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Джозеф Киплинг: Actions and Reactions

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Джозеф Киплинг Actions and Reactions

Actions and Reactions: краткое содержание, описание и аннотация

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Imagine an alternate reality where the man who gave the world The Jungle Book and Gunga Din and The Phantom ‘Rickshaw was a science fiction writer – generations before Hugo Gernsbeck and Amazing; before the pulp SF that dominated the thirties; before intellectually prescient Astounding in the forties and sophisticated literary SF magazines like Galaxy and The Magazine Of Fantasy And Science Fiction fifties. Think of it: a world where Rudyard Kipling was a science fiction writer, long before SF as we understand it was invented. Well actually, he was. And the book you have in your hands – Actions And Reactions – is a wonderful example of it. It feels a lot like the sort of sophisticated SF – literary without being precious – we all remember from the Golden Age of Galaxy and The Magazine Of Fantasy And Science Fiction. Imagine that. We live in an alternate universe.

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"Your trace wants taking up." Pinky's large ears had caught the sound of voices, and as the two broke through the laurels the men were hard at work, their eyes on Sophie's feet.

She had been less fortunate in her inquiries than Iggulden, for her Aunt Sydney of Meriden (a badged and certificated Daughter of the Revolution to boot) answered her inquiries with a two–paged discourse on patriotism, the leaflets of a Village Improvement Society, of which she was president, and a demand for an overdue subscription to a Factory Girls' Reading Circle. Sophie burned it all in the Orpheus and Eurydice grate, and kept her own counsel.

"What I want to know," said George, when Spring was coming, and the gardens needed thought, "is who will ever pay me for my labour? I've put in at least half a million dollars' worth already."

"Sure you're not taking too much out of yourself?" his wife asked.

"Oh, no; I haven't been conscious of myself all winter." He looked at his brown English gaiters and smiled. "It's all behind me now. I believe I could sit down and think of all that—those months before we sailed."

"Don't—ah, don't!" she cried.

"But I must go back one day. You don't want to keep me out of business always—or do you?" He ended with a nervous laugh.

Sophie sighed as she drew her own ground–ash (of old Iggulden's cutting) from the hall rack.

"Aren't you overdoing it too? You look a little tired," he said.

"You make me tired. I'm going to Rocketts to see Mrs. Cloke about Mary." (This was the sister of the telegraphist, promoted to be sewing–maid at Pardons.) "Coming?"

"I'm due at Burnt House to see about the new well. By the way, there's a sore throat at Gale Anstey—"

"That's my province. Don't interfere. The Whybarne children always have sore throats. They do it for jujubes."

"Keep away from Gale Anstey till I make sure, honey. Cloke ought to have told me."

"These people don't tell. Haven't you learnt that yet? But I'll obey, me lord. See you later!"

She set off afoot, for within the three main roads that bounded the blunt triangle of the estate (even by night one could scarcely hear the carts on them), wheels were not used except for farm work. The footpaths served all other purposes. And though at first they had planned improvements, they had soon fallen in with the customs of their hidden kingdom, and moved about the soft–footed ways by woodland, hedgerow, and shaw as freely as the rabbits. Indeed, for the most part Sophie walked bareheaded beneath her helmet of chestnut hair; but she had been plagued of late by vague toothaches, which she explained to Mrs. Cloke, who asked some questions. How it came about Sophie never knew, but after a while behold Mrs. Cloke's arm was about her waist, and her head was on that deep bosom behind the shut kitchen door.

"My dear! My dear!" the elder woman almost sobbed. "An' d'you mean to tell me you never suspicioned? Why—why—where was you ever taught anything at all? Of course it is. It's what we've been only waitin' for, all of us. Time and again I've said to Lady—" she checked herself. "An' now we shall be as we should be."

"But—but—but—" Sophie whimpered.

"An' to see you buildin' your nest so busy—pianos and books—an' never thinkin' of a nursery!"

"No more I did." Sophie sat bolt upright, and began to laugh.

"Time enough yet." The fingers tapped thoughtfully on the broad knee. "But—they must be strange–minded folk over yonder with you! Have you thought to send for your mother? She dead? My dear, my dear! Never mind! She'll be happy where she knows. 'Tis God's work. An' we was only waitin' for it, for you've never failed in your duty yet. It ain't your way. What did you say about my Mary's doings?" Mrs. Cloke's face hardened as she pressed her chin on Sophie's forehead. "If any of your girls thinks to be'ave arbitrary now, I'll—But they won't, my dear. I'll see they do their duty too. Be sure you'll 'ave no trouble."

When Sophie walked back across the fields heaven and earth changed about her as on the day of old Iggulden's death. For an instant she thought of the wide turn of the staircase, and the new ivory–white paint that no coffin corner could scar, but presently, the shadow passed in a pure wonder and bewilderment that made her reel. She leaned against one of their new gates and looked over their lands for some other stay.

"Well," she said resignedly, half aloud, "we must try to make him feel that he isn't a third in our party," and turned the corner that looked over Friars Pardon, giddy, sick, and faint.

Of a sudden the house they had bought for a whim stood up as she had never seen it before, low–fronted, broad–winged, ample, prepared by course of generations for all such things. As it had steadied her when it lay desolate, so now that it had meaning from their few months of life within, it soothed and promised good. She went alone and quickly into the hall, and kissed either door–post, whispering: "Be good to me. You know! You've never failed in your duty yet."

When the matter was explained to George, he would have sailed at once to their own land, but this Sophie forbade.

"I don't want science," she said. "I just want to be loved, and there isn't time for that at home. Besides," she added, looking out of the window, "it would be desertion."

George was forced to soothe himself with linking Friars Pardon to the telegraph system of Great Britain by telephone—three–quarters of a mile of poles, put in by Whybarne and a few friends. One of these was a foreigner from the next parish. Said he when the line was being run: "There's an old ellum right in our road. Shall us throw her?"

"Toot Hill parish folk, neither grace nor good luck, God help 'em." Old Whybarne shouted the local proverb from three poles down the line. "We ain't goin' to lay any axe–iron to coffin–wood here not till we know where we are yet awhile. Swing round 'er, swing round!"

To this day, then, that sudden kink in the straight line across the upper pasture remains a mystery to Sophie and George. Nor can they tell why Skim Winsh, who came to his cottage under Dutton Shaw most musically drunk at 10.45 P.M of every Saturday night, as his father had done before him, sang no more at the bottom of the garden steps, where Sophie always feared he would break his neck. The path was undoubtedly an ancient right of way, and at 10.45 P.M. on Saturdays Skim remembered it was his duty to posterity to keep it open—till Mrs. Cloke spoke to him once. She spoke likewise to her daughter Mary, sewing maid at Pardons, and to Mary's best new friend, the five–foot–seven imported London house–maid, who taught Mary to trim hats, and found the country dullish.

But there was no noise—at no time was there any noise—and when Sophie walked abroad she met no one in her path unless she had signified a wish that way. Then they appeared to protest that all was well with them and their children, their chickens, their roofs, their water–supply, and their sons in the police or the railway service.

"But don't you find it dull, dear?" said George, loyally doing his best not to worry as the months went by.

"I've been so busy putting my house in order I haven't had time to think," said she. "Do you?"

"No—no. If I could only be sure of you."

She turned on the green drawing–room's couch (it was Empire, not Heppelwhite after all), and laid aside a list of linen and blankets.

"It has changed everything, hasn't it?" she whispered.

"Oh, Lord, yes. But I still think if we went back to Baltimore—"

"And missed our first real summer together. No thank you, me lord."

"But we're absolutely alone."

"Isn't that what I'm doing my best to remedy? Don't you worry. I like it—like it to the marrow of my little bones. You don't realize what her house means to a woman. We thought we were living in it last year, but we hadn't begun to. Don't you rejoice in your study, George?"

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