Гарри Гаррисон - There Won't Be War

Further along, flung into a small target basin fifty yards from the shacks, were the bodies of what at first he thought were the inhabitants of this ghost town—a dozen life-size plastic models. Their half-melted faces, contorted into bleary grimaces, gazed up at him from the jumble of legs and torsos.

On either side of him, muffled by the dunes, came the sounds of waves, the great rollers on the seaward side breaking over the reefs, and onto the beaches”within the lagoon. However, he avoided the sea, hesitating before any rise that might take him within its sight. Everywhere the camera towers offered him a convenient aerial view of the confused topography of the island, but he avoided their rusting ladders.

He soon realized that however confused and random the blockhouses and camera towers might seem, their common focus dominated the landscape and gave to it a unique perspective. As Traven noticed when he sat down to rest in the window slit of one of the blockhouses, all these observation posts occupied positions on a series of concentric perimeters, moving in tightening arcs toward the inmost sanctuary. This ultimate circle, below ground zero, remained hidden beyond a line of dunes a quarter of a mile to the west.

After sleeping for a few nights in the open, Traven returned to the concrete beach where he had woken on his first morning on the island, and made his home—if the term could be applied to that damp crumbling hovel—in a camera bunker fifty yards from the target lakes. The dark chamber between the thick canted walls, tomblike though it might seem, gave him a sense of physical reassurance. Outside, the sand drifted against the sides, half-burying the narrow doorway, as if crystallizing the immense epoch of time that had lapsed since the bunker’s construction. The narrow rectangles of the five camera slits, their shapes and positions determined by the instruments, studded the east wall like cryptic ideograms. Variations of these ciphers decorated the walls of the other bunkers. In the morning, if Traven was awake, he would always find the sun divided into five emblematic beacons.

Most of the time the chamber was filled only by a damp gloomy light. In the control tower at the landing field Traven found a collection of discarded magazines, and used these to make a bed. One day, lying in the bunker shortly after the first attack of beriberi, he pulled out a magazine pressing into his back and found inside it a full-page photograph of a six-year-old girl. This blond-haired child, with her composed expression and self-immersed eyes, filled him with a thousand painful memories of his son. He pinned the page to the wall and for days gazed at it through his reveries.

For the first few weeks Traven made little attempt to leave the bunker, and postponed any further exploration of the island. The symbolic journey through its inner circles set its own times of arrival and departure. He evolved no routine for himself. All sense of time soon vanished; his life became completely existential, an absolute break separating one moment from the next like two quantal events. Too weak to forage for food, he lived on the old ration packs he found in the wrecked Superfortresses. Without any implements, it took him all day to open the cans. His physical decline continued, but he watched his spindling arms and legs with indifference.

By now he had forgotten the existence of the sea and vaguely assumed the atoll to be part of some continuous continental table. A hundred yards away to the north and south of the bunker a line of dunes, topped by the palisade of enigmatic palms, screened the lagoon and sea, and the faint muffled drumming of the waves at night had fused with his memories of war and childhood. To the east was the emergency landing field and the abandoned aircraft. In the afternoon light their shifting rectangular shadows would appear to writhe and pivot. In front of the bunker, where he sat, was the system of target lakes, the shallow basins extending across the center of the atoll. Above him the five apertures looked out upon this scene like the tutelary deities of some futuristic myth.

The lakes had been designed originally to reveal any radiobiological changes in a selected range of flora and fauna, but the specimens had long since bloomed into grotesque parodies of themselves and been destroyed.

Sometimes in the evenings, when a sepulchral light lay over the concrete bunkers and causeways, and the basins seemed like ornamental lakes in a city of deserted mausoleums, abandoned even by the dead, he would see the specters of his wife and son standing on the opposite bank. Their solitary figures appeared to have been watching him for hours. Although they never moved, Traven was sure they were beckoning to him. Roused from his reverie, he would stumble across the dark sand to the edge of the lake and wade through the water, shouting at the two figures as they moved away hand in hand among the lakes and disappeared across the distant causeways. Shivering with cold, Traven would return to the bunker and lie on the bed of old magazines, waiting for their return. The image of their faces, the pale lantern of his wife’s cheeks, floated on the river of his memory.

It was not until he discovered the blocks that Traven realized he would never leave the island.

At this stage, some two months after his arrival, Traven had exhausted the small cache of food, and the symptoms of beriberi had become more acute. The numbness in his hands and feet, and the gradual loss of strength, continued. Only by an immense effort, and the knowledge that the inner sanctum of the island still lay unexplored, did he manage to leave the palliasse of magazines and make his way from the bunker.

As he sat in the drift of sand by the doorway that evening, he noticed a light shining through the palms far into the distance around the atoll. Confusing this with the image of his wife and son, and visualizing them waiting for him at some warm hearth among the dunes, Traven set off toward the light. Within fifty yards he lost his sense of direction. He blundered about for several hours on the edges of the landing strip, and succeeded only in cutting his foot on a broken Coca-Cola bottle in the sand.

After postponing his search for the night, he set out again in earnest the next morning. As he moved past the towers and blockhouses the heat lay over the island in an unbroken mantle. He had entered a zone devoid of time. Only the narrowing perimeters of the bunkers warned him that he was crossing the inner field of the fire-table.

He climbed the ridge which marked the furthest point in his previous exploration of the island. The plain beyond was covered with target aisles and explosion breaks. On the gray walls of the recording towers, which rose into the air like obelisks, were the faint outlines of human forms in stylized postures, the flash-shadows of the target community burned into the cement. Here and there, where the concrete apron had cracked, a line of palms hung precariously in the motionless air. The target lakes were smaller, filled with the broken bodies of plastic dummies. Most of them still lay in the inoffensive domestic postures into which they had been placed before the tests.

Beyond the furthest line of dunes, where the camera towers began to run and face him, were the tops of what seemed to be a herd of square-backed elephants. They were drawn up in precise ranks in a hollow that formed a shallow corral.

Traven advanced toward them, limping on his cut foot. On either side of him the loosening sand had excavated the dunes, and several of the blockhouses tilted on their sides. This plain of bunkers stretched for some quarter of a mile. To one side the half-submerged hulks of a group of concrete shelters, bombed out onto the surface in some earlier test, lay like the husks of the abandoned wombs that had given birth to this herd of megaliths.