Robert Heinlein - Tunnel In The Sky

"Um, that's closer. Yes, I think Grant would have gone for that. I'll think it over."

"Do that." She stood up. "I'm going to give these children another bath. I declare I don't know where they find so much dirt."

She swung away with a child on each hip, heading for the shower sheds. Rod watched her lazily. She was wearing a leather bandeau and a Maori grass skirt, long leaves scraped in a pattern, curled, and dried. It was a style much favored and Caroline wore it around town, although when she treated herself to a day's hunting she wore a leather breechclout such as the men wore.

The same leaf fibre could be retted and crushed, combed and spun, but the cloth as yet possessed by the colony was not even enough for baby clothes. Bill Kennedy had whittled a loom for Sue and it worked, but neither well nor fast and the width of cloth was under a half meter. Still, Rod mused, it was progress, it was civilization. They had come a long way.

The town was stobor-tight now. An adobe wall too high and sheer for any but the giant lions covered the upstream side and the bank, and any lion silly enough to jump it landed on a bed of stakes too wide now for even their mighty leaps-the awning under which Rod lolled was the hide of one that had made that mistake. The wall was pierced by stobor traps, narrow tunnels just big enough for the vicious little beasts and which gave into deep pits, where they could chew on each other like Kilkenny cats- which they did.

It might have been easier to divert them around the town, but Rod wanted to kill them; he would not be content until their planet was rid of those vermin.

In the meantime the town was safe. Stobor continued to deserve the nickname "dopy joe" except during the dry season and then they did not become dangerous until the annual berserk migration- the last of which had passed without loss of blood; the colony's defenses worked, now that they understood what to defend against. Rod had required mothers and children to sit out the stampede in the cave; the rest sat up two nights and stayed on guard... but no blade was wet.

Rod thought sleepily that the next thing they needed was paper; Grant had been right... even a village was hard to run without writing paper. Besides, they must avoid losing the habit of writing. He wanted to follow up Grant's notion of recording every bit of knowledge the gang possessed. Take logarithms- logarithms might not be used for generations, but when it came time to log a couple of rhythms, then... he went to sleep.

"You busy, Chief?"

Rod looked up at Arthur Nielsen. "Just sleeping a practice I heartily recommend on a warm Sabbath afternoon. What's up, Art? Are Shorty and Doug pushing the bellows alone?"

"No. Confounded plug came out and we lost our fire. The furnace is ruined." Nielsen sat down wearily. He was hot, very red in the face, and looked discouraged. He had a bad burn on a forearm but did not seem to know it. "Rod, what are we doing wrong? Riddle me that."

"Talk to one of the brains. If you didn't know more about it than I do, we'd swap jobs."

"I wasn't really asking. I know two things that are wrong. We can't build a big enough installation and we don't have coal. Rod, we've got to have coal; for cast iron or steel we need coal. Charcoal won't do for anything but spongy wrought iron."

"What do you expect to accomplish overnight, Art? Miracles? You are years ahead of what anybody could ask. You've turned out metal, whether it's wrought iron or uranium. Since you made that spit for the barbecue pit, Margery thinks you are a genius."

"Yes, yes, we've made iron-but it ought to be lots better and more of it. This ore is wonderful... the real Lake Superior hematite. Nobody's seen such ore in commercial quantity on Terra in centuries. You ought to be able to breathe on it and make steel. And I could, too, if I had coal. We've got clay, we've got limestone, we've got this lovely ore- but I can't get a hot enough fire."

Rod was not fretted; the colony was getting metal as fast as needed. But Waxie was upset. "Want to knock off and search for coal?"

"Uh... no, I don't. I want to rebuild that furnace." Nielsen gave a bitter description of the furnace's origin, habits, and destination.

"Who knows most about geology?"

"Uh, I suppose I do."

"Who knows next most?"

"Why, Doug I guess.

"Let's send him out with a couple of boys to find coal. You can have Mick in his place on the bellows- no, wait a minute. How about Bruce?"

"Bruce? He won't work."

"Work him. If you work him so hard he runs away and forgets to come back, we won't miss him. Take him, Art, as a favor to me.

"Well... . okay, if you say so.

"Good. You get one bonus out of losing your batch. You won't miss the dance tonight. Art, you shouldn't start a melt so late in the week; you need your day of rest... and so do Shorty and Doug."

"I know. But when it's ready to go I want to fire it off.

Working the way we do is discouraging; before you can make anything you have to make the thing that makes it- and usually you have to make something else to make that. Futile!"

"You don't know what 'futile' means. Ask our 'Department of Agriculture.' Did you take a look at the farm before you came over the wall?"

"Well, we walked through it."

"Better not let Cliff catch you, or he'll scalp you. I might hold you for him."

"Humph! A lot of silly grass! Thousands of hectares around just like it."

"That's right. Some grass and a few rows of weeds. The pity is that Cliff will never live to see it anything else. Nor little Cliff. Nevertheless our great grandchildren will eat white bread, Art. But you yourself will live to build precision machinery- you know it can be done, which, as Bob Baxter says, is two-thirds of the battle. Cliff can't live long enough to eat a slice of light, tasty bread. It doesn't stop him."

"You should have been a preacher, Rod." Art stood up and sniffed himself. "I'd better get a bath, or the girls won't dance with me."

"I was just quoting. You've heard it before. Save me some soap."

Caroline hit two bars of Arkansas Traveler, Jimmy slapped his drum, and Roy called, "Square 'em up, folks!" He waited, then started in high, nasal tones:

"Honor y'r partners!

"Honor y'r corners!

"Now all jump up and when y' come down-"

Rod was not dancing; the alternate set would be his turn. The colony formed eight squares, too many for a caller, a mouth organ, and a primitive drum all unassisted by amplifying equipment. So half of them babysat and gossiped while the other half danced. The caller and the orchestra were relieved at each intermission to dance the other sets.

Most of them had not known how to square-dance. Agnes Pulvermacher had put it over almost single-handed, in the face of kidding and resistance- training callers, training dancers, humming tunes to Caroline, cajoling Jimmy to carve and shrink a jungle drum. Now she had nine out of ten dancing.

Rod had not appreciated it at first (he was not familiar with the history of the Mormon pioneers) and had regarded it as a nuisance which interfered with work. Then he saw the colony, which had experienced a bad letdown after the loss in one night of all they had built, an apathy he had not been able to lift- he saw this same colony begin to smile and joke and work hard simply from being exposed to music and dancing.

He decided to encourage it. He had trouble keeping time and could not carry a tune, but the bug caught him, too; he danced not well but with great enthusiasm.

The village eventually limited dances to Sabbath nights, weddings, and holidays- and made them "formal"... which meant that women wore grass skirts. Leather shorts, breechclouts, and slacks (those not long since cut up for rags) were not acceptable. Sue talked about making a real square dance dress as soon as she got far enough ahead in her weaving, and a cowboy shirt for her husband... but the needs of the colony made this a distant dream.