Дэймон Найт - Orbit 5

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Orbit 5: краткое содержание, описание и аннотация

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ORBIT 5 is the latest in the unique semi-annual series of SF anthologies which publishes the best new stories before they have appeared anywhere else. Editor Damon Knight works with both established writers and new talent, demanding the best and freshest of their work, and offering freedom from the taboos and conventions of magazine writing.
Mr. Knight is the director of the annual Milford Science Fiction Writers’ Conference, founder and first president of Science Fiction Writers of America, and a Hugo winner for his book of critical essays, In Search of Wonder. His thirty books include novels, collections of short stories, translations, and anthologies.

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They do not wave to each other.

The prisoner feels in the right-hand pocket of his denim suit. He pulls out a small leather wallet, and puts the photograph into one of the compartments, transferring it back to the pocket. Now it is evening; the stone walls are touched with gold. He lies on his back on the bunk, watching the ceiling, and the rippling spider webs. A little while later there is a rattling sound at the door. Soon it opens, and his warder walks in. He turns his head on the bunk and looks at the warder.

The man clears his throat and then begins to speak, as if speaking is an effort.

“There has been a general decree. All the prisoners are to be released. You are free to go.”

Configuration of the North Shore

by R. A. Lafferty

The patient was named John Miller.

The analyst was named Robert Rousse.

Two men.

The room was cluttered with lighting, testing, and recording equipment. It held several sets of furniture that conferred together in small groups, sofas, easy chairs, business chairs, desks, couches, coffee tables, and two small bars. There were books, and there was a shadow booth. The pictures on the walls were of widely different sorts.

One setting. Keep it simple, and be not distracted by indifferent details.

“I have let my business go down,” Miller said. “My wife says that I have let her down. My sons say that I have turned into a sleepy stranger. Everybody agrees that I’ve lost all ambition and judgment. And yet I do have a stirring ambition. I am not able, however, to put it into words.”

“We’ll put it into words, Miller, either yours or mine,” Rousse said. “Slip up on it right now! Quickly, what is the stirring ambition?”

“To visit the Northern Shore, and to make the visit stick.”

“How does one get to this Northern Shore, Miller?”

“That’s the problem. I can locate it only very broadly on the globe. Sometimes it seems that it should be off the eastern tip of New Guinea, going north from the D’Entrecasteaux Islands and bypassing Trobriand; again I feel that it is off in the Molucca Passage toward Talaud; and again it should be a little further south, coming north out of the Banda Sea by one of the straats. But I have been in all those waters without finding any clue to it. And the maps show unacceptable land or open sea wherever I try to set it.”

“How long?”

“About twenty-five years.”

“All in what we might call the Outer East Indies and dating from your own time in that part of the world, in World War II. When did it become critical?”

“It was always critical, but I worked around it. I built up my business and my family and led a pleasant and interesting life. I was able to relegate the Thing to my normal sleeping hours. Now I slow down a little and have less energy. I have trouble keeping both sets of things going.”

“Can you trace the impression of the North Shore to anything? Transfigured early memory of some striking sea view? Artform-triggered intuition? Can you trace any roots to the evocative dream?”

“I had an inland childhood, not even a striking lake-view in it. And yet the approach to the North Shore is always by a way recognized from early childhood. I don’t believe that I have any intuition at all, nor any sense of art forms. It is simply a continuing dream that brings me almost to it. I am rounding a point, and the North Shore will be just beyond that point. Or I have left ship and wade through the shallows; and then I have only a narrow (but eerie) neck of land to traverse to reach the North Shore. Or I am, perhaps, on the North Shore itself and going through fog to the place of importance, and I will have the whole adventure as soon as the fog clears a little; but it doesn’t. I’ve been on the verge of discovering it all a thousand times.”

“All right. Lie down and go to dreaming, Miller. We will try to get you past that verge. Dream, and we record it.”

“It isn’t that easy, Rousse. There’s always preliminaries to be gone through. First there is a setting and sound and smell of a place near the surf and a tide booming. This watery background then grows fainter; but it remains behind it all. And then there is a little anteroom dream, a watery dream that is not the main one. The precursor dream comes and goes, sharp and clear, and it has its own slanted pleasure. And only then am I able to take up the journey to the North Shore.”

“All right, Miller, we will observe the amenities. Dream your dreams in their proper order. Lie easy there. Now the shot. The recorders and the shadow booth are waiting.”

Shadow booths reproduced dreams in all dimensions and senses, so much so that often a patient on seeing a playback of his own dream was startled to find that an impression, which he would have said could be in no way expressed, was quite well expressed in shadow or color or movement or sound or odor. The shadow booth of the analyst Rousse was more than a basic booth, as he had incorporated many of his own notions into it. It reproduced the dreams of his patients very well, though to some extent through his own eyes and presuppositions.

First was given the basic, and Rousse realized that for his patient Miller this was New Guinea, and more particularly Black Papua, the stark mountain land full of somber spooky people. It was night; the area seemed to be about fifty yards from the surf, but every boom and sigh was audible. And there was something else: the tide was booming underground; the ocean permeated the land. Guinea, the mountain that is an island, was a mountain full of water. The roots of the mountain move and sigh; the great boulders squeak when the hammer of the tide hits them; and on the inside of the cliffs the water level rises. There is the feeling of being on a very large ship, a ship a thousand miles long.

“He has captured the Earth-Basic well,” the analyst Rousse said. Then the basic faded back a bit, and the precursor dream began.

It was in a flat-bottomed rowboat from some old camping trip. He was lying on his back in the bottom of the boat, and it was roped to a stump or tree and was rocking just a little in the current. And here was another mountain full of water, but an inland one of much less bulk, and the ice-cold springs ran out of its sides and down its piney shoulders to the shingle of the creek bank. Fish jumped in the dark, and blacksnakes slid down the hill to drink. Bullfrogs echoed, and hoot owls made themselves known; and far away dogs and men were out possuming, with the baying carrying over the miles. Then the boy remembered what he must do, and in his dream he unroped the boat and shoved into the stream and ran his trot line. From every hook he took a fish as long as his arm till the boat was full and nearly swamped.

And from the last hook of all, he took a turtle as big as a wagon wheel. He would not have been able to get it into the boat had not the turtle helped by throwing a booted leg over the side and heaving himself in. For by this time it was not so much a turtle but more like someone the boy knew. Then he talked for a while with the turtle that was not exactly a turtle any more. The turtle had a sack of Bull Durham and the boy had papers, so they rolled and smoked and watched the night clouds slide overhead. One of them was named Thinesta and one was named Shonge, which chased the first and would soon have him treed or caught, if they did not run into the mountain or the moon first.

“Boy, this is the life!” said the turtle. “Boy, this is the life!” said the boy.

“He’s a poet,” said Rousse, and this puzzled him. He knew himself to be a cultured man, and he knew that Miller wasn’t.

Then the little precursor dream slid away, and there began the tortuous and exhilarating journey to the North Shore. It was coming around a point in an old windjammer on which all the men were dead except the dreamer. The dead men were grinning and were happy enough in their own way. They had lashed themselves to rails and davits and such before they had died. “They didn’t want it bad enough,” the dreamer said, “but they won’t mind me going ahead with it.” But the point was devilish hard to turn. There came on wind and driving spray so that the ship shuddered. There was only ashen light as of false dawn. There was great strain. The dreamer struggled, and Rousse (caught up in the emotion of it) became quite involved and would have been in despair if it were not for the ultimate hope that took hold of him.

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