J.G. Ballard - The Crystal World

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The Crystal World: краткое содержание, описание и аннотация

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The opening sequence of J.G. Ballard's The Crystal World, in which Dr. Edward Sanders begins his journey through Cameroon to visit his friends, Max and Elizabeth Clair, is reminiscent of Graham Greene's Journey Without Maps or the film "The African Queen." Ballard does a wonderful job of portraying a Cameroon which is still inhabited by a relatively large number of European colonizers, although his characters have a tendency to be more altruistic. Sanders runs a leper colony while the Clairs have set up a clinic in the interior of Cameroon.
The characters who aren't altruistic are somewhat shady. Sanders gets involved with the gun-toting Ventress while still on the first leg of his journey and later meets the mine-owner, Thorensen. Although Sanders talks with each man individually, neither really reveal anything of this history, although it becomes clear that their destinies are tied to each other. Similarly, Father Balthus, a priest who is questioning his beliefs, is seen more as a shadowy figure than as an individual. Part of this shadiness is Sanders apparent inability to firmly connect with any of the characters he comes into contact with, including Louise Peret, the American journalist with whom he has an affair, and the Clairs, who are such good friends he will brave the rigors of travel to see them.
As the first leg of his journey ends, Sanders begins to suspect that all is not right at Mont Royal, where the Clairs have their clinic. During his brief stay in Port Matarre, Sanders sees some exquisite crystal work which seems to have come from the interior, near Mont Royal. The appearance in the harbor of a man whose body has been crystalized confirms that something strange is going on and Sanders, along with Louise, begin their journey to Mont Royal, he to see his friends, she to find out what happened to her colleagues.
The second part of the novel takes place once Sanders has arrived in Mont Royal. By now he knows the secret, that the jungle is turning everything in it to crystal. This change effects organic and inorganic objects equally, and a thin crystaline shell covers the river. Neither Sanders nor Ballard seem to be particularly interested in what is causing the crystalization, although Ballard does create an esoteric explanation which does not seem particularly likely.
Although Sanders is the thread that ties everyone's stories together in Mont Royal, he actually seems to have little sustained interaction with any of the other characters. Instead, he spends enough time with each of them to heighten the air of mystery about them without shedding any light on their histories, motives or the strange occurences in the jungle. It is of note that the most interesting character Sanders deals with, who gives him the most information, is one of the most minor characters in the novel, Kwanga.
While Ballard manages to evoke the setting of colonial Africa, his story and the characters are not particularly compelling. The Crystal World is definitely a novel written in the 1960s, and although the drug culture is not explicit in the novel, the book does have an hallucinatory quality which evokes the use of drugs. If the reader is looking for plot or character, The Crystal World falls short. If the goal is to find evocative prose and a strong sense of locale, then The Crystal World is a novel to look for.
Steven H Silver

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On an impulse he left the chalet and went out into the darkness. He walked toward the perimeter fence. Twenty yards from the wire he could see the lepers sitting under the trees in the moonlight. They had come forward on to the open ground, exposing themselves to the moonlight like bathers under a midnight sun. One or two were shuffling about through the lines of people halfasleep on the ground or squatting on their bundles.

Hiding himself in the shadows behind the chalet, Sanders turned and followed their gaze. The vast outspill of light rose from the forest, its extent broken only by the dim white form of the Bourbon Hotel.

Sanders walked back into the compound. Crossing the courtyard, he made his way to the perimeter fence as it turned in the direction of the ruined hotel, which was now hidden by the intervening trees. A path led toward it through the trees, passing the abandoned mine-works. Sanders stepped over the fence, then walked through the dark air toward the hotel.

Ten minutes later, as he stood at the top of the wide steps that led down among the tumbled columns, he saw Suzanne Clair walking in the moonlight below him. In a few places the affected zone had crossed the highway, and small patches of the scrub along the roadside had begun to vitrify. Their drab leaves gave off a faint luminescence. Suzanne walked' among them, her long robe sweeping across the brittle ground. Sanders could see that her shoes and the train of her robe were beginning to crystallize, the minute prisms glancing in the moonlight.

Sanders made his way down the steps, his feet cutting at the shards of marble between the columns. Turning, Suzanne saw him approach. For a moment she flinched toward the road, then recognized him and hurried up the weed-grown drive.

"Edward-!"

Sanders reached out to take her hands, afraid that she might stumble, but Suzanne slipped past and pressed herself to his chest. Sanders embraced her, feeling her dark hair against his cheek. Her waist and shoulders were like ice, the silk robe chilling his hands.

"Suzanne, I thought you might be here." He tried to move her away, so that he could see her face, but she still held on to him with the strong grip of a dancer moving with her partner through an intricate step. Her eyes were turned away so that she seemed to speak from the ruins beyond his left shoulder.

"Edward, I come here every night." She pointed to the upper stories of the white hotel. "I was there yesterday, I watched you come out of the forest! Do you know, Edward, your clothes were glowing!"

Sanders nodded, then walked with her up the drive to the steps. As if straightening her hair, Suzanne held one hand to her forehead between them, the other clasping his own hand to her cold waist.

"Does Max know you're here?" Sanders asked. "He may send one of the houseboys to keep an eye on you."

"My dear Edward!" Suzanne laughed for the first time. "Max has no idea, he's asleep, poor man-he realizes he's living on the edges of a nightmare-" She stopped, checking herself in case Sanders might guess that this referred to her own condition. "The forest, that is. He's never understood what it means. You do, Edward, I could see that straightaway."

"Perhaps-" They climbed the steps past the drums of the toppled columns and entered the great hail. High above, the cupola over the staircase had fallen through and Sanders could see a cluster of stars, but the light from the forest below cast the hall into almost complete darkness. Immediately he felt Suzanne relax. Taking his hand, she guided him past the shattered chandelier at the foot of the staircase.

They walked up to the second floor, and then turned into a corridor on their left. Through the broken panels Sanders saw the worm-eaten hulks of tall wardrobes and collapsed bedposts, like the derelict monuments in some mausoleum to the hotel's forgotten past.

"Here we are." Suzanne stepped through a locked door whose central panels had fallen in. In the room beyond, the empire furniture was in place, a desk stood in the corner by the window, and a mirrorless dressing table framed the forest below. Dust and wormwood lay on the floor, small footprints winding through them.

Suzanne sat down on one side of the bed, opening her robe with the placid gestures of a wife returning home with her husband. "What do you think of it, Edward, -my pied a terre, or is it nearer the clouds than that?"

Sanders glanced around the dusty room, looking for some personal trace of Suzanne. Apart from the footprints on the floor there was nothing of her there, as if she dwelled like a ghost among the empty chambers of the white hotel.

"I like the room," he said. "It has a magnificent view of the forest."

"I only come here in the evening, and then the dust looks like moonlight."

Sanders sat down on the bed beside her. He glanced up at the ceiling, half-afraid that at any moment the hotel might crumble and collapse into a dust-filled pit, carrying Suzanne and himself down into its maw. He waited for the darkness to clear, aware of the contrast between Suzanne and this room in the derelict hotel with its moonlit empire furniture and the functional but sunfilled chalet where he and Louise had made love that morning. Louise's body had lain beside him like a piece of the sun, a golden odalisque trapped for Pharaoh in his tomb. As now, in turn, he held Suzanne's cold body in his arms, his hands avoiding her face, which lay beside him in the darkness, its pale lantern like a closing moon, he remembered Ventress's "We're running out of time, Sanders-" As time withdrew, his relationship with Suzanne, drained of everything but the image of leprosy and whatever this stood for in his mind, had begun to dissolve into the dust that surrounded them wherever they moved outside the forest.

"Suzanne-" He sat up beside her, trying to massage some warmth into his hands. Her breasts had been like goblets of ice. "Tomorrow I'm going back to Port Matarre. It's time for me to leave."

"What?" Suzanne drew the robe across herself, sealing the white outline of her body into the darkness. "But, Edward, I thought you'd-"

Sanders took her hand. "My dear, apart from everything I owe Max there are my patients at Isabelle. I can't just leave them."

"They were my patients as well. The forest is spreading everywhere, there's no more you or I can do for them."

"Perhaps not-I may only be thinking of myself again-and you, Suzanne-"

While he spoke she had left the bed and now stood in front of him, the dark robe brushing the dust from the floor. "Stay with us for a week, Edward. Derain won't mind, he knew you were coming here. In a week-"

"In a week we may all have to go. Believe me, Suzanne, I've been trapped in the forest."

She walked toward him, her face raised in a shaft of moonlight as if about to kiss him on the mouth. Then he realized that this was far from being a romantic gesture. At last Suzanne was showing him her face.

"Edward, just now, do you know to whom you- made love to?"

Sanders touched her shoulder with one hand, trying to reassure her. "Suzanne, I do know. Last night-"

"What?" She turned away from him, hiding her face again. "What do you mean?"

Sanders followed her across the room. "I'm sorry, Suzanne. It may sound hollow comfort, but I carry those lesions as much as you do."

Before he could reach her she had slipped through the door. He picked up his jacket and saw her moving swiftly down the long corridor to the staircase. When he reached the entrance hail she was more than fifty yards ahead of him, running through the tumbled columns, her dark gown like an immense veil as she moved along the crystalline pathways away from the white hotel.

12 Duel with a crocodile

At midnight, as he lay half-asleep in his room at the rear of the chalet, Dr. Sanders heard the sounds of a distant commotion from the compound of the hospital. Almost too tired to sleep, and yet sufficiently exhausted not to listen more closely, he ignored the raised voices and the flickering beam of the Land-Rover's searchlight carried over the roof and reflected off the tall trees outside.

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