John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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The Hitler analogy was brought up and bandied about. Under Hitler's reign a Dr. Mengele performed unethical experiments-sheer torture, mainly-on human subjects. I don't know if anything useful was learned, but suppose there was. Was it ethical to use that knowledge, to benefit from that much evil? It seems to me your answer depends a lot on your world view. Myself, I'm not sure if it's ethical (which probably says a lot about my world view), but I don't think it's wrong, and I have a personal involvement in the question. Right or wrong though, I do think it will be used, and so did just about everybody else in the room, reporters being the way they are. People were going through the records the CC didn't destroy- I'm one of those records in a way, but not a very forthcoming one-looking for new knowledge, and if it has a practical use, it will be used. Cry over that if you're so inclined. Myself, I guess in the end I feel knowledge has no right or wrong. It's just knowledge. It's not like the law, where some knowledge is admissible and some tainted by the method of its discovery.

Minamata was only one of the CC's horror chambers, and not the worst. Some of those stories have come out, some are still being suppressed. Most of them you'd really rather not know, trust me.

But what about the problem whose penultimate answer had been a being who thought he was Andrew MacDonald minus all human feelings, and whose final solution were the troops of mindlessly loyal soldiers that gave me so much trouble on the first day of the Glitch? Because they weren't really the end product. The CC had felt the technique was perfectible, and I have no reason to doubt it. That was the one the public was clamoring to know more about: immortality.

Yeah, but it wasn't really immortality, somebody said. All it meant was that somebody else very like you, with your memories, would live. You , the person sitting here at this table holding the most terrible cards you ever saw, would be just as dead as ever. Once the public understood that they'd realize it wasn't worth the trouble.

Don't you believe it, somebody else said. My cards aren't all that bad, and it's the only hand I've got, so I'll play 'em. Up to now people's only shot at living forever has been to produce something that will live after us. Artists do it with their art, most of the rest of us produce children. It's our way of living on. I think this would appeal to the same urge. It'd be like a child, only it'd be you , too.

At that point somebody nudged somebody else and the thought went around the table, silently, that we oughtn't to be talking about children… you know… with Hildy around. At least I think that's what happened, maybe I'm too sensitive. For whatever reason the conversation died, with only an unexpected apostrophe at the end, in the form of Brenda's little gumdrop looking around with innocent eyes and piping, "What's wrong with it? It sounds like a great idea to me." It was her only comment of the evening, but it put the kibosh on my own theory, which was that it was a useless idea, that people would rather have children than duplicate themselves-essentially, not to put all your spare cash into memory-cloning stocks. Suddenly, looking into that innocent face of youth, I wasn't so sure. Time will tell.

***

Two years of my life. Probably the most eventful, but time will tell about that, too.

I am sitting in the parlor car of the Prairie Chief, destination Johnstown, Pennsylvania. I decided since I'm part owner of the SRG amp;C it was high time I took a ride. It's a school holiday so for once I have the time. I'm writing, in longhand, with a fountain pen, on foolscap SRG amp;C stationery resting on a mother-of-pearl inlaid mahogany table set with an inkwell and a crystal vase full of fresh bluebonnets. Nothing but the best for the passengers on the Prairie Chief. The waiter has just brought me a steaming cup of tea, with lemon. Ahead I can hear the chugging of the engine, No. 439, and I can smell a hint of its smoke. Behind me the porter will soon be turning down my Pullman bunk, making it with crisp white sheets, leaving a mint and a complimentary bottle of toilet water on the pillow. Also in that direction the cook is selecting a cut of prime Kansas City beef, to be cooked rare, suitable for the owner's dinner.

All right, it's brontosaurus, if you want to get technical. It might even be from the Double-C Bar.

We'll soon be pulling into "Fort Worth," where we'll take on wood and water. I don't plan to get off, since I'm told it's just a dreary cowtown full of rowdy and possibly dangerous cowhands, quite unsuitable for a well-brought-up lady. (That's what I'm told; I happen to know, since I watched it being built, that it's just a big room with rails and a dirt street running through it, scattered with wood buildings and backed by a great holo show.)

Outside my window dusk is gathering. Not long ago we saw a herd of buffalo, and not long after that a group of wild red Indians, who reined their mounts and watched solemnly as the iron horse huffed by. From Central Casting, and on tape, but who cares? The parlor car is crowded with Texans and a few returning Pennsylvanians. They all wear their best clothes, not yet too mussed by the journey. Across from me a little Amish girl sits with her parents, watching me write. Next to them is a group of three young single gentlemen, trying not to be too obvious about their interest in the single girl at the escritoire. Soon the boldest of them will come over and ask me to dine with him, and if his line is any better than "Whatcha writin', cutie?" he will have a companion for dinner.

But not for bed. It would be a pointless exercise. The service I lately required of Darling Bobby/Crazy Bob was to render me asexual, like Brenda when I first met her. This was probably foolish and certainly extreme, but I found that I couldn't bear the thought of sex, and in fact loathed that opening that had brought Mario into the world for his short, perfect time. I had even less interest in being male again. So I jumped off the sexual choo-choo train and I'm not sorry I did it. I think I'll be ready to board again any day now, but it's been a relief not to be at the mercy of hormones, of either polarity. I may do it every twenty years or so, as sort of a sabbatical.

As darkness falls and the train rocks gently, I realize I'm happier than I've been in a long time.

***

Now we've spent some time together, and it's almost time to leave you. You've met Hildebrandt, Hildegarde, and Hildething: railroad tycoon, publisher, teacher, syndicated columnist, bereaved mother and tireless crusader for pronoun reform. There's really only one more thing worth knowing about him/her/it.

I'm going to the stars.

What I have is an invitation to make a reservation. I didn't mention this earlier, maybe it slipped my mind, but about a week after Mario died I sat down for a very long time with Walter's pistol, a bottle of good tequila, and one round. I drank, and I loaded and unloaded the gun, and drank some more and pointed it at things: a tree, the side of the cabin, my head. And I thought about what the CC had said about a virus, and what I had concluded about the veracity of that statement, and wondered if there was anything I could think of I really wanted to do? All those other things… sure, they bring me satisfaction, particularly the teaching, but they wouldn't serve any more as the answer to the question "What do you do , Hildy?"

I thought of something, thought about it some more, and hied myself out to the Heinlein , where I asked Smith if I could go along when he took off, worthless as my skills might be to his enterprise. And he said sure, Hildy, I meant to ask you if you were interested. We'll need somebody to handle the publicity, for one thing, to establish the right spin-control when it's time to leave, and most especially when we get back. We'll need advice on how to market our stories with maximum profit. Hell, most of us will probably need somebody to ghost-write them, as well. Scientists, test pilots, technical types, we all get tongue-tied when it comes to that part; just read the early accounts of the space pioneers. Go see Sinbad over in the publicity department, see if you can't get him straightened out. If you're any good, I expect to make you head of the department in a week. You couldn't be worse at it than Sinbad.

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