called Revolution SF (www.revolutionsf.com), also publishes some original fiction, although the bulk of its space is devoted to media and gaming reviews, book reviews, essays, and interviews; the quality of the fiction has been uneven, but some quite interesting stuff has appeared there this year, including stories by Steven Utley, David Hutchinson, and Chris Nakashima-Brown. Short science fiction stories have even been turning up on Salon (www.salon.com) of all places, which has so far published two good SF stories by Cory Doctorow.

Below this point, it becomes difficult to find short original science fiction of any sort of reasonably professional quality on the Internet. Good short reprint SF, though, is not at all hard to find. For starters, most of the sites that are associated with existent print magazines, such as Asimov’s, Analog, The Magazine of Fantasy amp; Science Fiction, Aurealis, and others, will have extensive archives of material, both fiction and nonfiction, previously published by the print versions of the magazines, and some of them regularly run teaser excerpts from stories appearing in forthcoming issues. Another great place to read reprint stories for free (although you have to read them on the screen) is the British Infinity Plus (www.users.zetnet.co.uk/iplus/), a good general site that features a very extensive selection of good quality reprint stories, as well as extensive biographical and bibliographical information, book reviews, and critical essays. And don’t forget that extensive archive of classic reprint stories at Sci Fiction that I mentioned, or the archived backlog of stories at The Infinite Matrix and Strange Horizons, all available to be read for free.

If you’re willing to pay a small fee, though, you can access an even greater range of reprint stories, some of which have been unavailable anywhere else for years. Perhaps the best site to do this at is at Fictionwise (www.fictionwise.com). Unlike a site like Sci Fiction or The Infinite Matrix, Fictionwise is not an “electronic magazine,” but rather a place to buy downloadable e-books and stories to read on your PDA or home computer-and it’s probably the best place on the Internet to do this (as far as accessing good science fiction is concerned), with most of the stuff of high professional quality. In addition to individual stories, you can also buy “fiction bundles” here, which amount to electronic collections, as well as a selection of novels in several different genres; more important to me, you can also subscribe to downloadable versions of several of the SF magazines-including Asimov’s Science Fiction -here, in a number of different formats (as you can at the Peanut Press site). Another similar site where you can buy downloadable e-books of various lengths by top authors is ElectricStory (www.electricstory.com). But here, as at a site like Infinity Plus, you can also access online for free a large array of critical material, including a regular column by Howard Waldrop, movie reviews by Lucius Shepard, and other things. Access for a small fee to both original and reprint SF stories is also offered by sites such as Mind’s Eye Fiction (tale.com/genres.htm), and Alexandria Digital Literature (alexlit.com) as well.

People go online, though, for other reasons other than just finding stories to read. In fact, there’s a large cluster of general interest sites that don’t publish fiction but do publish lots of reviews, critical articles, and genre-oriented news of various kinds, which can be great fun to drop in on. Among my most frequent stops while Web-surfing are: Locus Online (www.locusmag.com), the online version of the newsmagazine Locus, which won a Hugo Award year as “Best Web Site,” one of the most valuable sites on the whole Internet for the SF buff-a great source for fast-breaking genre-related news, as well as access to book reviews, critical lists, and extensive and invaluable data-base archives such as the Locus Index to Science Fiction and the Locus Index to Science Fiction Awards; Science Fiction Weekly (www.scifi.com/sfw/), a similar site, more media-and-gaming oriented than Locus Online, but that also features news and book reviews, as well as regular columns by John Clute, Michael Cassut, and Wil McCarthy; Tangent Online (www.sfsite.com/tangent/), perhaps the most valuable SF-oriented review site on the Internet, especially for short fiction; Best SF (www.bestsf.netf), another great review site, and one of the few places, along with Tangent Online, that makes any attempt to regularly review online fiction as well as print fiction; Bluejack (www.bluejack.com), less exhaustively comprehensive than Tangent On line or Best SF, but still a place to find insightful magazine reviews, as well as bluejack’s own online diary; SFRevu (www.sfrevu.com), another review site, although rather than reviewing short fiction, they specialize in media and novel reviews; the Sci-Fi Channel (www.scifi.com), which provides a home for Ellen Datlow’s Sci Fiction and for Science Fiction Weekly, and to the bimonthly SF-oriented chats hosted by Asimov’s and Analog, as well as vast amounts of material about SF movies and TV shows; the SF Site (www.sfsite.com), which not only features an extensive selection of reviews of books, games, and magazines, interviews, critical retrospective articles, letters, and so forth, plus a huge archive of past reviews; but also serves as host-site for the web-pages of The Magazine of Fantasy amp; Science Fiction, Interzone, and the above-mentioned SFRevu; SFF net (www.sff.net), a huge site featuring dozens of home pages and “newsgroups” for SF writers, plus sites for genre-oriented “live chats”; the Science Fiction Writers of America page (www.sfwa.org); where news, obituaries, award information, and recommended reading lists can be accessed; Audible (www.audible.com) and Beyond 2000 (www.beyond2000.com), where SF-oriented radio plays can be accessed; multiple Hugo-winner David Langford’s online version of his fanzine Ansible (www.dcs.gla.ac.uk/Ansible/), which provides a funny and often iconoclastic slant on genre-oriented news; and Speculations (www.speculations.com), a long-running site which dispenses writing advice, although to access most of it, you’ll have to subscribe to the site.