Orson Card - Hart's Hope

"Yes," Orem said.

"Oh, by the Sisters, by the Hart, by that damnable God who broke our power and penned us in, if only I knew what the masters knew! I slay the hart in the tower, so my competitors will see the corpse and worry that perhaps I have more power than they—but I know nothing to do with that blood except foolish tricks of invisibility, and that can be done with sheep! I draw the hart's blood, and what does it accomplish? It proves to me again my weakness." He closed the barrels, tamped down the lids again. "My life is here, shriveling in brine. But with your gifts I will be the strongest in Hart's Hope, the greatest of them all. And yet." He wandered off to the stairway, intoning to himself. "Strongest of them all, and yet still too weak, still too weak, I couldn't save them."

That night Orem did not sleep long. He awoke disturbed, and on the cot, not in the mahogany room. In his dream the pickled head of the wizard's wife had called to him, and so he went to her, because he could not deny her.

There was a faint light in the library. It came from the green luminescent slime on the barrels. He sat on a pile of rubbish in the cluttered, unmagical room. He watched.

It was the barrel that held the wizard's wife that shuddered first; then the others, as if the bodies inside were having silent convulsions, rocking the kegs, sloshing the water. Then a lid popped up loudly; another split in half; the third was sucked down into the barrel, and the water seeped and flowed over the top of it as it was drawn down.

In the dream there had been no danger, but Orem was afraid. Things that were dead ought to keep still, everyone knew that. But when the dead call, only a fool refuses them. And so he stayed and watched as a hand reached up from one, from two, from all of the barrels, long-fingered hands, with green light dripping slow as caterpillars down to the wrists, into the water.

"Don't hurt me," Orem whispered.

Abruptly the hands all thrust out toward him. He gasped, reached out with his power of negation to try to stop them; but this was not magic, not the blood-bought magic that a Sink could swallow up. The hands were undisturbed by his strongest effort. They reached over the barrels' lip, and a single finger of each began to write in the slime. Orem could read the dark lines in the green shining, each woman writing her word, each trembling as if an uncontainable power controlled them. "Sister," wrote the wife. "God," wrote the dark daughter. "Horn," wrote the light daughter. Then faster, as the hands grew more sure.

woman writing her word, each trembling as if an uncontainable power controlled them. "Sister," wrote the wife. "God," wrote the dark daughter. "Horn," wrote the light daughter. Then faster, as the hands grew more sure. Go Ho ter d rn Slu Sla St t ve one Yo Yo Yo u u u M M M ust ust ust Se Se Sa e rve ve

Then the hands shook violently, flew up in the air and splashed down again, then reached out, but kept getting sucked back in, as if they were struggling to write more, or even to leave the barrels entirely, and something fought as hard to keep them. The will to write was stronger: the fingers traced in barely readable letters words that meant only together.

Le Di

Me

te

It was over, the hands splashed back into the water; the lids came quickly into place; the broken one seemed to heal as it closed. The slime began to dim, the last letters of the last words faded into a uniform blackness. Orem fled upstairs.

Sister slut you must see.

God slave you must serve.

Horn stone you must save.

Let me die.

He understood nothing, and lay halfway between sleep and wakefulness all night, trying to understand, trying not to think at all. If the last message was the wizard's women speaking for themselves, then whose message was the first part? Or was it meaningful at all? Who could lift the hands of the dead even when the power of a Sink had stolen all the magic?

Only in the first light of morning did he think to do that most obvious, most instinctive thing: he summed the words up, he summed them down, conceiving them both as columns and as rows. The upward sum of rows was Palicrovol. The downward sum of rows was Beauty. And either way the columns were added, they said, Give all, get nothing.

Pranks All through the winter and spring Orem learned to use his new senses. He had no language to describe even to himself what he felt, so he adapted what language he had. When he described it to me, it was all a tale of tongues and tasting, pinpricks and bludgeons, though through it all he usually lay still as death on his cot.

From the first the experiment was a success.

"Orem! My Scanthips! You should have heard the woe! All up and down Wizard Street! Two buildings held up by magic collapsed. One old wizard who only kept his horn with spells is so humiliated he won't go back to Whore Street for years. And never knowing when a spell will work or not. The rats and sheep that have spilt their blood in vain these weeks—ah, if only you could hear the cutters complain. In the taverns where we go, I listen, I complain along with them. They think sometimes it must be the God's men found some terrible incantation. And sometimes they think it's the Queen, putting them in their place, though it's been a long time since she worried much about our paltry powers. Some think the Sweet Sisters, and it's time for women to take the place of power in the world. None of them suspects, none of them dreams that here in my miserable filthy blacksmith shop of a mansion I have found and trained a Sink!"

"It worked, then?" Orem asked.

"Somewhat. There was an assassination over in the Great Exchange, a dearly paid-for murder—was it you that snuffed that out?"

"I don't know. There was a far one. I can't tell what they are."

"It was poison. You killed the power of it, but the taste remained. Luckily the assassin killed himself before letting on who hired him—quite dependable fellow, a rare thing these days—but there was a wizard who stared death in the face, you may be sure, for a few anxious moments."

"Who was it?"

"Me. This isn't going to work well if you don't learn to differentiate between my magics and theirs."

And so they talked through everything that Orem had done, and Gallowglass showed him all his spells and powers, and Orem gradually learned to distinguish one wizard's flame from another by taste or texture or color.

That was why he came to know Queen Beauty first by her magic.

How Orem First Engaged the Queen in Battle It was late in autumn, and Orem ranged far and wide, following all his senses where they led him. He knew by then which points of light were men, and which were women; he had already learned the difference between the whiteness of a man who is awake and the bright silver of a soul asleep. He had learned also that the things done in a place lingered there even when the men were gone, so that he could taste a long and passionate love affair and tell when the coupling was only bought, could smell the difference between a house with love in it and a house with hate, could feel in the ground what sort of man had passed through a certain door. There were the fires of wizards, whose works he recognized now easily; there were the pools of bitter water where the Godsmen made islands in the surrounding sweetness. Orem could follow the life of the world as if it were a map spread before him. He vanquished the other wizards so easily that it wasn't sport anymore. It was boredom in the cold of an autumn afternoon that led him to search for King Palicrovol. It was a game, to see if he could match, in his small way, the Queen's Searching Eye.

So he rose into the air, to see if he could perceive as a bird did, from high above. As he ascended, the sea of sweetness in which he had always moved suddenly ceased, and instead of the dark seeing and faint smelling he had been able to do, he felt as though he could sense all things forever. Except that wherever he dipped downward, there was the sweetness again like the fog of the city, slowing him and obscuring wherever he looked.