Gardner Dozois: The Years Best Science Fiction, Vol. 20

Shared-world anthologies this year included Wild Cards: Deuces Down (ibooks), edited by George R. R. Martin; Thieves’ World: Turning Points (Tor), edited by Lynn Abbey; and Deryni Tales (Ace), edited by Katherine Kurtz.

Although I don’t pay a lot of attention to the horror genre anymore, from what I could tell the big original anthology of the year there seemed to be Dark Terrors 6 (Gollancz), edited by Stephen Jones and David Sutton. Other original horror anthologies included The Children of Cthulhu: Chilling Tales Inspired by H. P. Lovecraft (Del Rey), edited by John Polant and Benjamin Adams and The Darker Side: Generations of Horror (Roc), edited by John Pelan.

A new anthology by Peter Crowther and Robert Silverberg’s Legends II is about all there is to look forward to in the original anthology market for next year. Maybe the long-promised Greg Benford anthology will finally appear. Not a lot else on the horizon.

Addresses: PS Publishing, 98 High Ash Drive, Leeds L517 8RE, England, UK-$14.00 for V.A.O., by Geoff Ryman, $14.00 for Riding the Rock, by Stephen Baxter, $14.00 for The Tain, by China Mieville; Golden Gryphon Press, 3002 Perkins Road, Urbana, IL 61802-$15.95 for Turquoise Days, by Alastair Reynolds; Conjunctions, Bard College, Annandale-on-Hudson, NY 12504-$15 for Conjunctions 39: The New Wave Fabulists; Wheatland Press, P.O. Box 1818, Wilsonville, OR 97070-$16.95 for Polyphony; Subterranean Press, P.O. Box 190106, Burton, MI 48519-$40.00 for Embrace the Mutation; Ministry of Whimsy Press, P.O. Box 4248, Tallahasse, FL 32315-$21.95 for Leviathan 3; Cumberland House, 431 Harding Industrial Drive, Nashville, TN 37211-$14.95 for In the Shadow of the Wall; DreamHaven Books, 912 W. Lake Street, Minneapolis, MN 55408-$75.00 for Shelf Life: Fantastic Stories Celebrating Bookstores; The Bakka Collection, 598 Yonge Street, Toronto, ONT M4Y 1Z3-$30.00 for The Bakka Anthology.

2002 seemed like a pretty strong year for novels, in spite of all the moaning about how SF is dying and there’s nothing worthwhile to read left out there on the bookstore shelves. According to the newsmagazine Locus, there were 2,241 books “of interest to the SF field,” both original and reprint, published in 2002, up by 4% from 2001’s total of 2,158. Original books were up by 5% to 1,271 from last year’s total of 1,210; reprint books were up by 2 % to 970 titles over last year’s total of 948. The number of new SF novels was up slightly, with 256 new titles published as opposed to 251 novels published in 2001. The number of new fantasy novels was also up, to 333, as opposed to 282 novels published in 2001. Horror, however, was down, dropping to 112 from last year’s total of 151. And, for the most part, these totals don’t even reflect print-on-demand novels, novels offered as downloads on the internet, media tie-in-novels, novelizations of movies, gaming novels, or novels drawn from TV shows such as Charmed, Angel, and Buffy, the Vampire Slayer.

Even sticking to the SF novels alone, that’s a lot of novels. How many of the people who complain that “there’s nothing to read out there” have really sampled even a small percentage of them, let alone all 256?

I myself didn’t have time to read many novels this year, with all the reading I have to do at shorter lengths. So instead I’ll limit myself to mentioning novels that received a lot of attention and acclaim in 2002 include: Guardian (Ace), Joe Haldeman; Schild’s Ladder (Eos), Greg Egan; Probability Space (Tor), Nancy Kress; The Years of Rice and Salt (Bantam), Kim Stanley Robinson; Bones of the Earth (Eos), Michael Swanwick; Coyote (Ace), Allen Steele; Light Music (Eos), Kathleen Ann Goonan; The Scar (Del Rey), China Mieville; The Praxis (Avon), Walter Jon Williams; Redemption Ark (Ace), Alastair Reynolds; Evolution (Del Rey), Stephen Baxter; The Disappeared (Roc), Kristine Kathryn Rusch; Light (Gollancz), M. John Harrison; Castles Made of Sand (Gollancz), Gwyneth Jones; The Lady of the Sorrows (Warner Aspect), Cecilia Dart-Thornton; Shadow Puppets (Tor), Orson Scott Card; Kiln People (Tor), David Brin; Vitals (Del Rey), Greg Bear; Engine City (Tor), Ken MacLeod; The Fall of the Kings (Bantam Spectra), Ellen Kushner amp; Delia Sherman; Ares Express (Earthlight), Ian McDonald; The Sky So Big and Black (Tor), John Barnes; Transcension (Tor), Damien Broderick; Chindi (Ace), Jack McDevitt; Empire of Bones (Bantam Spectra), Liz Williams; The Omega Expedition (Tor) Brian Stableford; The Visitor (Eos), Sheri S. Tepper; The Impossible Bird (Tor), Patrick O’Leary; Ruled Britannia (NAL), Harry Turtledove; The Separation (Scribner UK), Christopher Priest; Spaceland (Tor), Rudy Rucker; A Winter Haunting (Morrow), Dan Simmons; The Translator (Morrow), John Crowley; White Apples (Tor), Jonathan Carroll; The Devil and Deep Space (Roc), Susan R. Matthews; Permanence (Tor), Karl Schroeder; Pitcher’s Brides (Tor), Gregory Frost; Explorer (DAW), C. J. Cherryh; Kushiel’s Chosen (Tor), Jacqueline Carey; The Longest Way Home (Eos), Robert Silverberg; Dark Ararat (Tor), Brian Stableford; Resurgence (Baen), Charles Sheffield; Manifold: Origin (Del Rey), Stephen Baxter; Night Watch (HarperCollins), Terry Pratchett; Burning the Ice (Tor), Laura J. Mixon; The King (Ace), David Feintuch; Jupiter (Tor), Ben Bova; The Alchemist’s Door (Tor), Lisa Goldstein; and Coraline (Harper), Neil Caiman.

The first novels that drew the most attention this year seemed to be The Golden Age (Tor), John C. Wright, A Scattering of Jades (Tor), Alexander C. Irvine, and The Atrocity Archive, Charles Stress (the Stress suffering under the handicap of only appearing as a serial in Spectrum SF magazine, and not yet in book form; in spite of this, it got a lot of notice). Other first novels included: Solitaire (Eos), Kelly Eskridge; The Summer Country (Ace), James A. Hetley; Fires of the Faithful (Bantam Spectra), Naomi Kritzer; The Red Church (Pinnacle), Scott Nicholson; The Eve of Night (Bantam Spectra), Pauline J. Alama; Altered Carbon (Del Rey), Richard Morgan; Warchild (Warner Aspect), Karin Lowachee; Just Like Beauty (Farrar, Straus, Giroux), Lisa Lerner; and The God Who Beget a Jackal (Picador USA), Nega Mezlekia.

Looking over these lists, it’s clear that Tor, Eos, and Ace had strong years, although Del Rey had a pretty good year as well. And in spite of the usual critical chorus about how science fiction is “dying” or being driven off the shelves by fantasy, it’s clear that the majority of novels here are center-core science fiction. Even omitting the fantasy of novels and the borderline genre-straddling work from the list, the Egan, the Kress, the two Baxters, the Reynolds, the McDevitt, the Swanwick, the Stablefords, the Barnes, the Goonan, the Harrison, the Bear, the Bova, the Sheffield, the Silverberg, the McDonald, the McDevitt, the Williams, the MacLeod, the Brin, the Card, the Steele, and almost a dozen others are clearly and unmistakably science fiction, many of them “hard science fiction” at that. Pretty fair numbers for an endangered species!

Meanwhile, this is the best time in decades to pick up new editions of long out-of-print classics of science fiction and fantasy, books that have been unavailable to the average reader since the ’70s in some cases. Throughout the last two decades, reissues had become as rare as the proverbial hen’s teeth, as shortsighted bottom-line corporate publishing practices meant that books almost never came back into print once they had gone out of it, and that reprints of even older classics were out of the question. Now, however, the ice is beginning to break up a bit. The SF Masterworks and the Fantasy Masterworks reprint series, from English publisher Millennium, have brought forth slews of classic reprints during the last few years, joined by American lines such as Tor Orb, Del Rey Impact, Baen Books, and Vintage, as well as print-on-demand publishers such as Wildside and Big Engine, and Internet sites such as Fictionwise and Electric Story, where classic novels and stories are available for purchase in downloadable form. This year, ibooks joined in with a wave of classic reprints, including Robert Silverberg’s Dying Inside, Up the Line, and The Man in the Maze, Brian W. Aldiss’s Helliconia triology, Greg Bear’s Blood Music and Strength of Stories, William Rotsler’s Patron of the Arts, Roger Zelazny’s collection The Last Defender of Camelot, an omnibus of three Barry Malzberg novels collected as On a Planet Alien, and Harlan Ellison’s famous anthology Dangerous Visions; Vintage reissued a flood of Philip K. Dick titles, including Time Out of Joint, Dr. Bloodmoney, Clans of the Alphane Moon, The Simulacra, Counter-Clock World, The Man Who Japed, and The Zap Gun (if you can afford only one of these, make it Time Out of Joint, one of Dick’s best; some of the others are rather minor), as well as reprints of Samuel R. Delany’s Nova (one of the best and most influential books of its decade) and a combination volume consisting of his Babel-17/Empire Star. Orb published an omnibus by Hal Clement, Heavy Planet, containing his novels Mission of Gravity and Star Light, plus other related material, and an omnibus of three of James White’s “Sector General” novels, Alien Emergencies, as well as a reissue of A E. Van Vogt’s The World of Null-A. Tor reprinted Frank Herbert’s The Green Brain and The Santaroga Barrier, as well as releasing omnibus collections of “Stainless Steel Rat” novels by Harry Harrison, A Stainless Steel Trio, and of “Dorsai” novels by Gordon R. Dickson, Dorsai Spirit. Baen released an omnibus collection of “Lord Darcy” stories and novels by Randall Garrett, Lord Darcy, as well as an omnibus of “Miles Vorkesigan” novels by Lois McMaster Bujold, Miles Errant, and a collection of stories and novels by James H. Schmitz, Eternal Frontier. Gollancz reprinted Jack Vance’s Big Planet, Joe Haldeman’s Worlds, Samuel R. Delany’s The Jewels of Aptor, Robert Silverberg’s The Masks of Time, John Sladek’s Tik-Tok, and Ian Watson’s The Jonah Kit. Big Engine made available an omnibus of Brian Stableford novels, Swan Songs: The Complete Hooded Swan Collection, as well as Leigh Kennedy’s novel The Journal of Nicholas the American; Perennial reprinted John Crowley’s Little, Big, and issued an omnibus of three other Crowley novels, Otherwise. NESFA Press issued an omnibus of novels by Fredric Brown, Martians and Madness: The Complete SF Novels of Fredric Brown, and an omnibus of Robert Sheckley novels, Dimensions of Sheckley. Tachyon Publications reissued Pat Murphy’s The Shadow Hunter and Avram Davidson’s The Phoenix and the Mirror. Overlook Press reissued Evangeline Walton’s The Maginogion Tetralogy; Del Rey reissued Nicola Griffith’s Ammonite; and Starscape reprinted Orson Scott Card’s Ender’s Game.