John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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She looked around, possibly realizing for the first time that there was more than one kind of plant, and that they all had names.

"You know what they're all called?"

"Not all. I know the big ones. Those spiky ones are yucca. The tall ones, like whips, those are ocotillo. Most of those short bushes are creosote. That tree is mesquite."

"Not much of a tree."

"It's not much of an environment. Things here have to struggle to stay alive. Not like Amazon, where the plants fight each other. Here they work too hard conserving water."

She looked around again, wincing as her injured foot touched the ground.

"No animals?"

"They're all around you. Insects, reptiles, mostly. Some antelope. Buffalo further east. I could show you a cougar lair." I doubted she had any idea what a cougar was, or antelope and buffalo, for that matter. This was a city girl through and through. About like me before I moved to Texas, three years ago. I relented and went down on one knee.

"Let me see that foot."

There was a ragged gash on the heel, painful but not serious.

"Hey, your hand is hurt," she said. "What happened?"

"Just a stupid accident." I noticed as I said it that she not only lacked pubic hair, she had no genitals. That used to be popular sixty or seventy years ago, for children, as part of a theory of the time concerning something called "delayed adolescence." I hadn't seen it in at least twenty years, though I'd heard there were religious sects that still practiced it. I wondered if her family belonged to one, but it was much too personal to ask about.

"I don't like this place," she said "It's dangerous ." She made it sound like an obscenity. The whole idea offended her, as well it should, coming as she did from the most benign environment ever created by humans.

"It's not so bad. Can you walk on that?"

"Oh, sure." She put her foot down and walked along beside me, on her toes. As if she weren't tall enough already. "What was that remark about seven feet? I've got two feet, just like everyone else."

"Actually, you're closer to seven-four, I'd guess." I had to give her a brief explanation of the English system of weights and measures as used in the West Texas disneyland. I'm not sure she understood it, but I didn't hold it against her, because I didn't, either.

We had arrived in the middle of New Austin. This was no great feat of walking; the middle is about a hundred yards from the edge. New Austin consists of two streets: Old Spanish Trail and Congress Street. The intersection is defined by four buildings: The Travis Hotel, the Alamo Saloon, a general store and a livery stable. The hotel and saloon each have a second story. At the far end of Congress is a white clapboard Baptist church. That, and a few dozen other ramshackle buildings strung out between the church and Four Corners, is New Austin.

"They took all my clothes," she said.

"Naturally."

"They were perfectly good clothes."

"I'm sure they were. But only contemporary things are allowed in here."

"What for?"

"Think of it as a living museum."

I'd been headed for the doctor's office. Considering the time of day, I thought better of it and mounted the steps to the saloon. We entered through the swinging doors.

It was dark inside, and a little cooler. Behind me, Brenda had to duck to get through the doorway. A player piano tinkled in the background, just like an old western movie. I spotted the doctor sitting at the far end of the bar.

"Say, young lady," the bartender shouted. "You can't come in here dressed like that." I looked around, saw her looking down at herself in complete confusion.

"What's the matter with you people?" she shouted. "The lady outside made me leave all my clothes with her."

"Amanda," the bartender said, "you have anything she could wear?" He turned to Brenda again. "I don't care what you wear out in the bush. You come into my establishment, you'll be decently dressed. What they told you outside is no concern of mine."

One of the bar girls approached Brenda, holding a pink robe. I turned away. Let them sort it out.

Ever since moving to Texas, I'd played their games of authenticity. I didn't have an accent, but I'd picked up a smattering of words. Now I groped for one, a particularly colorful one, and came up with it.

"I hear tell you're the sawbones around these parts," I said.

The doctor chuckled and extended his hand.

"Ned Pepper," he said, "at your service, sir."

When I didn't shake his hand he frowned, and noticed the dirty bandage wrapped around it.

"Looks like you threw a shoe, son. Let me take a look at that."

He carefully unwrapped the bandage, and winced when he saw the splinters. I could smell the sourness of his breath, and his clothes. Doc was one of the permanent residents, like the bartender and the rest of the hotel staff. He was an alcoholic who had found a perfect niche for himself. In Texas he had status and could spend most of the day swilling whiskey at the Alamo. The drunken physician was a clichй from a thousand horse operas of the twentieth century, but so what? All we have in reconstructing these past environments is books and movies. The movies are much more helpful, one picture being equal to a kilo-word.

"Can you do anything with it?" I asked.

He looked up in surprise, and swallowed queasily.

"I guess I could dig 'em out. Couple quarts of rye-maybe one for you, too-though I freely admit the idea makes me want to puke." He squinted at my hand again, and shook his head. "You really want me to do it?"

"I don't see why not. You're a doctor, aren't you?"

"Sure, by 1845 standards. The Board trained me. Took about a week. I got a bag full of steel tools and a cabinet full of patent elixirs. What I don't have is an anaesthetic. I suppose those splinters hurt going in."

"They still hurt."

"It's nothing to how it'd hurt if I took the case. Let me… Hildy? Is that your name? That's right, I remember now. Newspaperman. Last time I talked to you you seemed to know a few things about Texas. More than most weekenders."

"I'm not a weekender," I protested. "I've been building a cabin."

"No offense meant, son, but it started out as an investment, didn't it?"

I admitted it. The most valuable real estate in Luna is in the less-developed disneylands. I'd quadrupled my money so far and there were no signs the boom was slowing.

"It's funny how much people will pay for hardship," he said. "They warn you up front but they don't spend a lot of time talking about medical care. People come here to live, and they tell themselves they'll live authentic. Then they get a taste of my medicine and run to the real world. Pain ain't funny, Hildy. Mostly I deliver babies, and any reasonably competent woman could do that herself."

"Then what are you good for?" I regretted it as soon as I said it, but he didn't seem to take offense.

"I'm mostly window dressing," he admitted. "I don't mind it. There's worse ways of earning your daily oxygen."

Brenda had drifted over to catch the last of our conversation. She was wrapped in a ridiculous pink robe, still favoring one foot.

"You fixed up yet?" she asked me.

"I think I'll wait," I said.

"Another lame mare?" the doctor asked. "Toss that hoof up here, little lady, and let me take a look at it." When he had examined the cut he grinned and rubbed his hands together. "Here's an injury within my realm of expertise," he said. "You want me to treat it?"

"Sure, why not?"

The doctor opened his black bag and Brenda watched him innocently. He removed several bottles, cotton swabs, bandages, laid it all out carefully on the bar.

"A little tincture of iodine to cleanse the wound," he muttered, and touched a purplish wad of cotton to Brenda's foot. She howled, and jumped four feet straight up, using only the un-injured foot. If I hadn't grabbed her ankle she would have hit the ceiling.

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