Orson Card - The Memory of Earth

Mebbekew was fiddling with a box on the stage. The satirist called out to him, "Never mind the fire effect. We'll pretend it's working."

"We have to try it sometime," Mebbekew answered.

"Not now."

"When?"

The satirist got to his feet, strode to the foot of the stage directly in front of Meb, cupped his hands around his mouth, and bellowed: "We... will ... do ... the ... effect... later!"

"Fine," said Meb.

As the satirist returned to his place on the hill, he said, "And you wouldn't be setting off the fire effect anyway."

"Sorry," said Meb. He returned to his place behind the box that presumably would be spouting a column of flame tonight. The other maskers returned to their positions.

"End of song," said Meb. "Fire effect."

Immediately the potion-seller and the girl flung up their hands in a mockery of surprise.

"A pillar of fire!" cried the potion-seller.

"How could fire suddenly appear on a bare rock in the desert?" cried the girl. "It's a miracle^

The potion-seller whirled on her. "You don't know what you're talking about, bitch! I'm the only one who can see this! It's a vision!"

"No!" shouted Mebbekew, in his deepest voice. "It's a special stage effect!"

"A stage effect!" cried the potion-seller. "Then you must be-"

"You got it!"

"That old humbug the Oversoul!"

"I'm proud of you, old trickster! Stupid girl-you almost fixed her."

"Oh, it's nothing much to take her-you're the master faker!"

"No!" bellowed the satirist. "Not ‘take her!' you idiot! It's ‘take her,' emphasis on take, or it doesn't rhyme with faker !"

"Sorry," said the young masker playing the potion-seller. "It doesn't make sense your way, of course, but at least it'll rhyme?

"It doesn't have to make sense, you uppity young rooster, it only has to make money!"

Everybody laughed-though it was clear that the actors still didn't really like the satirist much. They got back into the scene and a few moments later Meb and the potion-seller launched into a song-and-dance routine about how clever they were at hoodwinking people, and how unbelievably gullible most people were-especially women. It seemed that every couplet of the song was designed to mortally offend some portion of the audience, and the song went on until every conceivable group in Basilica had been darted. While they sang and danced, the girl pretended to roast some kind of meat in the flames.

Meb forgot his lyrics less than the other masker, and in spite of the fact that Nafai knew the whole sequence was aimed at humiliating Father, he couldn't help but notice that Meb was actually pretty good, especially at singing so every word was dear. I could do that, too, thought Nafai.

The song kept coming back to the same refrain:

I'm standing by a fire

With my favorite liar

No one stands a chance

When he starts his fancy dancing

When the song ended, the Oversoul-Meb-had persuaded the potion-seller that the best way to get the women of Basilica to do whatever he wanted was to persuade them that he was getting visions from the

Oversoul. "They're so ready for deceiving," said Meb. "We'll have all these girls believing."

The scene closed with the potion-seller leading the girl offstage, telling her how he had seen a vision of the city of Basilica burning up. The satirist had switched to alliterative verse, which Nafai thought sounded a little more natural than rhyming, but it wasn't as fiin. "Do you want to waste the last weeks of the world clinging to some callow young cad? Wouldn't you be better off boffing your brains out with an ugly old man who has an understanding with the Oversoul?"

"Fine," said the satirist. "That'll work. Let's have the street scene now."

Another group of maskers came up on the stage. Nafai immediately headed across the lawn to where Mebbekew, his mask still in place, was already scribbling new dialogue on a scrap of paper.

"Meb," said Nafai.

Meb looked up, startled, trying to see better through the small eyeholes in the mask. "What did you call me?" Then he saw it was Nafai. Immediately he jumped to his feet and started walking away. "Get away from me, you little rat-eater."

"Meb, I've got to talk to you."

Mebbekew kept walking.

"Before you go on in this play tonight!" said Nafai.

Meb whirled on him. "It's not a play, it's a satire. I'm not an actor, I'm a masker. And you're not my brother, you're an ass."

Meb's fury astonished him. "What have I done to you?" asked Nafai.

"I know you, Nyef. No matter what I do or say to you, you're going to end up telling Father."

As if Father wouldn't eventually find out that his son was playing in a satire that was designed to dart him in front of the whole city. "What makes me sick," said Nafai, "is that all you care about is whether you get in trouble. You've got no family loyalty at all."

"This doesn't hurt my family. Masking is a perfectly legitimate way to get started as an actor, and it pays me a living and wins me just a little tiny scrap of respect and pleasure now and then, which is a lot more than working for Father ever did!"

What was Meb talking about? "I don't care that you're a masker. In fact, I think it's great. I was hanging around here today because I was thinking maybe I might try it myself."

Meb pulled his mask off and looked Nafai up and down. "You've got a body that might look all right on stage. But you still sound like a kid."

"Mebbekew, it doesn't matter right now. You a masker, me a masker-the point is that you can't do this to Father!"

"I'm not doing anything to Father! I'm doing this for myself."

It was always like this, talking to Mebbekew. He never seemed to grasp the thread of an argument. "Be a masker, fine," said Nafai. "But darting your own father is too low even for you!"

Meb looked at him blankly. "Darting my father?"

"You can't tell me you don't know."

"What is there in this satire that darts him?"

"The scene you just finished, Meb."

"Father's not the only person in Basilica who believes in the Oversoul. In fact, I sometimes think he doesn't believe all that seriously."

"The vision, Meb! The fire in the desert, the prophecy about the end of the world! Who do you think it's about?"

"I don't know. Old Drotik doesn't tell us what these things are about. If we haven't heard the gossip then so what? We still say the lines anyway." Then Meb got a strange, quizzical expression on his face. "What does all this Oversoul stuff have to do with Father?"

"He had a vision," said Nafai. "On the Desert Road, this morning before dawn, returning from his journey. He saw a pillar of fire on a rock, and Basilica burning, and he thinks it means the destruction of the world, like Earth in the old legend. Mother believes him and he must already be talking to people about it or how else would your satirist know to include this bit in his satire?"

"This is the craziest thing I ever heard of," said Mebbekew.

"I'm not making it up," said Nafai. "I sat there this morning on Mother's portico and-"

"The portico scene! That's ... He wrote how the apothecary-that's supposed to be father^

"What do you think I've been telling you?"

"Bastard," whispered Meb. "That bastard. And he put me on stage as the Oversoul"

Meb turned and rushed toward the masker who played the apothecary. He stood in front of him for a few moments, looking at the mask and the costume. "It's so obvious, I must have the brains of a gnat-but a vision!"

"What are you talking about?" asked the masker.

"Give me that mask," said Mebbekew. "Give it to me!"