John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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And maybe, down deep, I just needed to talk it over with mommie.

It had been forty-eight hours since my return to what I was hopefully regarding as reality. I'd spent them in seclusion at my shack in West Texas. I got more work done on the cabin than during the previous four or five months, and the work was of a much higher quality. It seemed the skills I "remembered" learning on Scarpa Island were the real thing. And why shouldn't they be? The CC had been seeking verisimilitude, and he'd done a good job of it. If I chose to become a hermit in my favorite disneyland, I could thrive there.

The return to real life was cleverly done.

The Admiral had taken his leave after dropping his bombshell, refusing to answer any of my increasingly disturbed questions. He'd boarded his boat without another word and rowed it over the horizon. And for a while, that was it. The wind continued to blow, and the waves kept curling onto the beach. I drank whiskey without getting drunk from a bottle that never emptied, and thought about what he had said.

The first time I noticed a change was when the waves stopped. They just froze in place, in mid-break, as it were. I walked out on the water, which was warm and hard as concrete, and examined a wave. I don't think I could have broken off a chip of foam with a hammer and chisel.

What happened over the next few minutes was an evolution. Things happened behind my back, never in my sight. When I returned to my place on the beach the machine with the oscilloscope screen was standing beside my chair. It was wildly anachronistic, totally out of place. The sun shone down on it and, while I watched, a seagull came and perched on it. The bird flew away when I approached. The machine was mounted on casters, which had sunk into the soft sand. I stared at the moving dot on the screen and nothing happened. When I straightened and turned around I saw a row of chairs about twenty meters down the beach, and sitting in them were wounded extras from the movie infirmary, waiting their turns on the table. The trouble was, there were no tables to be seen. It didn't seem to bother them.

Once I understood the trick, I started slowly turning in a circle. New things came into view with each turn until I was back in the infirmary surrounded by objects and people, including Brenda and Wales, who were looking at me with some concern.

"Are you all right?" Brenda asked. "The medico said you might behave oddly for a few minutes."

"Was I turning in circles?"

"No, you were just standing there, looking a million miles away."

"I was interfacing," I said, and she nodded, as if that explained it all. And I suppose it did, to her. Though she'd never been to Scarpa Island or any place as completely real as that, she understood interfacing a lot better than I did, having done it all her life. I decided not to ask her if she felt the sand floor her feet seemed to be planted in; I knew it was unlikely. I doubted she saw the seagulls that circled near the ceiling, either.

I felt a terrible urge to get out of there. Shaking off Wales' offer of apologies and a drink, I headed for the studio gate. The sand didn't end until I was back in the public corridors, where I finally stepped up onto good old familiar floor tiles, soft and resilient under my bare feet. I was male again, and this time noticed it right away. When I turned around, the sand that should have been behind me was gone.

But on the way to Texas I saw many tropical plants growing from the concrete floors, and I rode in a tube car festooned with vines and crawling with land crabs. Usually you have to ingest a great deal of a very powerful chemical to see scenes like that, I reflected, watching the crabs scuttle around my feet. It wasn't something I was eager to do again soon.

And it took a full day for the new cocoanut palm I found shading my half-built cabin to vanish in the night.

***

The lantern I carried didn't cast a lot of light. A bright light in the darkness could upset the stock, so Callie provided her hands with these antique devices which burned a smoky oil refined from reptilian fat. It was enough to keep me from stumbling over tree roots, but not to see very far ahead. And of course if you looked at the light, your night vision was destroyed. I told myself not to look, then the cantankerous thing would sputter and I'd glance at it, and stop in my tracks, blinded. So when I encountered the first unusual tree trunk I didn't realize what it was, at first. I touched it and felt the warmth, and knew I'd bumped into a brontosaur's hind leg. I backed hastily away. The beasts are clumsy and inclined to stampede if startled. And if you've ever been unpleasantly surprised by a package from a passing pigeon in the city park, you don't want to find out what can happen to you in the area of a brontosaur's hind leg, believe me. I speak from bitter experience.

I picked my way through a forest of similar trunks until I spotted a small campfire in a hollow. Three figures were seated around the fire, two side by side, and another-Callie-across from them. I could dimly see the hulking shadows of a dozen brontosaurs, darker shapes against the night, placidly chewing their cuds and farting like foghorns. I approached the fire slowly, not wanting to startle anybody, and still managed to surprise Callie, who looked up in alarm, then patted the ground beside her. She held her finger to her lips, then resumed her study of her adversaries, painted orange by the dancing flames between us.

I've never decided if David Earth looked spookier in a setting like this, or in the full light of day-for it was him, the Spokesmammal himself, sitting in lotus position, a walking, talking inducement for the purchase of hay fever remedies. Callie was actually allergic to the man, or to his biosphere, and though a cure would have been simple and cheap she cherished her malady, she treasured it, she happily endured every sneeze and sniffle as one more reason to detest him. She'd hated him since before I was born, and viewed his five-yearly appearances the same way people must have felt about dental extractions before anesthetics.

He nodded to me, and I nodded back. That seemed conversation enough for both of us. Callie and I didn't agree on a lot of things, but we shared the same opinion of David Earth and all the Earthists.

He was a large man, almost as tall as Brenda and much heftier. His hair was long, green, and unkept for a very good reason: it wasn't hair, but a bioengineered species of grass bred to be parasitic on human skin. I don't know the details of its cultivation. I'd have had more interest in the mating habits of toads. It involved a thickening of the scalp, and soil was involved-when he scratched his head, dirt showered down. But I don't know how the soil was attached, whether in pockets or layered on the skin, and I don't know anything about the blood-to-root system, and I'd just as soon not, thank you. I remember as a child wondering if, when he got up in the morning, he had to work compost into his agri-tonsorial splendor.

He had two huge breasts-almost all Earthists, male and female, sported them-and more plants grew on their upper slopes. Many of these bore tiny flowers or fruits. I wondered if he had to practice contour plowing to prevent erosion on those fertile hillsides. He saw me looking at them, plucked an apple no bigger than a grape from the tangled mass, and popped it in his mouth.

What can one say about the rest of him? His back and arms and legs were covered with hair. Not human hair, but actual pelts, resembling in various patches jaguar, tiger, bison, zebra, and polar bear, among others, in a crazy patchwork. The genetic re-structuring required to support all that must have been a cut-and-paste collage beyond imagining. It was ironic, I thought, that the roots of the Earthists were in the anti-fur activists, but of course no animals had been harmed to produce his pelt. Just little bits of their genes snipped out and shoehorned into his. He had claws like a bear on his fingertips, and instead of feet he walked around on the hooves of a moose, like some large economy-size faun. All Earthists had animal attributes, it was their badge and ensign. But their founder had gone further than any of his followers. Which, one suspects, is what makes followers and leaders.

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