Orson Card - Children of the Mind

"If you'd seen her pull out tufts of her own hair this morning ..."

"So she's rather theatrical, I take it? Well, you've always been one for the theatrical gesture, too. I'm not surprised you get along."

"Andrew, I'm telling you you've got to --"

Suddenly Ender grew stern and his voice overtopped Miro's even though he was not speaking loudly. "Use your head, Miro. Was your decision to jump from your old body to this newer model a conscious one? Did you think about it and say, 'Well, I think I'll let this old corpse crumble into its constituent molecules because this new body is a nicer place to dwell'?"

Miro got his point at once. Ender couldn't consciously control where his attention went. His aiúa, even though it was his deepest self, was not to be ordered about.

"I find out what I really want by seeing what I do," said Ender. "That's what we all do, if we're honest about it. We have our feelings, we make our decisions, but in the end we look back on our lives and see how sometimes we ignored our feelings, while most of our decisions were actually rationalizations because we had already decided in our secret hearts before we ever recognized it consciously. I can't help it if the part of me that's controlling this girl whose company you're sharing isn't as important to my underlying will as you'd like. As she needs. I can't do a thing."

Miro bowed his head.

The sun came up over the trees. Suddenly the bench turned bright, and Miro looked up to see the sunlight making a halo out of Ender's wildly slept-in hair. "Is grooming against the monastic rule?" asked Miro.

"You're attracted to her, aren't you," said Ender, not really making a question out of it. "And it makes you a little uneasy that she is really me ."

Miro shrugged. "It's a root in the path. But I think I can step over it."

"But what if I'm not attracted to you ?" asked Ender cheerfully.

Miro spread his arms and turned to show his profile. "Unthinkable," he said.

"You are cute as a bunny," said Ender. "I'm sure young Valentine dreams about you. I wouldn't know. The only dreams I have are of planets blowing up and everyone I love being obliterated."

"I know you haven't forgotten the world in here, Andrew." He meant that as the beginning of an apology, but Ender waved him off.

"I can't forget it, but I can ignore it. I'm ignoring the world, Miro. I'm ignoring you, I'm ignoring those two walking psychoses of mine. At this moment, I'm trying to ignore everything but your mother."

"And God," said Miro. "You mustn't forget God."

"Not for a single moment," said Ender. "As a matter of fact, I can't forget anything or anybody. But yes, I am ignoring God, except insofar as Novinha needs me to notice him. I'm shaping myself into the husband that she needs."

"Why, Andrew? You know Mother's as crazy as a loon."

"No such thing," said Ender reprovingly. "But even if it were true, then ... all the more reason."

"What God has joined, let no man put asunder. I do approve, philosophically, but you don't know how it ..." Miro's weariness swept over him then. He couldn't think of the words to say what he wanted to say, and he knew that it was because he was trying to tell Ender how it felt, at this moment, to be Miro Ribeira, and Miro had no practice in even identifying his own feelings, let alone expressing them. "Desculpa," he murmured, changing to Portuguese because it was his childhood language, the language of his emotions. He found himself wiping tears off his cheeks. "Se nã poso mudar nem você, não que possa, nada." If I can't get even you to move, to change, then there's nothing I can do.

"Nem eu?" Ender echoed. "In all the universe, Miro, there's nobody harder to change than me."

"Mother did it. She changed you."

"No she didn't," said Ender. "She only allowed me to be what I needed and wanted to be. Like now, Miro. I can't make everybody happy. I can't make me happy, I'm not doing much for you , and as for the big problems, I'm worthless there too. But maybe I can make your mother happy, or at least somewhat happier, at least for a while, or at least I can try." He took Miro's hands in his, pressed them to his own face, and they did not come away dry.

Miro watched as Ender got up from the bench and walked away toward the sun, into the shining orchard. Surely this is how Adam would have looked, thought Miro, if he had never eaten the fruit. If he had stayed and stayed and stayed and stayed in the garden. Three thousand years Ender has skimmed the surface of life. It was my mother he finally snagged on. I spent my whole childhood trying to be free of her, and he comes along and chooses to attach himself and ...

And what am I snagged on, except him? Him in women's flesh. Him with a handful of hair on a kitchen table.

Miro was getting up from the bench when Ender suddenly turned to face him and waved to attract his attention. Miro started to walk toward him, but Ender didn't wait; he cupped his hands around his mouth and shouted.

"Tell Jane!" he called. "If she can figure out! How to do it! She can have that body!"

It took Miro a moment to realize that he was speaking of Young Val.

She's not just a body, you self-centered old planet-smasher. She's not just an old suit to be given away because it doesn't fit or the style has changed.

But then his anger fled, for he realized that he himself had done precisely that with his old body. Tossed it away without a backward glance.

And the idea intrigued him. Jane. Was it even possible? If her aiúa could somehow be made to take up residence in Young Val, could a human body hold enough of Jane's mind to enable her to survive when Starways Congress tried to shut her down?

"You boys are so slow," Jane murmured in his ear. "I've been talking to the Hive Queen and Human and trying to figure out how the thing is done -- assigning an aiúa to a body. The hive queens did it once, in creating me. But they didn't exactly pick a particular aiúa. They took what came. What showed up. I'm a little fussier."

Miro said nothing as he walked to the monastery gate.

"Oh, yes, and then there's the little matter of your feelings toward Young Val. You hate the fact that in loving her, it's really, in a way, Ender that you love. But if I took over, if I were the will inside Young Val's life, would she still be the woman you love? Would anything of her survive? Would it be murder?"

"Oh, shut up," said Miro aloud.

The monastery gatekeeper looked up at him in surprise.

"Not you," said Miro. "But that doesn't mean it isn't a good idea."

Miro was aware of her eyes on his back until he was out and on the path winding down the hill toward Milagre. Time to get back to the ship. Val will be waiting for me. Whoever she is.

What Ender is to Mother, so loyal, so patient -- is that how I feel toward Val? Or no, it isn't feeling, is it? It's an act of will. It's a decision that can never be revoked. Could I do that for any woman, any person? Could I give myself forever?

He remembered Ouanda then, and walked with the memory of bitter loss all the way back to the starship.

"I AM A MAN OF PERFECT SIMPLICITY!"

"When I was a child, I thought

a god was disappointed

whenever some distraction

interrupted my tracing of the lines

revealed in the grain of the wood.

Now I know the gods expect such interruptions,

for they know our frailty.

It is completion that surprises them."

-- from The God Whispers of Han Qing-jao

Peter and Wang-mu ventured out into the world of Divine Wind on their second day. They did not have to worry about learning a language. Divine Wind was an older world, one of the first wave settled in the initial emigration from Earth. It was originally as recidivist as Path, clinging to the ancient ways. But the ancient ways of Divine Wind were Japanese ways, and so it included the possibility of radical change. Scarcely three hundred years into its history, the world transformed itself from being the isolated fiefdom of a ritualized shogunate to being a cosmopolitan center of trade and industry and philosophy. The Japanese of Divine Wind prided themselves on being hosts to visitors from all worlds, and there were still many places where children grew up speaking only Japanese until they were old enough to enter school. But by adulthood, all the people of Divine Wind spoke Stark with fluency, and the best of them with elegance, with grace, with astonishing economy; it was said by Mil Fiorelli, in his most famous book, Observations of Distant Worlds with the Naked Eye , that Stark was a language that had no native speakers until it was whispered by a Divine Wind.