John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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The thing about that sea… it moved .

At first I only saw the swirls of glowing color like an oil film on water. I'd always thought colorful things were just naturally pretty things, but Minamata taught me differently. At first I couldn't explain my queasy reaction. None of the colors, by themselves, seemed all that hideous (except for that blue). Surely that same swirl of color, on a shirt or dress, would be a gorgeous thing. Wouldn't it? I couldn't see why not. I began walking more slowly, trailing my hand along the top of the rail, trying to figure why it all disturbed me so.

The side of the cylinder went straight down from the edge of the ledge we walked on, then gradually curved inward until it met the fluorescent sea. Waves were rolling sluggishly to crash against the metal sides of the tank.

Waves, Hildy? What could be causing waves in this foul soup?

Maybe some agitating mechanism, I thought, though I couldn't see any use for one. Then I saw a part of the sea hump itself up, ten or twenty meters high-it was hard to judge the scale from my vantage point. Then I saw strange shapes on the borderline between sea and shore, things that moved among the mineral efflorescences that grew like arthritic fingers along that metal beach. Then I saw something that, I thought, raised its head on a spavined neck and looked at me, reached out a hungry hand…

Of course, it was a long way off. I could have been wrong.

Smith took my arm without a word and urged me along. I didn't look at the Minamata Sea again.

***

We came to a series of circular mirrors standing against the vertical wall to our left. Each had a number over it. I realized that tunnels had been bored into the walls here and each had been sealed off with a null-field barrier.

Smith stopped before the eighth, pointed at it, and stepped in. I followed him, and found myself in a short tunnel, maybe twenty meters long, five meters high. Halfway down the tunnel were metal bars. Beyond that point a level floor had been built to support a cot, chair, desk, and toilet, all looking as if they'd been ordered from some cheap mail-order house. On our side of the bars was a portable air plant, which seemed to be doing its job, as my suit had vanished as I stepped through the field. Spare oxygen cylinders and crates of food were stacked against the wall.

Sitting on the cot and watching a slash-boxing show on the television, was Andrew MacDonald. He glanced up from the screen as we entered, but he did not rise.

Possibly this was a new point of etiquette. Should the dead rise for the living? Be sure to ask at your next seance.

"Hello, Andrew," Smith said. "I've brought someone to see you."

"Yes?" Andrew said, with no great interest. His eyes turned to me, lingered for a moment. There was no spark of recognition. Worse than that, there was none of that penetrating quality I'd seen on the day he… hell, how else can I say it? On the day he died. For a moment I though this was just some guy who looked a lot like Andrew. I guess I was half right.

"Sorry," he said, and shrugged. "Don't know her."

"I'm not surprised," Smith said. He looked at me. I had the feeling I was supposed to say something perceptive, intelligent. Maybe I was supposed to have figured it all out.

"What the fuck's going on here?" I said, which was a lot better than "duuuuh," which was my first reaction, though neither really qualifies as perceptive.

"Ask him," Andrew said. "He thinks I'm dangerous."

I'd started toward the bars but Smith put his hand on my arm and shook his head.

"See what I mean?" the prisoner said.

"He is dangerous," Smith told me. "When he first came here, he nearly killed a man. Would have, but we got to him in time. Want to tell us about that, Andrew?"

He shrugged. "He stepped on my foot. It wasn't my fault."

"I've had enough of this," I said. "What the hell are you people doing in here? I saw this man die, or his twin brother."

Smith was about to say something, but I'd finally gotten Andrew interested. He stood and came to the bars, held on with one hand while the other played idly with his genitals. You see that sometimes, in old alkies or voluntary skitzys down in Bedrock. It's a free planet, right? Nobody can stop them, but people hurry by, like you don't stop and stare if someone is vomiting, or picking his nose. I'd never seen an apparently healthy man masturbating with such utter lack of modesty. What had they done to him?

"How did I do?" he asked me, tugging and squeezing. "All they'll tell me is I died in the ring. You were there? Were you close up? Who was it that got me? Damn, the least they could do is give me a tape."

"Are you really Andrew MacDonald?"

"That's my name, ask me again and I'll tell you the same."

"It's him," Smith said, quietly. "That's what I've finally decided, after thinking it over a lot."

"That's not what you said last time," the man said. "You said I was only part of old Andy. The mean part. I don't think I'm mean." He lost interest in his penis and stretched a hand through the bars, gesturing. "Toss me a can of that beef stew, boss man. I've had my eye on that for days."

"You've got plenty of food in there."

"Yeah, but I want stew."

Smith got a plastic can and lobbed it toward the cell; the man snagged it and tore off the top. He took a big handful and crammed it into his mouth, chewing noisily. There was a stove, a table, and utensils plainly in sight behind him, but he didn't seem to care.

"I didn't see you fight," I said, at last.

"Shit. You know, I'd like you if you weren't so fat. You wanna fuck?" A gravy-covered hand went to his groin once again. "Let's get brown, honey."

I'm going to ignore the rest of his antics. I still remember them vividly, and still find them disturbing. I'd once wanted to make love to this man. I'd once found him quite attractive.

"I was there when they carried you back from the ring," I said.

"The good old squared circle. The sweet science. All there is, really, all there is. What's your name, fatty?"

"Hildy. You were mortally injured and you refused treatment."

"What a jerk I must have been. Live to fight another day, huh?"

"I'd always thought so. And I thought what you were doing, risking your life, was stupid. I thought it was unnecessary, too, but you told me your reasons, and I respect them."

"A jerk," he repeated.

"I guess, when it came time for you to live up to your bargain, I thought you were stupid, too. But I was impressed. I was moved. I can't say I thought you were doing the right thing, but your determination was awesome."

"You're a jerk, too."

"I know."

He continued shoving stew into his face, looking at me with no real spark of human feeling I could detect. I turned to Smith.

"It's time you told me what's going on here. What's been done to this man? If this is an example of what you were talking about on the way…"

"It is."

"Then I don't want anything to do with it. In fact, damn it, I know I promised not to talk about you and your people, but-"

"Hang on a minute, Hildy," Smith said. "This is an example of human experimentation, but we didn't do it."

"The CC," I said, after a long pause. Who else?

"There's something seriously wrong with the CC, Hildy. I don't know what it is, but I know the results. This man is one. He's a cloned body, grown from Andrew MacDonald's corpse, or from a tissue sample. When he's in a mood to talk, he's said things we've checked against his records, and it seems he really does have MacDonald's memories. Up to a point. He remembers things up to about three or four years ago. We haven't been able to test him thoroughly, but what tests we've been able to run bear out what we've seen from other specimens like him. He thinks he is MacDonald."

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