John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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"Can I say… I don't want to hurt you, how should I say it? I should have been surprised to hear that. I mean, it's awful, it's unexpected, it's not something you want to hear from a dear friend, and I want to say 'No, Hildy, it can't be true!' You know? But I was surprised to find that… I wasn't surprised. What an awful thing to say."

"No, go ahead and say it," I murmured. His hands were working on my head now. Much more pressure and my skull would crack, and more power to him. Maybe some of the demons would fly away through the fissures.

"In some ways, Hildy, you've always been the unhappiest person I know."

I let that sink in without protest, just as I was sinking very slowly into the sand beneath me. I was a light brown sack of sand he was shaping with his fingers. I found nothing wrong with this sensation.

"I think it's your job," he said.

"Do you really?"

"It must have occurred to you. Tell me you love your work, and I'll shut up."

There was no sense saying anything to that.

"Not going to say anything about how good you are at reporting? No comments about how exciting it is? You are good, you know. Too good, in my opinion. Ever get anywhere on that novel?"

"Not so's you'd notice."

"What about working for another pad? One a little less interested in celebrity marriages and violent death."

"I don't think that would help anything; I never had much respect for journalism as a profession in the first place. At least the Nipple doesn't pretend to be anything but what it is."

"Pure shit."

"Exactly. I know you're right. I'm not happy in my work. I'm pretty sure I'm going to be quitting soon. All that stops me is I don't have any idea what I'd do as an alternative."

"I hear there's openings in the Coolie's Union. They won the contract for Borneo. The Hod-carriers are still muttering about it."

"Nice to hear they get excited about something. Maybe I should," I said, half-seriously. "Less wear and tear on the nerves."

"It wouldn't work out. I'll tell you what your problem is, Hildy. You've always wanted to be… useful. You wanted to do something important."

"Make a difference? Change the world? I don't think so."

"I think you gave up on it before I met you. There's always been a streak of bitterness in you about that; it's one of the reasons we broke up."

"Really? Why didn't you tell me?"

"I'm not sure I knew it at the time."

We were both quiet for a while, tromping down memory lane. I was pleased to note that, even with this revelation, the memories were mostly good. He kept massaging me, pushing me forward now to get at my lower back. I offered no resistance, letting my head fall forward. I could see my hair trailing in the water. I wonder why people can't purr like cats? If I could have, I would have been at that moment. Maybe I should take it up with the CC. He could probably find a way to make it work.

He began to slow down in his work. No one ever wants that sort of thing to stop, but I knew his hands were tiring. I leaned back against him and he encircled me with his arms under my breasts. I put my hands on his knees.

"Can I ask you something?" I said.

"You know you can."

"What makes life worth living for you?"

He didn't give it a flip answer, which I'd half expected. He thought it over for a while, then sighed and rested his chin on my shoulder.

"I don't know if that's really answerable. There's surface reasons. The most obvious one is I get a sense of accomplishment from my work."

"I envy you that," I said. "Your work doesn't get erased after a ten-second read."

"There's disappointment there, too. I had sort of wanted to build these things." His arm swept out to take in the uncompleted vastness of Oregon. "Turned out my talents lay in other directions. That would be a sense of accomplishment, to leave something like this behind you."

"Is that the key? Leaving something behind? For 'posterity?'"

"Fifty years ago I might have said yes. And it's certainly a reason. I think it's the reason for most people who have the wit to ask what life's all about in the first place. I'm not sure if it's enough reason for me anymore. Not that I'm unhappy; I do love my work, I'm eager to arrive here every morning, I work late, I come in on weekends. But as to leaving something that I created, my work is even more ephemeral than yours."

"You're right," I said in considerable amazement. "I hadn't thought that was possible."

"See?" he laughed. "You learn something new every day. That's a reason for living. Maybe a trivial one. But I get satisfaction in the act of creation. It doesn't have to last. It doesn't have to have meaning."

"Art."

"I've begun to think in those terms. Maybe it's presumptuous, but we weatherfolks have started to get a following for what we do. Who knows where it might go? But creating something is pretty important to me." He hesitated, then plowed ahead. "There's another sort of creation."

I knew exactly what he meant. When all was said and done, that was the primary reason for our parting. He had had a child shortly afterward-I'd asked him never to tell me if I was the father. He had thought I should have one as well, and I had told him flatly it was none of his business.

"I'm sorry. Shouldn't have brought it up," he said.

"No, please. I asked; I have to be ready to hear the answers, even if I don't agree."

"And you don't?"

"I don't know. I've thought about it. As you must have guessed, I've been doing a lot of thinking about a lot of things."

"Then you'll have considered the negative reason for wanting to live. Sometimes I think it's the main one. I'm afraid of death. I don't know what it is, and I don't want to find out until the last possible moment."

"No heavenly harps to look forward to?"

"You can't be serious. Logically, you have to figure you just stop existing, just go out like a light. But I defy anyone to really imagine that. You know I'm not a mystic, but a long life has led me to believe, to my great bemusement, that I do believe there's something after death. I can't prove one iota of this feeling, and you can't budge me from it."

"I wouldn't try. On my better days, I feel the same way." I sighed one of the weariest sighs I can remember sighing. I'd been doing it a lot lately, each one wearier than the one before. Where would it end? Don't answer.

"So," I said. "We've got job dissatisfaction. Somehow I just don't think that's enough. There are simpler solutions to the problem. The restless urge to create. Childlessness." I was ticking them off on my fingers. Probably not a nice thing to do, since he'd tried his best. But I had hoped for some new perspective, which was entirely unreasonable but all the more disappointing when none appeared. "And fear of death. Somehow none of those really satisfy."

"I shouldn't say it, but I knew they wouldn't. Please, Hildy, get some professional counseling. There, I said it, I had to say it, but since I've known you for a long time and don't like to lie to you, I'll also say this: I don't think it will help you. You've never been one to accept somebody else's answers or advice. I feel in my gut that you'll have to solve this one on your own."

"Or not solve it. And don't apologize; you're completely right."

The river rolled on, the sun hung there in the painted sky. No time passed, and took a very long interval to do so. Neither of us felt the pressure to speak. I'd have been happy to spend the next decade there, as long as I didn't have to think. But I knew Fox would eventually get antsy. Hell, so would I.

"Can I ask you one more thing?"

He nibbled my ear.

"No, not that. Well, not yet, anyway." I tilted my head back and looked at him, inches away from my face. "Are you living with anyone?"

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