Richard faded back a bit, shook his injured arm. It felt a little better. He could make a solid fist again. The storm outside had gotten busy. The windows were starting to shake. The floor beneath them vibrated. Richard began to bob and weave. Peak held his hands up high, Thai boxer style, closed fists palm forward, set that way to throw devastating elbows.
Richard came in with a series of front kicks and punches, snapped his fingers to Peak's eyes. Managed to flick them, make them water. That was his edge, a brief one, but he took it, and suddenly he was in with a grab to Peak's ear. He got hold of it, jerked, heard it rip like rotten canvas. Blood flew all over Richard's face.
Peak screamed and came in with a blitz of knees and elbows. Richard faded clockwise, away from the brunt of the attack. When Peak stopped, breathing hard, Richard opened his fist. He held Peak's ear in his hand. He smiled at Peak. He put the ear between his teeth and held it there. He bobbed and weaved toward Peak. Richard understood something now. Thai boxers trained hard. They had hard bodies, and if you tried to work by their methods, fists and feet, and you weren't in the same condition, they would wear you down, take you.
But that was the advantage that a system like karate had. He was trained to use his fingers, use specific points, not just areas you could slam with kicks and elbows. True, anywhere Peak kicked or hit him hurt, but no matter how tough Peak was, he had soft eyes, ears, and throat. The groin would normally be a soft target, but like himself, Richard figured he had on a cup. That wouldn't make it so good to hit, and there was the fact a trained fighter could actually take a groin shot pretty well, and there was that rush of adrenaline a groin blow could give a foe, a few seconds of fired energy before the pain took over. It was like a shot of speed. Sometimes, that alone could whip you.
Okay, watch yourself, don't get cocky. He can still take you out and finish you with one solid blow . Richard glanced toward Margo. She was just a shape in the shadows.
Richard spit the ear out and they came together again. A flurry. Richard didn't have time to try anything sophisticated. He was too busy minimizing Peak's attack. He tied Peak up, trapped his hands down, but Peak shot his head forward and caught Richard a meaty one in the upper lip. Richard's lip exploded. Richard shifted, twisted his hip into Peak, turned and flipped him. Peak tumbled across the floor and came up on his feet.
And then Richard heard the great windows rattling like knucklebones in a plastic cup. He glanced out of the corner of his eye. The hurricane was raging. It was like the house was in a mixer. The glass cracked open in a couple of spots and rain blew in.
"None of that matters," Peak said. "This is the storm that matters." He moved toward Richard. The side of his head leaking blood, one of his eyes starting to close.
Richard thought. Okay, I do better when I don't play his game. I'll look as if I'm going to play his game, then I won't . Then suddenly he remembered the ray. How it had leaped out of the water and flicked its tail. It was an image that came to him, and then he knew what to do. The ray's tail reminded him of a flying reverse heel kick. In a real fight, the jump kick wasn't something you actually used much. No matter what the movies showed, you tried to stay on the ground, and you kicked low, and Peak would know that. He would know it so strongly he might not expect what Richard could do.
Richard threw a low front kick off the front leg, followed with a jab as he closed, followed with a reverse punch, and then he threw his back leg forward, as if about to execute a leaping knee, but he used the knee to launch himself, twisted hard, took to the air, whipped his back leg around into a jump heel kick, whipped it hard and fast the way the ray had whipped its tail.
He caught Peak on the side of the head, above the temple, felt the bones in Peak's skull give way to his heel. Peak fell sideways like a dipping second hand, hit the floor.
As Richard stepped in and kicked Peak with all he had in the throat, the windows blew in and shards of glass hit Richard, and a wall of water took the room and all its occupants, carried them through the other wall as if it were wet cardboard. Richard felt a blow to his head, a timber striking him, and then the water carried him away and everything was dark.
When Richard awoke he was in darkness, and he was choking to death. He was in the sea. Under it. He swam up, hard, but he couldn't seem to make it. The water kept pushing him down. He continued kicking, fighting, and finally, when he thought his lungs would explode, he broke up and got a gulp of air and went under again. But not so far this time. A long, dark, beam of wood hit him in the head, and he got hold of it. It had been an overhead beam in the gym. It was thick, but it floated just fine. He realized the storm had struck and moved on, like a hit-and-run driver, leaving in its wake stormy seas, but an oddly clear sky lit up by a cool, full moon that looked like a smudgy spotlight.
Richard looked down the length of the beam and shuddered. The beam had broken off to a point down there, and the point was stuck through Margo's chest, dead center, had her pinned like an insect to a mounting board. Her head was nodding to one side, and as the water jumped and the wind lashed, her head rolled on her neck as if on a ball bearing, rolled way too far and high to the left, then back to the right. It was like one of those bobbing, toy dog heads you see in the back of cars. Her tongue hung out of her mouth as if trying to lick the last drop of something sweet. He hair was washed back from her bruised face. A shard of glass was punched deep into her cheek. Her arms washed back and forth and up and down, as if she might be frantically signaling.
The beam rolled and Richard rolled with it. When he came out of the water and got a grip on it again, Margo's head was under the waves and her legs were sticking up, spread wide, bent at the knees, flopping, showing her panties to the moonlight.
Richard looked for the island, but didn't see it. The waves were too high and choppy. Maybe the damn island was underwater. Maybe he was washed way away from it. He had probably gone down below and fought his way up a dozen times, but just didn't remember. All reflex action. God, he hated the sea.
And then he saw Peak. Peak was clinging to a door. He was hanging on the door with one hand, gripping the doorknob. The door was tilted toward him, and Peak looked weak. His other arm hung by his side, floated and thrashed in the water, obviously broken. He didn't see Richard. His back was to him. He was about ten feet away. Or he was every few seconds. Waves would wash him a little farther away, then bring him back.
Richard timed it. When the waves washed Peak away, Richard let go of the beam and swam toward him, then when the waves washed him back, Richard was there. He came up behind Peak, slipped an arm around Peak's neck, and used his other to tighten the choke. It was the kind of choke that cut the blood off to the brain, didn't affect the wind.
Peak tried to hang on to the door, but he let go to grab Richard's arm. The waves took them under, but still Richard clung. They washed up into the moonlight and Richard rolled onto his back, keeping Peak on top of him. He held his head out of the water with effort. Peak's hand fluttered weakly against Richard's arm.
"You know what Hemingway said about death," Richard said. "That it's a gift. Well, I give it to you."
In a moment, Peak's hand no longer fluttered, and Richard let him go. Peak went directly beneath the waves and out of sight.
Richard swam, got on top of the door, clung to the knob, and bucked with the waves. He looked for the beam with Margo on it. He spotted it far out, on the rise of a wave, Margo's legs dangling like a broken peace symbol. The beam rolled and Margo's head came up, then it rolled again, went down into a valley of waves and out of sight. Nearby, Richard saw the check Peak had written ride up on a wave like a little flat fish, shine for a moment in the moonlight, then go down, and not come up.
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