Джозеф Киплинг - Actions and Reactions

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Giuseppe and Jimmy did as they were told, the monkey following them with a wary and malignant eye.

"Here's a discovery," said Jimmy. "The singing part of this organ comes off the wheels." He spoke volubly to the proprietor. "Oh, it's so as Giuseppe can take it to his room o' nights. And play it. D'you hear that? The organ–grinder, after his day's crime, plays his accursed machine for love. For love, Chris! And Michael Angelo was one of 'em!"

"Don't jaw! Tell him to take the beast's petticoat off," said Sir Christopher Tomling.

Lord Lundie returned, very little winded, through a gap higher up the hedge.

"They're all out, thank goodness!" he cried, "but I've raided what I could. Macrons glaces, candied fruit, and a bag of oranges."

"Excellent!" said the world–renowned contractor.

"Jimmy, you're the light–weight; jump up on the organ and impale these things on the leaves as I hand 'em!"

"I see," said Jimmy, capering like a springbuck. "Upward and onward, eh? First, he'll reach out for—how infernal prickly these leaves are!—this biscuit. Next we'll lure him on—(that's about the reach of his arm)—with the marron glare, and then he'll open out this orange. How human! How like your ignoble career, Bubbles!"

With care and elaboration they ornamented that tree's lower branches with sugar–topped biscuits, oranges, bits of banana, and marrons glares till it looked very ape's path to Paradise.

"Unchain the Gyascutis!" said Sir Christopher commandingly. Giuseppe placed the monkey atop of the organ, where the beast, misunderstanding, stood on his head.

"He's throwing himself on the mercy of the Court, me lud," said Jimmy. "No—now he's interested. Now he's reaching after higher things. What wouldn't I give to have here" (he mentioned a name not unhonoured in British Art). "Ambition plucking apples of Sodom!" (the monkey had pricked himself and was swearing). "Genius hampered by Convention? Oh, there's a whole bushelful of allegories in it!"

"Give him time. He's balancing the probabilities," said Lord Lundie.

The three closed round the monkey,—hanging on his every motion with an earnestness almost equal to ours. The great judge's head—seamed and vertical forehead, iron mouth, and pike–like under–jaw, all set on that thick neck rising out of the white flannelled collar—was thrown against the puckered green silk of the organ–front as it might have been a cameo of Titus. Jimmy, with raised eyes and parted lips, fingered his grizzled chestnut beard, and I was near enough to–note, the capable beauty of his hands. Sir Christopher stood a little apart, his arms folded behind his back, one heavy brown boot thrust forward, chin in as curbed, and black eyebrows lowered to shade the keen eyes.

Giuseppe's dark face between flashing earrings, a twisted rag of red and yellow silk round his throat, turned from the reaching yearning monkey to the pink and white biscuits spiked on the bronzed leafage. And upon them all fell the serious and workmanlike sun of an English summer forenoon.

"Fils de Saint Louis, montez au ciel!" said Lord Lundie suddenly in a voice that made me think of Black Caps. I do not know what the monkey thought, because at that instant he leaped off the organ and disappeared.

There was a clash of broken glass behind the tree.

The monkey's face, distorted with passion, appeared at an upper window of the house, and a starred hole in the stained–glass window to the left of 'the front door showed the first steps of his upward path.

"We've got to catch him," cried Sir Christopher. "Come along!"

They pushed at the door, which was unlocked.

"Yes. But consider the ethics of the case," said Jimmy. "Isn't this burglary or something, Bubbles?"

"Settle that when he's caught," said Sir Christopher. "We're responsible for the beast."

A furious clanging of bells broke out of the empty house, followed by muffed gurglings and trumpetings.

"What the deuce is that?" I asked, half aloud.

"The plumbing, of course," said Penfentenyou. "What a pity! I believe he'd have climbed if Lord Lundie hadn't put him off!"

"Wait a moment, Chris," said Jimmy the interpreter; "Guiseppe says he may answer to the music of his infancy. Giuseppe, therefore, will go in with the organ. Orpheus with his lute, you know. Avante, Orpheus! There's no Neapolitan for bathroom, but I fancy your friend is there."

"I'm not going into another man's house with a hurdy–gurdy," said Lord Lundie, recoiling, as Giuseppe unshipped the working mechanism of the organ (it developed a hang–down leg) from its wheels, slipped a strap round his shoulders, and gave the handle a twist.

"Don't be a cad, Bubbles," was Jimmy's answer. "You couldn't leave us now if you were on the Woolsack. Play, Orpheus! The Cadi accompanies."

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With a whoop, a buzz, and a crash, the organ sprang to life under the hand of Giuseppe, and the procession passed through the rained–to–imitate–walnut front door. A moment later we saw the monkey ramping on the roof.

"He'll be all over the township in a minute if we don't head him," said Penfentenyou, leaping to his feet, and crashing into the garden. We headed him with pebbles till he retired through a window to the tuneful reminder that he had left a lot of little things behind him. As we passed the front door it swung open, and showed Jimmy the artist sitting at the bottom of a newly–cleaned staircase. He waggled his hands at us, and when we entered we saw that the man was stricken speechless. His eyes grew red—red like a ferret's—and what little breath he had whistled shrilly. At first we thought it was a fit, and then we saw that it was mirth—the inopportune mirth of the Artistic Temperament.

The house palpitated to an infamous melody punctuated by the stump of the barrel–organ's one leg, as Giuseppe, above, moved from room to room after his rebel slave. Now and again a floor shook a little under the combined rushes of Lord Lundie and Sir Christopher Tomling, who gave many and contradictory orders. But when they could they cursed Jimmy with splendid thoroughness.

"Have you anything to do with the house?" panted Jimmy at last. "Because we're using it just now." He gulped. "And I'm ah—keeping cave."

"All right," said Penfentenyou, and shut the hall door.

"Jimmy, you unspeakable blackguard, Jimmy, you cur! You coward!" (Lord Lundie's voice overbore the flood of melody.) "Come up here! Giussieppe's saying something we don't understand."

Jimmy listened and interpreted between hiccups.

"He says you'd better play the organ, Bubbles, and let him do the stalking. The monkey knows him."

"By Jove, he's quite right," said Sir Christopher from the landing. "Take it, Bubbles, at once."

"My God!" said Lord Lundie in horror.

The chase reverberated over our heads, from the attics to the first floor and back again. Bodies and Voices met in collision and argument, and once or twice the organ hit walls and doors. Then it broke forth in a new manner.

"He's playing it," said Jimmy. "I know his acute Justinian ear. Are you fond of music?"

"I think Lord Lundie plays very well for a beginner," I ventured.

"Ah! That's the trained legal intellect. Like mastering a brief. I haven't got it." He wiped his eyes and shook.

"Hi!" said Penfentenyou, looking through the stained glass window down the garden. "What's that!"

A household removals van, in charge of four men, had halted at the gate. A husband and his wife householders beyond question—quavered irresolutely up the path. He looked tired. She was certainly cross. In all this haphazard world the last couple to understand a scientific experiment.

I laid hands on Jimmy—the clamour above drowning speech and with Penfentenyou's aid, propped him against the window, that he should see.