The Catechism of Good-bye
This time he found himself, as Osborne had predicted, unable to leave the blocks.
Somewhere in the shifting center of the maze, he sat with his back against one of the concrete flanks, his eyes raised to the sun. Around him the lines of cubes formed the horizons of his world. At times they would appear to advance toward him, looming over him like cliffs, the intervals between them narrowing so that they were little more than an arm’s length apart, a labyrinth of narrow corridors running between them. Then they would recede from him, separating from each other like points in an expanding universe, until the nearest line formed an intermittent palisade along the horizon.
Time had become quantal. For hours it would be noon, the shadows contained within the motionless bulk of the blocks, the heat reverberating off the concrete floor. Abruptly he would find it was early afternoon or evening, the shadows everywhere like pointing fingers.
“Good-bye, Eniwetok,” he murmured.
Somewhere there was a flicker of light, as if one of the blocks, like a counter on an abacus, had been plucked away.
“Good-bye, Los Alamos.” Again a block seemed to vanish. The corridors around him remained intact, but somewhere, Traven was convinced, in the matrix superimposed on his mind, a small interval of neutral space had been punched.
Good-bye, Hiroshima.
Good-bye, Alamogordo.
Good-bye, Moscow, London, Paris, New York ...
Shuttles flickered, a ripple of integers. Traven stopped, accepting the futility of this megathlon farewell. Such a leave-taking required him to affix his signature on every one of the particles in the universe.
Total Noon: Eniwetok
The blocks now occupied positions on an endlessly revolving circus wheel. They carried him upward, to heights from which he could see the whole island and the sea, and then down again through the opaque disk of the floor. From here he looked up at the undersurface of the concrete cap, an inverted landscape of rectilinear hollows, the dome-shaped mounds of the lake system, the thousands of empty cubic pits of the blocks.
“Good-bye, Traven”
To his disappointment he found that this ultimate act of rejection gained him nothing.
In an interval of lucidity, he looked down at his emaciated arms and legs propped loosely in front of him, the brittle wrists and hands covered with a lacework of ulcers. To his right was a trail of disturbed dust, the marks of slack heels.
In front of him lay a long corridor between the blocks, joining an oblique series a hundred yards away. Among these, where a narrow interval revealed the open space beyond, was a crescent-shaped shadow, poised in the air.
During the next half hour it moved slowly, turning as the sun swung.
The outline of a dune.
Seizing on this cipher, which hung before him like a symbol on a shield, Traven pushed himself through the dust. He climbed precariously to his feet, and covered his eyes from all sight of the blocks.
Ten minutes later he emerged from the western perimeter. The dune whose shadow had guided him lay fifty yards away. Beyond it, bearing the shadow like a screen, was a ridge of limestone, which ran away among the hillocks of a wasteland. The remains of old bulldozers, bales of barbed wire, and fifty-gallon drums lay half-buried in the sand.
Traven approached the dune, reluctant to leave this anonymous swell of sand. He shuffled around its edges, and then sat down in the shade by a narrow crevice in the ridge.
Ten minutes later he noticed that someone was watching him.
The Marooned Japanese
This corpse, whose eyes stared up at Traven, lay to his left at the bottom of the crevice. That of a man of middle age and powerful build, it lay on its side with its head on a pillow of stone, as if surveying the window of the sky. The fabric of the clothes had rotted to a gray tattered vestment, but in the absence of any small animal predators on the island the skin and musculature had been preserved. Here and there, at the angle of knee or wrist, a bony point shone through the leathery integument of the yellow skin, but the facial mask was still intact, and revealed a male Japanese of the professional classes. Looking down at the strong nose, high forehead, and broad mouth, Traven guessed that the Japanese had been a doctor or lawyer.
Puzzled as to how the corpse had found itself here, Traven slid a few feet down the slope. There were no radiation burns on the skin, which indicated that the Japanese had been there for less than five years. Nor did he appear to be wearing a uniform, so had not been a member of a military or scientific mission.
To the left of the corpse, within reach of his hand, was a frayed leather case, the remains of a map wallet. To the right was the bleached husk of a haversack, open to reveal a canteen of water and a small can.
Greedily, the reflex of starvation making him for the moment ignore this discovery that the Japanese had deliberately chosen to die in the crevice, Traven slid down the slope until his feet touched the splitting soles of the corpse’s shoes. He reached forward and seized the canteen. A cupful of flat water swilled around the rusting bottom. Traven gulped down the water, the dissolved metal salts cloaking his lips and tongue with a bitter film. He pried the lid off the can, which was empty but for a tacky coating of condensed syrup. He scraped at this with the lid and chewed at the tarry flakes. They filled his mouth with an almost intoxicating sweetness. After a few moments he felt light-headed and sat back beside the corpse. Its sightless eyes regarded him with unmoving compassion.
The Fly
(A small fly, which Traven presumes has followed him into the crevice, now buzzes about the corpse’s face. Traven leans forward to kill it, then reflects that perhaps this minuscule sentry had been the corpse’s faithful companion, in return fed on the rich liqueurs and distillations of its pores. Carefully, to avoid injuring the fly, he encourages it to alight on his wrist)
dr. yasuda: Thank you, Traven. (The voice is rough, as if unused to conversation.) In my position, you understand.
traven: Of course, Doctor. I’m sorry I tried to kill it. These ingrained habits, you know, they’re not easy to shrug off. Your sister’s children in Osaka in Forty-four, the exigencies of war, I hate to plead them, most known motives are so despicable one searches the unknown in the hope that ...
yasuda: Please, Traven, do not be embarrassed. The fly is lucky to retain its identity for so long. That son you mourn, not to mention my own two nieces and nephew, did they not die each day? Every parent in the world mourns the lost sons and daughters of their past childhoods.
traven: You’re very tolerant, Doctor. I wouldn’t dare—
yasuda: Not at all, Traven. I make no apologies for you. After all, each one of us is little more than the meager residue of the infinite unrealized possibilities of our lives. But your son and my nieces are fixed in our minds forever, their identities as certain as the stars.
traven (not entirely convinced): That may be so, Doctor, but it leads to a dangerous conclusion in the case of this island. For instance, the blocks ...
yasuda: They are precisely to what I refer. Here among the blocks, Traven, you at last find the image of yourself free of time and space. This island is an ontological Garden of Eden; why try to expel yourself into a quantal world?
traven: Excuse me. (The fly has flown back to the corpse’s face and sits in one of the orbits, giving the good doctor an expression of quizzical beadiness. Reaching forward, Traven entices it onto his palm.) Well, yes, these bunkers may be ontological objects, but whether this is the ontological fly seems doubtful. It’s true that on this island it’s the only fly, which is the next best thing.
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