Дэймон Найт - Orbit 12

Здесь есть возможность читать онлайн «Дэймон Найт - Orbit 12» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Orbit 12: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Orbit 12»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Orbit 12 — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Orbit 12», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

In cafés I’d seen that sort of thing done so often, and often so much better, that it was absurd that it should affect me as it did. Perhaps I can make it clear: think of a chap who’s learned to swim, and done it often, in tiled natatoriums, seeing the sort of pool a clear brook makes under a willow. Better: a dog raised on butcher’s meat feels his jaws snap the first time on his own rabbit. I glanced at Sanderson and saw that, stuffed as he was with rice and mutton (the man has eaten like a pig ever since I’ve known him and is a joke in our mess), he felt the same way. Once she bent backward and put her head in my lap the way they do, which gave me a really good look at her; she was a choice piece right enough, but there was one thing I must say gave me a bit of a turn. The little black thingummies I’d thought were coins were really electric dohiclaes of some sort, though you could see the wires had been twisted together and nothing worked anymore. Even the glass jelly beans had wires in them. I suppose these wogs must have stolen radios or some such from the Turks and torn them up to make jewelry. Then she laid her head in Sanderson’s lap, and looking at him I knew he’d go along.

They had pitched a tent for us near the plane, and after we had taken her out there the two of us discussed in a friendly way what was to be done. In the end we matched out for her. Sanderson won and I lay down with my Webley in my hand to watch the door of the tent.

In a way I was glad to be second—happy, you know, for a bit of a rest first. It had been bloody early in the morning when we’d landed to dynamite the Turkish power line, and I kept recalling how the whole great thing had flashed up in our faces while we were still setting the charge. It seemed such a devil of a long time ago, and after that taxiing across the desert dragging the smashed wings while mirages flitted about—a good half million years of that, if the time inside one’s head means anything . . .

Mustn’t sleep, though. Sit up. Now her.

She had taken off her veil when we had brought her in. I kept remembering that, knowing that no act however rash or lewd performed by an Englishwoman could have quite the same meaning that that did for her. She had reached up with a kind of last-gasp panache and unfastened one side of it like a man before a firing squad throwing aside his blindfold—a girl of perhaps fifteen with a high-bridged nose and high cheekbones.

I had thought then that she would merely submit unless (or until) something broke through that hawk-face reserve. Sitting there listening to her with Sanderson, I knew I had been wrong. They were whispering endearments though neither could understand the other, and there was a sensuous sound to the jingle of the glass beans and little disks that made it easy to imagine her hands stroking an accompaniment to words she scarcely breathed. It seemed incredible that Sanderson had not removed the rubbish when he undressed her but he had not. After a time I felt I could distinguish the locations from which those tiny chimings came: the fingers and wrists, the ankles, the belt over the hips loudest of all.

It reached a crescendo, a steady ringing urgent as a cry for help, and over it I could hear Sanderson’s harsh breathing. Then it was over and I waited for her to come to me, but she did not.

Just as I was about to call out or go over and take hold of her they began again. I couldn’t make out what Sanderson was saying —something about loving forever—but I could hear his voice and hers, and I heard the ringing begin again. Outside, the moon rose and sent cold white light through the door.

They were longer this time; and the pause, too, was longer; but at last they began the third. I tried to stare through the blackness in the tent, but I could see nothing except when a wire or one of the glass beans flashed in the inky shadow. Then there was the insistent jingling again, louder and louder. At last Sanderson gave a sort of gasp, and I heard a rustle as he rolled away from her.

Half a minute and the jingling began again as she stood up; her feet made soft noises on the matting walking over to where I lay. She spoke, and although I could not understand the words the meaning was clear enough: “Now you.” I holstered my revolver and pulled her down to me. She came willingly enough, sinking to a sitting posture and then, gradually it seemed to me, though I could not see her, lying at full length.

I ran my hands over her. In the half minute between Sanderson’s gasp and the present I had come to understand what had happened; the only question that remained was the hiding place of her weapon. I stroked her, pretending to make love to her. Under the arms—no. Strapped to the calf—no. She hissed with pleasure, a soft exhalation.

Then it came to me. There is almost no place where a man will not put his hands when he takes a woman; but there is one, and thus this girl had been able to kill Sanderson after lying with him half the night.

A man will touch a woman’s legs and arms everywhere, caress her body, kiss her lips and eyes and cheeks and ears. But he will not, if she is elaborately coifed, put his hands in her hair. And if he attempts to, she may stop him without arousing his suspicions.

She cried out, then bit my hand, as I tore away the disk-threaded wires, but I found it—a knife not much larger than a penknife yet big enough to open the jugular. I knew what I was going to do.

I threw the knife aside and used the wires to tie her, first stuffing my handkerchief in her mouth as a gag. Then with my revolver in my hand I stepped out into the village street, looking around in the moonlight. I could see no one, but I knew they were there, watching and waiting for her signal. They would be too late.

Back in the tent I picked her up in my arms, drew a deep breath, then burst out sprinting for the aircraft. Even with her arms and legs bound she fought as best she could, but I stuffed her into Sanderson’s place. They would be after us in moments, but I squandered a few seconds on the compass, striking a lucifer to look at it though it was hopelessly dotty as usual, having crawled thirty degrees at least away from the north star. The engine coughed, then caught, as I spun the airscrew; and before the aircraft could build up speed I had jumped onto the wing and vaulted into the cockpit. The roar of the exhaust shook the little village now. We rolled forward faster and faster and I felt the tail come up.

I knew she couldn’t understand me, but I turned back to the girl shouting, “We’ll do it! We’ll find something tomorrow, bamboo or something, and repair the wing! We’ll get back!”

Sanderson was running after us in his underclothes, so I had been wrong, but I didn’t care. I had her and the aircraft, racing across the desert while meteors miles ahead shot upward into the sky. “We’ll do it,” I called back. “Well fly!” Her eyes said she understood.

ARCS & SECANTS

Edward Bryant (“Shark” and “Pinup”) once won a red ribbon at a Wyoming State Fair for a table lamp made from the smokestack of a John Deere tractor. Among his more recent distinctions is a tie for first place in the NAL awards for the best stories from the 1971 Clarion Writers’ Workshop. He is thirty-three, a soft-spoken Westerner who wears a Wyatt Earp mustache. He has sold twenty-nine stories to original anthology series. This is probably a record.

Avram Davidson, author of “The Roads, the Roads, the Beautiful Roads” ( Orbit 5), “Goslin Day” ( Orbit 6), and “Rite of Spring” ( Orbit 8), informed us that having been engaged in abstracting and transcribing from a work entitled Egyptian Mummies, by Dawson and Smith, in aid of his incessant and unending labor on the matrix of the Vergil Magus legends, he could not refrain from passing on the information that “‘the mummy of the IV th Ramesses (sic), an elderly man, probably about fifty years of age (and) well-preserved,’ contains two features which must strike one as slightly curious. Or three. The anus is plugged with a ball of resin, and Tor artificial eyes small onions are used.’ They give, say the authors, ‘a surprisingly realistic effect.’“ A month or so later, Mr. Davidson sent us a dinosaur coprolite. We asked him if he had ever thought of going into the manufacturing end.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Orbit 12»

Представляем Вашему вниманию похожие книги на «Orbit 12» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


libcat.ru: книга без обложки
Дэймон Найт
Дэймон Найт - Аналоги
Дэймон Найт
libcat.ru: книга без обложки
Дэймон Найт
libcat.ru: книга без обложки
Дэймон Найт
libcat.ru: книга без обложки
Дэймон Найт
libcat.ru: книга без обложки
Дэймон Найт
Отзывы о книге «Orbit 12»

Обсуждение, отзывы о книге «Orbit 12» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x