Philip Dick - Radio Free Albemuth

We are being judged, I realized. The light has come on without warning to expose us, and now the judge examines each of us. What will his decision be? The sense of death, my own death, was profound; I felt as if I were inanimate, made of wood, a carved and painted toy... we were all carved toys to the judge who gazed down at us, and he could lift any - and all - of us off our painted surface whenever he wished.

I began to pray, silently. And then I prayed aloud. I prayed, strangely, in Latin - a Latin I did not know -phrases and whole sentences and always begging to be spared. That was what I wanted. That was what I asked for over and over again, in many languages now, in every language: for the judge to pass over me and let me go.

The pale, uniform light gradually faded out, and I thought to myself, it's because the satellite is gone. That's why. Death has flooded in to fill up the vacuum. Once life has been destroyed, that which remains is inert. I am seeing death return.

The next day Rachel noticed that Pinky seemed sick; he sat without moving, and once, as he sat, his head fell forward and struck the floor, as if from unbearable weariness. Seeing him, I understood that he was dying. Death had claimed him, not me.

I drove him to the Yorba Linda Veterinary Hospital, and the doctors there decided that he had a tumor. They operated while I drove back home. "We probably can save him," they told me as I left, seeing how disheartened I was, but I knew better. This was what had been ushered in, for all the world; the first victim was, of course, the smallest.

Half an hour after I got back to the apartment one of the veterinarians phoned. "It's cancer," she told me. There is no renal function, no urine production. We can sew him back together and he'll live a week, but - "

"He's under the anesthetic still?" I said.

"Yes, he's still open."

"Let him drift away," I said. Beside me, Rachel began to cry. My guide, I thought. Dead now. Like Charley. Look at the forces in the world that are now unchecked.

"He must have had these malignant tumors growing for some time," the vet was saying. "He's underweight and dehydrated, and -"

"He died last night," I said, and I thought, He was taken instead of me. Me or Johnny or Rachel. Maybe, I thought, he wanted it that way; he offered himself, knowing. "Thanks," I said. "I know you did what you could. I don't blame you."

The satellite had passed from our world and, with it, the healing rays, like those of an invisible sun, felt by creatures but unseen and unacknowledged. The sun with healing in its wings.

Better not to tell Sadassa, I decided. At least what

Pinky died of.

That night, while I was brushing my teeth in the bathroom, I abruptly felt a firm, strong hand placed on my shoulder from behind: the grip of a friend. Thinking it was Rachel, I turned. And saw no one.

He has lost his animal form, I realized. He never was a cat. Supernatural beings mask themselves as ordinary creatures, to pass among us, to lead and guide us.

That night I dreamed that a symphony orchestra was playing a Brahms symphony, and I was reading the album notes. The words came to an end and there was the name:

HERBERT

My old boss, I thought. Who's been dead these years from his heart condition. Who taught me what devotion to duty meant. A message to me from him.

After the name there appeared a musical stave strung in catgut, indented into the soft paper as if by five claws. Pinky's signature; after all, Pinky could not write. I thought, My dead boss, who taught me so much and who is dead, reborn as Pinky? To lead me once again, and then go away, as before? When he couldn't stay any longer ... a final note from him or them, whichever it was. From my friend. In any case, he guided me through many years; he helped form me; and then he died.

God be with him, I thought in my sleep, and I listened to the Brahms symphony, which was coming from a record booth at University Music - booth number three, behind which I had so often changed the toilet paper rolls in the bathroom, as part of my job, so many years ago. And yet he had been here just now, his firm hand gripping my shoulder with affection. In farewell.

At Progressive Records we had begun taping sessions on the new LP - the catalog item into which Aramchek's subliminal information would be fed, track by track. I had gotten permission from the company brass to give my material to the Playthings to cut; the Playthings were our hottest new group. The only part that worried me was the possible reprisals to them, once the authorities became aware of the subliminal material. It would be necessary to set up machinery in advance to exonerate them. Them, and everyone else at Progressive.

I therefore made extensive memos showing that the decision regarding their material lay entirely in my hands, that I had obtained and prepared the lyrics, that the recording group itself lacked any authority to remove or alter the lyrics - it took me almost two weeks of precious time to ensure their safety, but this was essential; both Sadassa and I agreed. The reprisals, when they began, would be great. I hated to involve the Playthings at all; they were an amiable group, with malice toward none; but someone had to cut the LP tracks, someone who was a hot property. By the time I had completed the documentation, including signed letters from the Playthings protesting vigorously against the lyrics as not being suited to them, I was reasonably sure of their ultimate survival.

One day as I sat in my office listening to some preliminary takes for the album - to be called Let's Play! - my intercom came to life.

"A young lady to see you, Mr Brady."

Assuming it was a performer asking about an audition, I told the secretary in the front office to send her in.

A girl with short black hair and green eyes entered, smiling at me. "Hi," she said.

"Hi," I said, shutting off the takes of Let's Play! To the girl I said, "What can I do for you?"

"I'm Vivian Kaplan," the girl said, seating herself. I now noted the FAP armband and recognized her; this was the FAPer my friend Phil had told me about, the one who had wanted him to write a political loyalty report on me. What was she doing here? On my desk, on the portable Ampex tape recorder, was the reel of takes from Let's Play! in plain sight of the girl. But fortunately off.

Seating herself, Vivian Kaplan arranged her skirt, then brought out a note pad and pen. "You have a girlfriend named Sadassa Aramchek," she said. There is also the subversive organization calling itself Aramchek. And the extraterrestrial slave satellite which the Soviets just blew up has sometimes been called the „Aramchek satellite."" She glanced at me, writing a few words with her pen. "Doesn't that seem to you an astonishing coincidence, Mr Brady?" I said nothing.

"Do you wish to make a voluntary statement?" Vivian Kaplan said.

"Am I under arrest?" I said.

"No, not at all. I tried without success to get a statement of political loyalty about you from your friends, but none of them cared enough about you to comply. In investigating you we came across this anomaly, the word „Aramchek" showing up repeatedly in relation to you - "

"The only one that's related to me," I broke in, "is Sadassa's maiden name."

"You have no relationship to the organization Aramchek or the satellite?"

"No," I said.

"How did you happen to meet Ms Aramchek?" I said, "I don't have to answer these questions."

"Oh, yes, you do." From her purse Vivian Kaplan got a black flatpack of identification; I gazed at it, seeing that she was a bona fide police agent. "You can talk to me here in your office or you can come downtown with me. Which do you prefer?"

"Can I call my attorney?"

"No." Vivian Kaplan shook her head. „This is not that kind of investigation - yet. You haven't been charged with any crime. Please tell me how you met Sadassa Aramchek."