Clifford Simak - The Shipshape Miracle - And Other Stories

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Nine tales of imagination and wonder from one of the formative voices of science fiction and fantasy, the author of 
 and 
.  Named a Grand Master by the Science Fiction Writers of America, Clifford D. Simak was a preeminent voice during the decades that established sci-fi as a genre to be reckoned with. Held in the same esteem as fellow luminaries Isaac Asimov, Robert A. Heinlein, and Ray Bradbury, his novels continue to enthrall today’s readers. And his short fiction is still as gripping and surprising now as when it first entertained an entire generation of fans.
The title story is just one example of this. Cheviot Sherwood doesn’t believe in miracles. They never seem to pay off. So when he’s marooned on a planet with no plan for escape and no working radio, he takes it in stride and prepares for a long stay gathering food, making shelter, and collecting all the diamonds the world has to offer. But when a ship like none he’s ever encountered lands, he sees his salvation—and an opportunity to take the priceless craft for himself. Unfortunately, his “rescuer” has the same idea . . .
This volume also includes the celebrated short works “Eternity Lost,” “Shotgun Cure,” and “Paradise,” among others.
Each story includes an introduction by David W. Wixon, literary executor of the Clifford D. Simak estate and editor of this ebook.

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He wrote:

Think of you often. Write me when you can .

Morley would write him. An enthusiastic letter, a letter with a fine shade of envy tingeing it, the letter of a man who wanted to be, but couldn’t be, on Kimon.

For everyone wanted to go to Kimon. That was the hell of it.

You couldn’t tell the truth, when everyone would give their good right arm to go.

You couldn’t tell the truth when you were a hero and the truth would turn you into a galactic heel.

And the letters from home, the prideful letters, the envious letters, the letters happy with the thought you were doing so well—all of these would be only further chains to bind you to Kimon and to the Kimon lie.

He said to the cabinet, “How about a drink?”

“Yes, sir,” said the cabinet. “Coming right up, sir.”

“A long one,” said Bishop. “And a strong one.”

“Long and strong it is, sir.”

XIV

He met her in the bar.

“Why, if it isn’t Buster!” she said, as though they met there often.

He sat on the stool beside her.

“That week is almost up,” he said.

She nodded. “We’ve been watching you. You’re standing up real well.”

“You tried to tell me.”

“Forget it,” said the girl. “Just a mistake of mine. It’s a waste of time telling any of them. But you looked intelligent and not quite dry behind the ears. I took pity on you.”

She looked at him over the rim of her glass.

“I shouldn’t have,” she said.

“I should have listened.”

“They never do,” said Maxine.

“There’s another thing,” he said. “Why hasn’t it leaked out? Oh, sure, I have written letters, too. I didn’t admit what it was like. Neither did you. Nor the man next to you. But someone, in all the years we’ve been here—”

“We are all alike,” she said. “Alike as peas in the pod. We are the anointed, the hand-picked, stubborn, vanity-stricken, scared. All of us got here. In spite of hell and high water we got here. We let nothing stand in our way and we made it. We beat the others out. They’re waiting back there on Earth—the ones that we beat out. They’ll never be quite the same again. Don’t you understand it? They had pride, too, and it was hurt. There’s nothing they would like better than to know what it’s really like. That’s what all of us think of when we sit down to write a letter. We think of the belly laughs by those other thousands. The quiet smirks. We think of ourselves skulking, making ourselves small so no one will notice us—”

She balled a fist and rapped against his shirt front.

“That’s the answer, Buster. That’s why we never write the truth. That’s why we don’t go back.”

“But it’s been going on for years. For almost a hundred years. In all that time someone should have cracked—”

“And lost all this?” she asked. “Lost the easy living. The good drinking. The fellowship of lost souls. And the hope. Don’t forget that. Always the hope that Kimon can be cracked.”

“Can it?”

“I don’t know. But if I were you, Buster, I wouldn’t count on it.”

“But it’s no kind of life for decent—”

“Don’t say it. We aren’t decent people. We are scared and weak, every one of us. And with good reason.”

“But the life—”

“You don’t live a decent life, if that was what you were about to say. There’s no stability in us. Children? A few of us have children and it’s not so bad for the children as it is for us, because they know nothing else. A child who is born a slave is better off, mentally, than a man who once knew freedom.”

“We aren’t slaves,” said Bishop.

“Of course not,” Maxine said. “We can leave any time we want to. All we got to do is walk up to a native and say, ‘I want to go back to Earth.’ That’s all you need to do. Any single one of them could send you back—swish—just as they send the letters, just like they whisk you to your work or to your room.”

“But no one has gone back.”

“Of course no one has,” she said.

They sat there, sipping at their drinks.

“Remember what I told you,” she said. “Don’t think. That’s the way to beat it. Never think about it. You got it good. You never had it so good. Soft living. Easy living. Nothing to worry about. They best kind of life there is.”

“Sure,” said Bishop. “Sure, that’s the way to do it.”

She slanted her eyes at him.

“You’re catching on,” she said.

They had another round.

Over in the corner a group had got together and was doing some impromptu singing. A couple were quarreling a stool or two away.

“It’s too noisy in this place,” Maxine said. “Want to see my paintings?”

“Your paintings?”

“The way I make a living. They are pretty bad, but no one knows the difference.”

“I’d like to see them.”

“Grab hold then.”

“Grab—”

“My mind, you know. Nothing physical about it. No use riding elevators.”

He gaped at her.

“You pick it up,” said Maxine. “You never get too good. But you pick up a trick or two.”

“But how do I go about it?”

“Just let loose,” she said. “Dangle. Mentally, that is. Try to reach out to me. Don’t try to help. You can’t.”

He dangled and reached out, wondering if he was doing it the way it should be done.

The universe collapsed and then came back together.

They were standing in another room.

“That was a silly thing for me to do,” Maxine said. “Some day I’ll slip a cog and get stuck in a wall or something.”

Bishop drew a deep breath.

“Monty could read me just a little,” he said. “Said you picked it up—just at the fringes.”

“You never get too good,” said Maxine. “Humans aren’t … well, aren’t ripe for it, I guess. It takes millennia to develop it.”

He looked around him and whistled.

“Quite a place,” he said.

It was all of that.

It didn’t seem to be a room at all, although it had furniture. The walls were hazed in distance and to the west were mountains peaked with snow, and to the east a very sylvan river and there were flowers and flowering bushes everywhere, growing from the floor. A deep blue dusk filled the room and somewhere off in the distance there was an orchestra.

A cabinet-voice said, “Anything, madam?”

“Drinks,” said Maxine. “Not too strong. We’ve been hitting the bottle.”

“Not too strong,” said the cabinet. “Just a moment, madam.”

“Illusion,” Maxine said. “Every bit of it. But a nice illusion. Want a beach? It’s waiting for you if you just think of it. Or a polar cap. Or a desert. Or an old chateau. It’s waiting in the wings.”

“Your painting must pay off,” he said.

“Not my painting. My irritation. Better start getting irritated, Buster. Get down in the dumps. Start thinking about suicide. That’s a sure-fire way to do it. Presto, you’re kicked upstairs to a better suite of rooms. Anything to keep you happy.”

“You mean the Kimonians automatically shift you?”

“Sure. You’re a sucker to stay down there where you are.”

“I like my layout,” he told her. “But this—”

She laughed at him. “You’ll catch on,” she said.

The drinks arrived.

“Sit down,” Maxine said. “Want a moon?”

There was a moon.

“Could have two or three,” she said, “but that would be overdoing it. One moon seems more like Earth. Seems more comfortable.”

“There must be a limit somewhere,” Bishop said. “They can’t keep on kicking you upstairs indefinitely. There must come a time when even the Kimonians can’t come up with anything that is new and novel.”

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