Clifford Simak - Dusty Zebra - And Other Stories

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Tales of science fiction and adventure from the Hugo Award–winning author of 
and 
The long and prolific career of Clifford D. Simak cemented him as one of the formative voices of the science fiction and fantasy genre. The third writer to be named a Grand Master by the Science Fiction Writers of America, his literary legacy stands alongside those of Robert A. Heinlein and Ray Bradbury. This striking collection of nine tales showcases Simak’s ability to take the everyday and turn it into something truly compelling, taking readers on a long journey in a very short time.
In “Dusty Zebra,” Joe discovers a portal that allows him to exchange everyday objects with an entity he can neither see nor hear, and soon learns that one man’s treasure may be another dimension’s trash. In “Retrograde Evolution,” an interplanetary trading vessel tries to figure out how to deal with a remote society that has suddenly decided to become far less civilized. And in “Project Mastodon,” an unusual ambassador from an unheard-of country offers amazing opportunities in a place the modern world can never compete with: the past. Simak’s mastery of the short form is on display in these and six other stories.
Each story includes an introduction by David W. Wixon, literary executor of the Clifford D. Simak estate and editor of this ebook.

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And there it stood—that ancient, fearsome thing—an isolated remembrance from some former life, an incident without a past or future and no connection with him.

The night suddenly was chilly and he shivered in the chill. He put the car in gear and pulled out from the curb and drove slowly down the street.

He drove for half an hour or more and he was still shivering from the chilly night. A cup of coffee, he thought, might warm him and he pulled the car up to the curb in front of an all-night quick-and-greasy. And realized with some astonishment that he could not be more than a mile or two from home.

There was no one in the place except a shabby blonde who lounged behind the corner, listening to a radio.

He climbed up on a stool.

“Coffee, please,” he said and while he waited for her to fill the cup he glanced about the place. It was clean and cozy with the cigarette machines and the rack of magazines lined against the wall.

The blonde set the cup down in front of him.

“Anything else?” she asked, but he didn’t answer, for his eye had caught a line of printing across the front of one of the more lurid magazines.

“Is that all?” asked the blonde again.

“I guess so,” said Harrington. “I guess that’s all I want.”

He didn’t look at her; he was still staring at the magazine.

Across the front of it ran the glaring lines:

THE ENCHANTED WORLD OF HOLLIS HARRINGTON!

Cautiously he slid off the stool and stalked the magazine. He reached out quickly and snatched it from the rack before it could elude him. For he had the feeling, until he had it safely in his hand, that the magazine would be like all the rest of it, crazy and unreal… He took it back to the counter and laid it down and stared at the cover and the line stayed there. It did not change; it did not go away. He extended his thumb and rubbed the printed words and they were real enough.

He thumbed swiftly through the magazine and found the article and staring out at him was a face he knew to be his own, although it was not the kind of face he had imagined he would have—it was a somewhat younger, darker face that tended to untidiness, and beneath that face was another face that was without a doubt a face of great distinction. And the caption that ran between them asked a question: Which one of these men is really Hollis Harrington?

There was as well a picture of a house that he recognized in all its ramshackleness and below it another picture of the same house, but highly idealized, gleaming with white paint and surrounded by neatly tended grounds—a house with character.

He did not bother with the reading of the caption that ran between the houses. He knew what it would say.

And the text of the article itself:

Is Hollis Harrington really more than one man? Is he in actuality the man he thinks he is, a man he has created out of his own mind, a man who moves in an incredibly enchanted world of good living and good manners? Or is this attitude no more than a carefully cultivated pose, an exceptional piece of perfect showmanship? Or could it be that to write in the manner that he does, to turn out the sleekly tailored, thoughtful, often significant prose that he has been writing for more than thirty years, it is necessary that he create for himself another life than the one he really lives, that he has forced himself to accept this strange internal world of his and believe in it as a condition to his continued writing…

A hand came out and spread itself across the page so he could not read and he looked up quickly. It was the hand of the waitress and he saw there was a shining in her eyes that was very close to tears.

“Mr. Harrington,”’ she said. “Please, Mr. Harrington. Please don’t read it, sir.”

“But, miss…”

“I told Harry that he shouldn’t let them put in that magazine. I told him he should hide it. But he said you never came in here except on Saturdays.”

“You mean,” asked Harrington, “that I’ve been here before?”

“Almost every Saturday,” she told him, surprised. “Every Saturday for years. You like our cherry pie. You always have a piece of our cherry pie.”

“Yes, of course,” he said.

But, actually, he had no inkling of this place, unless, good God, he thought, unless he had been pretending all the time that it was some other place, some gold-plated eatery of very great distinction.

But it was impossible, he told himself, to pretend as big as that. For a little while, perhaps, but not for thirty years. No man alone could do it unless he had some help.

“I had forgotten,” he told the waitress. “I’m somewhat upset tonight. I wonder if you have a piece of that cherry pie.”

“Of course,” the waitress said.

She took the pie off the shelf and cut a wedge and slid it on the plate. She put the plate down in front of him and laid a fork beside it.

“I’m sorry, Mr. Harrington,” she said. “I’m sorry I didn’t hide the magazine. You must pay no attention to it—or to anything. Not to any of the things that people say or what other people write. All of us around here are so proud of you.”

She leaned across the counter toward him.

“You mustn’t mind,” she said. “You are too big to mind.”

“I don’t believe I do,” said Hollis Harrington.

And that was the solemn truth, for he was too numb to care. There was in him nothing but a vast wonderment that filled his being so there was room for nothing else.

“I am willing,” the stranger in the corner of the booth had told him many years ago. “I am willing to make a deal with you.”

But of the deal he had no recollection, no hint of terms or of the purpose of it, although possibly he could guess.

He had written for all of thirty years and he had been well paid for it—not in cash and honor and acclaim alone—but in something else as well. In a great white house standing on a hill with a wilderness of grounds, with an old retainer out of a picture book, with a Whistler’s mother, with a romantic bittersweetness tied to a gravestone symbol.

But now the job was done and the pay had stopped and the make-believe had ended.

The pay had stopped and the delusions that were a part of it were gone. The glory and the tinsel had been stripped out of his mind. No longer could he see an old and battered car as a sleek, glossy machine. Now, once again, he could read aright the graving on a stone. And the dream of a Whistler’s mother had vanished from his brain—but had been once so firmly planted that on this very evening he actually had driven to a house and an address that was a duplicate of the one imprinted on his imagination.

He had seen everything, he realized, overlain by a grandeur and a lustre out of story books.

But was it possible, he wondered. Could it be made to work? Could a man in all sanity play a game of make-believe for thirty years on end? Or might he be insane?

He considered it calmly and it seemed unlikely, for no insanity could have written as he had written; that he had written what he thought he had was proved by the senator’s remarks tonight.

So the rest had been make-believe; it could be nothing else. Make-believe with help from that faceless being, whoever he might be, who had made a deal with him that night so long ago.

Although, he thought, it might not take much help. The propensity to kid one’s self was strong in the human race. Children were good at it; they became in all reality all the things they pretended that they were. And there were many adults who made themselves believe the things they thought they should believe or the things they merely wanted to believe for their peace of mind.

Surely, he told himself, it would be no great step from this kind of pretending to a sum total of pretending.

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