Orson Card: Homebody

To Mike and Mary and Bernice

friends and fellow civilizers

of the barbarian hordes

ACKNOWLEDGMENTS

My thanks to:

My wife, Kristine, who was my collaborator at the conception of this story; and to Emily and Geoffrey Card, Erin and Phillip Absher, and Peter Johnson, whose comments at the earliest stages helped give the first draft a better shape and substance;

Clark and Kathy Kidd for hospitality and more as I began the second draft; and Kathy again for reading that draft with fresh eyes;

Mark and Margaret Park, in whose guest bedroom I wrote and faxed away many a chapter;

Kathleen Bellamy, my assistant, who always waits to read till last, so she can catch the mistakes that everybody missed;

And (again and always) my wife, Kristine, and my children, Geoff, Em, Charlie Ben, and Zina, who have taught me what a house is for and what a home can be.

New House 1874

Dr. Calhoun Bellamy made it a point to stay away from his property while the crew was tearing down the old Varley house. He didn't want to remember scenes of destruction. All he wanted to see was each step in the construction of the new house, the one he had designed for Renée and for the children they would have together.

Architecture was all he had wanted to study, ever since his father sent him abroad after the War Between the States. It wasn't the grandeur of the great buildings of Europe, the cathedrals and palaces, monuments and museums, that made him long to be a shaper of human spaces. Rather it was the country houses of Tuscany, Provence, and England. In his mind they formed a strange amalgam: the rambling outdoors-indoors of the villas designed for the perpetual summer and spring of the Mediterranean, and the bright-windowed tight enclosures in which the English managed to frolic despite the bitter winter and the endless rain. He came home full of ideas for houses that would transform American life, only to find that architects weren't interested in new ideas. No one would take this mad young man as a student. At last Cal settled down to study medicine and follow in his father's footsteps.

But now, with his marriage less than a year away, he was granting himself one last indulgence. In consultation with an architect from Richmond, he had designed a house which seemed to be a conventional Victorian on the outside, but which on the inside preserved some of the ideas he had developed abroad. Nothing too strange, just a different use of space that made him dream of the swirling dancers at a country-house ball, with arches that reminded him of the open doors and passageways of the Riviera and the hills above Florence. The architect tried to persuade him that no one would be comfortable in such a house, but Cal responded with cheerful obstinacy. This was the house he wanted; the architect's job was to draw up plans for a structure that would last, as Cal modestly suggested, until the Rapture.

"Do you happen to know when that might be?" asked the architect, only a little superciliously. "I wouldn't want to waste your money on excessive sturdiness."

"Make it last forever," said Cal. "Just in case."

All that remained now was for the old Quaker family's house, which had been standing longer than Greensborough had been a town, to be cleared from the lot on Baker Street. The city was growing toward the west, and although this was not the wealthiest neighborhood, it was the most tasteful. It was fitting that the son and heir of the most prominent physician in the city should build his bride a house on such a piece of land. The wooded gully at the back of the lot would guarantee privacy and a wild-seeming, natural setting; the large carriagehouse and servants' quarters would separate the house from the neighbors on the one side; and shaded residential streets bounded the property on the other two sides. In effect, the house would stand alone, conventionally graceful on the outside, a place of surprise and enchantment within.

So Cal was not pleased when a servant boy came all out of breath into his offices and insisted on giving him a message from the foreman of the wrecking crew. "You best come, sir. What they found you gots to see."

"Tell them to wait half an hour—doesn't it occur to them I have patients whose needs are urgent?"

The boy only looked puzzled. There was no hope of his delivering the message coherently.

"Never mind. Just tell them to wait until I get there."

"Yes sir," said the boy, and off he ran again. No doubt the moment he was out of sight he'd amble as slowly as possible. That's the way it was with these people. You could make them free, but you couldn't make workers out of them. There was a limit to what Northern arms could impose on a prostrate South.

In truth he had no patients that afternoon and so it was only a few moments before he set out from his office, walking because it was such a fine day. He expected to pass the boy on the way, but apparently he was either more ambitious than Cal had expected or better at hiding.

Cal was not surprised to see the entire crew lolling around-getting paid, no doubt, for their waiting time. But if the foreman was at all embarrassed about wasting Cal's money, he showed no sign of it. "Something none of us was expecting, sir," said the foreman, "and there was nothing for it but to ask you to decide."

"Decide what?"

"I reckon you best come down into the old cellar with me and I'll show you."

With the house a ruin, it wasn't a safe enterprise, slipping down into the darkness of the cellar. Even when they got to the brightly lighted place where the floor above had been torn away, it was tricky walking without banging head or shins into some lurking obstruction. But at last the foreman brought him to a stone foundation wall with a small hole knocked in it.

"See?"

Cal definitely did not see. Not till the foreman took out several more stones and held a lantern into the opening. Only then did it become clear that there was a tunnel connecting the cellar with... what?

"Where does it lead?"

"Sent the boy down there, and he popped out in the gully. Looks like them Varleys was smuggling niggers out before the war."

Cal tightened his lips. "I hope you'll never use that term in my presence again."

"Pardon me, sir," said the foreman. "I meant nigras."

"I'm not surprised that a Quaker household would break the law in that fashion. I don't sympathize with their cause, but I honor their courage and integrity."

The foreman grinned. "Good thing they moved west, though, don't you think?"

"Without question," said Cal, smiling back, just a little.

"So do you want us to fill it in?"

Cal thought about it for a moment. It was history, wasn't it? Having a tunnel once used for hiding slaves would give his new house a bit of ancient lore. American houses rarely had a sense of age and history. His would.

"Keep it. We'll build the foundation in such a way as to preserve it. Perhaps use it as a wine cellar. Or a root cellar. Don't you think?"

"Whatever you want, sir."

"Keep it."

All the way back to his office, Cal felt the lingering glow of the day's discovery. My house will be new for my bride, but it will also be old like the catacombs of Rome.

Rediscovery 1997

The Bellamy House grew old along with the College Hill neighborhood. Prosperity in the nineteenth century had lined these streets with large, extravagantly decorated mansions. But by the time the Great War came, the rich were building their new mansions near the country club in Irving Park, and College Hill began its long, slow decline. While elderly widows continued to live in the houses their rich husbands built them, other homes fell vacant and were bought by entrepreneurs who began renting them out. Soon some began to be redivided into apartments, with kitchens and bathrooms added wherever they might fit. And as the decay grew worse, the rents fell until students at the growing university could afford them.