Clifford Simak - Grotto of the Dancing Deer - And Other Stories

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Collected tales of wonder, danger, and the future, including the Hugo and Nebula Award–winning title story. This volume contains ten stellar short stories by science fiction Grand Master Clifford D. Simak. In "Grotto of the Dancing Deer," a man carrying an ancient secret finally speaks up, unable to bear any longer the loneliness he has experienced for millennia. In "Over the River," which Simak wrote in memory of his beloved grandmother Ellen, children from an embattled future are sent back for safekeeping to their ancestors in the peaceful past. And in "Day of Truce," the inhabitants of a suburban subdivision must barricade themselves against bands of roving attackers. On only one day each year do the gates open wide. . .
Each story includes an introduction by David W. Wixon, literary executor of the Clifford D. Simak estate and editor of this ebook.

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“And the prints do match. The bottle prints and …”

“I told you they match. Now will you tell me how in hell a man who lived twenty-two thousand years ago could leave his prints on a wine bottle that was manufactured last year.”

“It’s a long story,” said Boyd. “I don’t know if I should. First, where do you have the shoulder blade?”

“Hidden,” said Roberts. “Well hidden. You can have it back, and the bottle, any time you wish.”

Boyd shrugged. “Not yet. Not for a while. Perhaps never.”

“Never?”

“Look, John, I have to think it out.”

“What a hell of a mess,” said Roberts. “No one wants the stuff. No one would dare to have it. Smithsonian wouldn’t touch it with a ten-foot pole. I haven’t asked. They don’t even know about it. But I know they wouldn’t want it. There’s something, isn’t there, about sneaking artifacts out of a country …”

“Yes, there is,” said Boyd.

“And now you don’t want it.”

“I didn’t say that. I just said let it stay where it is for a time. It’s safe, isn’t it?”

“It’s safe. And now …”

“I told you it is a long story. I’ll try to make it short. There’s this man—a Basque. He came to me ten years ago when I was doing the rock shelter …”

Roberts nodded. “I remember that one.”

“He wanted work and I gave him work. He broke in fast, caught onto the techniques immediately. Became a valuable man. That often happens with native laborers. They seem to have the feel for their own antiquity. And then when we started work on the cave he showed up again. I was glad to see him. The two of us, as a matter of fact, are fairly good friends. On my last night at the cave he cooked a marvelous omelet—eggs, tomato, green pimentos, onions, sausages and home-cured ham. I brought a bottle of wine.”

The bottle?”

“Yes, the bottle.”

“So go ahead.”

“He played a pipe. A bone pipe. A squeaky sort of thing. Not too much music in it …”

“There was a pipe …”

“Not that pipe. Another pipe. The same kind of pipe, but not the one our man has. Two pipes the same. One in a living man’s pocket, the other beside the shoulder blade. There were things about this man I’m telling you of. Nothing that hit you between the eyes. Just little things. You would notice something and then, some time later, maybe quite a bit later, there’d be something else, but by the time that happened, you’d have forgotten the first incident and not tie the two together. Mostly it was that he knew too much. Little things a man like him would not be expected to know. Even things that no one knew. Bits and pieces of knowledge that slipped out of him, maybe without his realizing it. And his eyes. I didn’t realize that until later, not until I’d found the second pipe and began to think about the other things. But I was talking about his eyes. In appearance he is a young man, a never-aging man, but his eyes are old …”

“Tom, you said he is a Basque.”

“That’s right.”

“Isn’t there some belief that the Basques may have descended from the Cro-Magnons?”

“There is such a theory. I have thought of it.”

“Could this man of yours be a Cro-Magnon?”

“I’m beginning to think he is.”

“But think of it—twenty thousand years!”

“Yes, I know,” said Boyd.

4

Boyd heard the piping when he reached the bottom of the trail that led up to the cave. The notes were ragged, torn by the wind. The Pyrenees stood up against the high blue sky.

Tucking the bottle of wine more securely underneath his arm, Boyd began the climb. Below him lay the redness of the village rooftops and the sere brown of autumn that spread across the valley. The piping continued, lifting and falling as the wind tugged at it playfully.

Luis sat cross-legged in front of the tattered tent. When he saw Boyd, he put the pipe in his lap and sat waiting.

Boyd sat down beside him, handing him the bottle. Luis took it and began working on the cork.

“I heard you were back,” he said. “How went the trip?”

“It went well,” said Boyd.

“So now you know,” said Luis.

Boyd nodded. “I think you wanted me to know. Why should you have wanted that?”

“The years grow long,” said Luis. “The burden heavy. It is lonely, all alone.”

“You are not alone.”

“It’s lonely when no one knows you. You now are the first who has really known me.”

“But the knowing will be short. A few years more and again no one will know you.”

“This lifts the burden for a time,” said Luis. “Once you are gone, I will be able to take it up again. And there is something …”

“Yes, what is it, Luis?”

“You say when you are gone there’ll be no one again. Does that mean …”

“If what you’re getting at is whether I will spread the word, no, I won’t. Not unless you wish it. I have thought on what would happen to you if the world were told.”

“I have certain defenses. You can’t live as long as I have if you fail in your defenses.”

“What kind of defenses?”

“Defenses. That is all.”

“I’m sorry if I pried. There’s one other thing. If you wanted me to know, you took a long chance. Why, if something had gone wrong, if I had failed to find the grotto …”

“I had hoped, at first, that the grotto would not be necessary. I had thought you might have guessed, on your own.”

“I knew there was something wrong. But this is so outrageous I couldn’t have trusted myself even had I guessed. You know it’s outrageous, Luis. And if I’d not found the grotto … Its finding was pure chance, you know.”

“If you hadn’t, I would have waited. Some other time, some other year, there would have been someone else. Some other way to betray myself.”

“You could have told me.”

“Cold, you mean?”

“That’s what I mean. I would not have believed you, of course. Not at first.”

“Don’t you understand? I could not have told you. The concealment now is second nature. One of the defenses I talked about. I simply could not have brought myself to tell you, or anyone.”

“Why me? Why wait all these years until I came along?”

“I did not wait, Boyd. There were others, at different times. None of them worked out. I had to find, you must understand, someone who had the strength to face it. Not one who would run screaming madly. I knew you would not run screaming.”

“I’ve had time to think it through,” Boyd said. “I’ve come to terms with it. I can accept the fact, but not too well, only barely. Luis, do you have some explanation? How come you are so different from the rest of us?”

“No idea at all. No inkling. At one time, I thought there must be others like me and I sought for them. I found none. I no longer seek.”

The cork came free and he handed the bottle of wine to Boyd. “You go first,” he said steadily.

Boyd lifted the bottle and drank. He handed it to Luis. He watched him as he drank. Wondering, as he watched, how he could be sitting here, talking calmly with a man who had lived, who had stayed young through twenty thousand years. His gorge rose once again against acceptance of the fact—but it had to be a fact. The shoulder blade, the small amount of organic matter still remaining in the pigment, had measured out to 22,000 years. There was no question that the prints in the paint had matched the prints upon the bottle. He had raised one question back in Washington, hoping there might be evidence of hoax. Would it have been possible, he had asked, that the ancient pigment, the paint used by the prehistoric artist, could have been reconstituted, the fingerprints impressed upon it, and then replaced in the grotto? Impossible was the answer. Any reconstitution of the pigment, had it been possible, would have shown up in the analysis. There had been nothing of the sort—the pigment dated to 20,000 years ago. There was no question of that.

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