Амброз Бирс - We, Robots

That was an old ship, all right.

Tap. Tap.

"Go to hell," he said aloud. There was no answer.

Tap. Tap.

"Go to hell," he said. He walked out into the tube, which flexed sinuously as his body pressed aside the static air. In the airlock of the stranger, he paused and looked back. He was not much surprised to see the outer door of his own airlock swinging smugly shut against him. Then the airlock of the stranger began to cycle; he skipped on into the ship barely in time.

There was a bare metal corridor ahead of him. While he watched, the first light bulb over his head blinked out. Then the second. Then the third. As the fourth one went out, the first came on again, so that now there was a slow ribbon of darkness moving away from him down the corridor. Clearly, he was being asked to follow the line of darkening bulbs down the corridor.

He had no choice, now that he had come this far. He followed the blinking lights. The trail led directly to the control room of the ship. There was nobody there, either.

The whole place was oppressively silent. He could hear the soft hum of generators—a louder noise than he ever heard on board the observatory—but no ship should be this quiet. There should be muffled human voices; the chittering of communications systems, the impacts of soles on metal. Someone had to operate a proper ship—not only its airlocks, but its motors—and its brains. The observatory was only a barge, and needed no crew but Brant, but a real ship had to be manned.

He scanned the bare metal compartment, noting the apparent age of the equipment. Most of it was manual, but there were no hands to man it.

A ghost ship for true.

"All right," he said. His voice sounded flat and loud to him. "Come on out. You wanted me here—why are you hiding?"

Immediately there was a noise in the close, still air, a thin, electrical sigh. Then a quiet voice said, "You’re Brant Kittinger."

"Certainly," Brant said, swiveling fruitlessly toward the apparent source of the voice. "You know who I am. You couldn’t have found me by accident. Will you come out? I’ve no time to play games."

"I’m not playing games," the voice said calmly. "And I can’t come out, since I’m not hiding from you. I can’t see you; I needed to hear your voice before I could be sure of you."

"Why?"

"Because I can’t see inside the ship. I could find your observation boat well enough, but until I heard you speak I couldn’t be sure that you were the one aboard it. Now I know."

"All right," Brant said suspiciously. "I still don’t see why you’re hiding. Where are you?"

"Right here," said the voice. "All around you."

Brant looked all around himself. His scalp began to creep. "What kind of nonsense is that?" he said.

"You aren’t seeing what you’re looking at, Brant. You’re looking directly at me, no matter where you look. I am the ship."

"Oh," Brant said softly. "So that’s it. You’re one of Murray Bennett’s computer-driven ships. Are you the Astrid, after all?"

"This is the Astrid," the voice said. "But you miss my point. I am Murray Bennett, also." Brant’s jaw dropped open. "Where are you?" he said after a time.

"Here," the voice said impatiently. "I am the Astrid. I am also Murray Bennett. Bennett is dead, so he can’t very well come into the cabin and shake your hand. I am now Murray Bennett; I remember you very well, Brant. I need your help, so I sought you out. I’m not as much Murray Bennett as I’d like to be."

Brant sat down in the empty pilot’s seat.

"You’re a computer," he said shakily. "Isn’t that so?"

"It is and it isn’t. No computer can duplicate the performance of a human brain. I tried to introduce real human neural mechanisms into computers, specifically to fly ships, and was outlawed for my trouble. I don’t think I was treated fairly. It took enormous surgical skill to make the hundreds and hundreds of nerve-to-circuit connections that were needed—and before I was half through, the UN decided that what I was doing was human vivisection. They outlawed me, and the Foundation said I’d have to destroy myself; what could I do after that?

"I did destroy myself. I transferred most of my own nervous system into the computers of the Astrid, working at the end through drugged assistants under telepathic control, and finally relying upon the computers to seal the last connections. No such surgery ever existed before, but I brought it into existence. It worked. Now I’m the Astrid —and still Murray Bennett too, though Bennett is dead."

Brant locked his hands together carefully on the edge of the dead control board. "What good did that do you?" he said.

"It proved my point. I was trying to build an almost living spaceship. I had to build part of myself into it to do it—since they made me an outlaw to stop my using any other human being as a source of parts. But here is the Astrid, Brant, as almost alive as I could ask. I’m as immune to a dead spaceship—a UN cruiser, for instance—as you would be to an infuriated wheelbarrow. My reflexes are human-fast. I feel things directly, not through instruments. I fly myself: I am what I sought—the ship that almost thinks for itself."

"You keep saying ‘almost,’ " Brant said.

"That’s why I came to you," the voice said. "I don’t have enough of Murray Bennett here to know what I should do next. You knew me well. Was I out to try to use human brains more and more, and computer-mechanisms less and less? It seems to me that I was. I can pick up the brains easily enough, just as I picked you up. The solar system is full of people isolated on little research boats who could be plucked off them and incorporated into efficient machines like the Astrid. But I don’t know. I seem to have lost my creativity. I have a base where I have some other ships with beautiful computers in them, and with a few people to use as research animals I could make even better ships of them than the Astrid is. But is that what I want to do? Is that what I set out to do? I no longer know, Brant. Advise me."

The machine with the human nerves would have been touching had it not been so much like Bennett had been. The combination of the two was flatly horrible.

"You’ve made a bad job of yourself, Murray," he said. "You’ve let me inside your brain without taking any real thought of the danger. What’s to prevent me from stationing myself at your old manual controls and flying you to the nearest UN post?"

"You can’t fly a ship."

"How do you know?"

"By simple computation. And there are other reasons. What’s to prevent me from making you cut your own throat? The answer’s the same. You’re in control of your body; I’m in control of mine. My body is the Astrid. The controls are useless, unless I actuate them. The nerves through which I do so are sheathed in excellent steel. The only way in which you could destroy my control would be to break something necessary to the running of the ship. That, in a sense, would kill me, as destroying your heart or your lungs would kill you. But that would be pointless, for then you could no more navigate the ship than I. And if you made repairs, I would be—well, resurrected."

The voice fell silent a moment. Then it added, matter-of-factly, "Of course, I can protect myself." Brant made no reply. His eyes were narrowed to the squint he more usually directed at a problem in Milne transformations.

"I never sleep," the voice went on, "but much of my navigating and piloting is done by an autopilot without requiring my conscious attention. It is the same old Nelson autopilot which was originally on board the Astrid, though, so it has to be monitored. If you touch the controls while the autopilot is running, it switches itself off and I resume direction myself."