Дэймон Найт - Orbit 7

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Orbit 7: краткое содержание, описание и аннотация

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—The ant noses the worm disdainfully and then passes out of the field of vision. The only movement now is the ripple of the tall grass and the flash of birds in the shaggy tree. The sky is clouding up again, thunderheads rumbling up over the horizon and rolling across the sky. Two large forms appear near the shaggy tree at the other extreme of the field of vision. The singing of the birds stops as if turned off by a switch. The two forms move about vaguely near the shaggy tree, rustling the grass. The angle of the field of vision gives a foreshortening effect, and it is difficult to make out just what the figures are. There is a sharp command, the human voice sounding strangely thin under the sighing of the wind. The two figures move away from the shaggy tree, pushing through the grass. They are medics; haggard, dirty soldiers with big red crosses painted on their helmets and armbands and several days’ growth on their chins. They look tired, harried, scared and determined, and they are moving rapidly, half-crouching, searching for something on the ground and darting frequent wary glances back over their shoulders. As they approach they seem to grow larger and larger, elongating toward the sky as their movement shifts the perspective. They stop a few feet away and reach down, lifting up a body that has been hidden by the tall grass. It is Denny, the back of his head blown away, his eyes bulging horribly open. The medics lower Denny’s body back into the sheltering grass and bend over it, fumbling with something. They finally straighten, glance hurriedly about and move forward. The two grimy figures swell until they fill practically the entire field of vision, only random patches of the sky and the ground underfoot visible around their bulk. The medics come to a stop about a foot away. The scarred, battered, mud-caked combat boot of the medic now dominates the scene, looking big as a mountain. From the combat boot, the medic’s leg seems to stretch incredibly toward the sky, like a fatigue-swathed beanstalk, with just a suggestion of a head and a helmet floating somewhere at the top. The other medic cannot be seen at all now, having stepped over and out of the field of vision. His shallow breathing and occasional muttered obscenities can be heard. The first medic bends over, his huge hand seeming to leap down from the sky, and touches the arm, lifting the wrist and feeling for a pulse. The medic holds the wrist for a while and then sighs and lets it go. The wrist plops limply back into the cold sucking mud, splattering it. The medic’s hand swells in the direction of the upper arm, and then fades momentarily out of the field of vision, although his wrist remains blurrily visible and his arm seems to stretch back like a highway into the middle distance. The medic tugs, and his hand comes back clutching a tarnished dog tag. Both of the medic’s hands disappear forward out of the field of vision. Hands prying the jaw open, jamming the dog tag into the teeth, the metal cold and slimy against the tongue and gums, pressing the jaws firmly closed again, the dog tag feeling huge and immovable inside the mouth. The world is the medic’s face now, looming like a scarred cliff inches away, his bloodshot twitching eyes as huge as moons, his mouth, hanging slackly open with exhaustion, as cavernous and bottomless as a magic cave to a little boy. The medic has halitosis, his breath filled with the richly corrupt smell of freshly turned earth. The medic stretches out two fingers which completely occupy the field of vision, blocking out even the sky. The medic’s fingertips are the only things in the world now. They are stained and dirty and one has a white scar across the whorls. The medic’s fingertips touch the eyelids and gently press down. And now there is nothing but darkness—

And I remember the way dawn would crack the eastern sky, the rosy blush slowly spreading and staining the black of night, chasing away the darkness, driving away the stars. And I remember the way a woman looks at you when she loves you, and the sound that a kitten makes when it is happy, and the way that snowflakes blur and melt against a warm windowpane in winter. I remember. I remember.

Woman Waiting

by Carol Emshwiller

There goes the plane for Chicago. They’re up safely. In here you can’t hear any of their racket.

There they go, climbing in a trail of black smoke, engines screaming, but we can’t hear it.

For us, they’re silent as birds.

For them, we here below are diminishing in size. We are becoming doll-like and soon we will be like ants, soon no more than scurrying gnats and, later still, bacteria perhaps and fungi, I, too, nothing but a microbic creature. I might be the size of a camel or a mouse, it’s all the same to them up there. Even if I were to stand in the center of the landing field (as camel or mouse) they couldn’t see me at all.

There they go, swelling towards the sun. Only the sky will have room enough for them now. This landing field will seem infinitesimal. There will be no place on this whole planet, not a bit of land anywhere, unless some gigantic desert, that will seem to them large enough to land on. There, they have already swelled themselves up out of sight.

But now I see they have begun to board the plane for Rome. In a moment they will fly up as the others did, like a great expanding bird, starting out at our size, but growing too big for us. Behind this thick glass I hardly hear those Rome-bound engines begin, one by one, to scream out their expanding powers.

How nice it must be for all those people to enlarge themselves so. How condescendingly they must, sometimes, look down upon us here.

I have a ticket.

I am not unlike those others boarding their planes for Chicago, Rome, Miami, and so soon to be transformed. And I am not unlike these who sit here waiting too. I am, in fact, quite a bit like them, for I have noticed that within my view there are actually three other coats of almost exactly the same brown as mine and I see two other little black hats. I have noticed myself in the ladies’ room mirror, though not so that anyone knew I was watching myself. I only allowed myself to look as I combed my hair and put on my lipstick, but I did see how like them I am in my new clothes and from a certain distance. If I could just keep this in mind, for my looks, when I can remember them, influence my actions, and I am sure if I could see myself in some mirror behind the clerks, I would feel quite comfortable approaching them. But then there will be no more need of that.

But I know rest room mirrors are not quite trustworthy. They have a pinkish cast that flatters and, for all I know, a lengthening effect to make us all think of ourselves as closer to some long legged ideal. I must remember that and be careful. I mustn’t fantasize about myself. I must remember I am not quite what the mirrors show me. They are, in a way, like subway windows where one sees oneself flashing by along the dark walls and one looks quite dashing and luminously handsome, needing, one thinks, only red earrings or a modish hat to be a quite extraordinary person, even standing out from the others.

There go those Rome people. Soon I will be off up there too. The thought is enough to make me feel dashingly handsome again, as handsome as all these clean-cut people so comfortable in themselves, so accustomed to their clothes and their bodies, and I feel young, almost too young, like a little girl on her first voyage alone (and it has been a long time since I went anywhere so it does seem like a first voyage).

That Rome plane looks slow from here, but I know how fast they’re really going, and then, the larger you are, the slower you seem. I think they are already noticing how huge they are getting now. Once up, they may not be able to come down at all. They may sit looking out the windows, circling forever, dizzy at their own size compared to earth, unable to risk a landing.

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