J.G. Ballard - The Crystal World

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The Crystal World: краткое содержание, описание и аннотация

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The opening sequence of J.G. Ballard's The Crystal World, in which Dr. Edward Sanders begins his journey through Cameroon to visit his friends, Max and Elizabeth Clair, is reminiscent of Graham Greene's Journey Without Maps or the film "The African Queen." Ballard does a wonderful job of portraying a Cameroon which is still inhabited by a relatively large number of European colonizers, although his characters have a tendency to be more altruistic. Sanders runs a leper colony while the Clairs have set up a clinic in the interior of Cameroon.
The characters who aren't altruistic are somewhat shady. Sanders gets involved with the gun-toting Ventress while still on the first leg of his journey and later meets the mine-owner, Thorensen. Although Sanders talks with each man individually, neither really reveal anything of this history, although it becomes clear that their destinies are tied to each other. Similarly, Father Balthus, a priest who is questioning his beliefs, is seen more as a shadowy figure than as an individual. Part of this shadiness is Sanders apparent inability to firmly connect with any of the characters he comes into contact with, including Louise Peret, the American journalist with whom he has an affair, and the Clairs, who are such good friends he will brave the rigors of travel to see them.
As the first leg of his journey ends, Sanders begins to suspect that all is not right at Mont Royal, where the Clairs have their clinic. During his brief stay in Port Matarre, Sanders sees some exquisite crystal work which seems to have come from the interior, near Mont Royal. The appearance in the harbor of a man whose body has been crystalized confirms that something strange is going on and Sanders, along with Louise, begin their journey to Mont Royal, he to see his friends, she to find out what happened to her colleagues.
The second part of the novel takes place once Sanders has arrived in Mont Royal. By now he knows the secret, that the jungle is turning everything in it to crystal. This change effects organic and inorganic objects equally, and a thin crystaline shell covers the river. Neither Sanders nor Ballard seem to be particularly interested in what is causing the crystalization, although Ballard does create an esoteric explanation which does not seem particularly likely.
Although Sanders is the thread that ties everyone's stories together in Mont Royal, he actually seems to have little sustained interaction with any of the other characters. Instead, he spends enough time with each of them to heighten the air of mystery about them without shedding any light on their histories, motives or the strange occurences in the jungle. It is of note that the most interesting character Sanders deals with, who gives him the most information, is one of the most minor characters in the novel, Kwanga.
While Ballard manages to evoke the setting of colonial Africa, his story and the characters are not particularly compelling. The Crystal World is definitely a novel written in the 1960s, and although the drug culture is not explicit in the novel, the book does have an hallucinatory quality which evokes the use of drugs. If the reader is looking for plot or character, The Crystal World falls short. If the goal is to find evocative prose and a strong sense of locale, then The Crystal World is a novel to look for.
Steven H Silver

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As she laughed Sanders put his hand firmly on her chin. "Day and night-do they mean much any longer?"

They ate lunch together in the chalet. Afterwards, Sanders described his experiences in the forest.

"I remember, Louise, when I first arrived in Port Matarre you told me it was the day of the spring equinox. Of course, it hadn't occurred to me before, but I realize now just how far everything in the world outside the forest was being divided into light and dark-you could see it perfectly in Port Matarre, that strange light in the arcades and in the jungle around the town, and even in the people there, dark and light twins of each other. Looking back, they all seem to pair off-Ventress with his white suit and the mine-owner Thorensen with his black gang. They're fighting each other now over this dying woman somewhere in the forest. Then there are Suzanne and yourself-you haven't met her but she's your exact opposite, very elusive and shadowy. When _you_ arrived this morning, Louise, it was as if you'd stepped out of the sun. Again, there's Balthus, that priest, with his death-mask face, though God alone knows who his twin is."

"Perhaps you, Edward."

"You may be right-I suppose he's trying to free himself from what's left of his faith, just as I'm trying to escape from Fort Isabelle and the _léproserie_-Radek pointed that out to me, poor fellow."

"But this division, Edward, into black and white- why? They're what you care to make them."

"Are they? I suspect it goes deeper than that. There may well be some fundamental distinction between light and dark that we inherit from the earliest living creatures. After all, the response to light is a response to all the possibilities of life itself. For all we know, this division is the strongest one there is-perhaps even the _only_ one-reinforced everyday for hundreds of millions of years. In its simplest sense time keeps this going, and now that time is withdrawing we're beginning to see the contrasts in everything more clearly. It's not a matter of identifying any moral notions with light and dark-I don't take sides between Ventress and Thorensen. Isolated now they're both grotesques, but perhaps the forest will bring them together. There, in that place of rainbows, nothing is distinguished from anything else."

"And Suzanne-your dark lady-what does she mean for you, Edward?"

"I'm not sure-obviously she stands in some way for the _léproserie_ and whatever _that_ means-the dark side of the equinox. Believe me, I recognize now that my motives for working at the _léproserie_ weren't altogether humanitarian, but merely accepting that doesn't help me. Of course there's a dark side of the psyche, and I suppose all one can do is find the other face and try to reconcile the two-it's happening out there in the forest."

"How long are you staying?" Louise asked. "In Mont Royal?"

"Another few days. I can't leave straightaway. From my point of view coming here has been a complete failure, but I've hardly seen either of them and they may need my help."

"Edward-" Louise walked over to the window. Pulling on the blind, she raised the blades so that they let in the afternoon light. Silhouetted against the sun, her white suit and pale skin became suddenly dark. As she played with the string, opening and closing the blind, her slim figure was lit and then eclipsed like an image in a solar shutter. "Edward, there's an army launch going back to Port Matarre tomorrow. In the afternoon. I've decided to go."

"But, Louise-"

"I must go." She faced him, her chin raised. "There's no hope of finding Anderson-he must be dead by now-and I owe it to the bureau to get my story out."

"Story? My dear, you're thinking in terms of trivialities." Sanders went over to the whisky decanter on the bare sideboard. "Louise, I'd hoped you could stay on with me-" He broke off, aware that Louise was putting him to the test and not wanting to upset her. Whatever his references to Suzanne, he knew that he would have to stay with her and Max for the time being. If anything, Suzanne's leprosy had increased his need to remain with her. Despite her aloofness the previous night, Sanders knew that he was the only person to understand the real nature of her affliction and its meaning for them both.

To Louise, as she picked up her handbag, he said: "I'll ask Max to call the base and send a car for you."

During the rest of the afternoon Sanders remained in the chalet, watching the corona of light that lay over the distant forest. Behind him, beyond the perimeter fence, the lepers had moved forward again through the trees. As the afternoon light faded, the brilliance of the sun was still held within the crystal forest, and the old men and women came to the edge of the trees and waited there like nervous wraiths.

After dusk Suzanne appeared again. Whether she had really been asleep or, like Sanders, sitting in her room behind drawn blinds, he had no means of knowing, but at dinner she seemed even more withdrawn than at their previous meeting, eating with a kind of compulsive nervousness as if forcing down food that lacked all flavor. She had finished each of the courses when Sanders and Max were still talking over their wine. The black velvet curtain behind her-obviously placed against this single window for Sanders's benefit-made her dark robe almost invisible in the dim light, and from the far end of the table, where she had placed Sanders, even the white powdered mask of her face seemed a veiled blur.

"Did Max take you on a tour of our hospital?" she asked. "I hope you were impressed?"

"Very," Sanders said. "It has no patients." He added: "I'm surprised you need to spend any time at all in the dispensary."

"Quite a number of the natives come along during the night," Max explained. "During the daytime they're hanging around near the forest. One of the drivers told me that they're starting to take their sick and dying into the affected area. A kind of instant mummification, I suppose."

"But far more splendid," Suzanne said. "Like a fly in the amber of its own tears or a fossil millions of years old, making a diamond of its body for us. I hope the army let them through."

"They can't stop them," Max rejoined. "If these people want to commit suicide it's their affair. The army is too busy anyway evacuating themselves." He turned to Sanders. "It's almost comical, Edward. As soon as they put the camp down somewhere they have to uproot the whole thing and back off another quarter of a mile."

"How fast is the area spreading?"

"About a hundred feet a day, or more. According to the army radio network things are getting to the panic stage in the focal area in Florida. Half the state has been evacuated, already the zone there extends from the Everglades swamps all the way to Miami."

Suzanne raised her glass at this. "Can you imagine that, Edward? An entire city! All those hundreds of white hotels transformed into stained glass-it must be like Venice in the days of Titian and Veronese, or Rome with dozens of St. Peters."

Max laughed. "Suzanne, you make it sound like the new Jerusalem. Before you could turn around I'm afraid you'd find yourself an angel in a rose window."

After dinner, Sanders waited for Clair to leave and give him a few moments alone with Suzanne, but Max took a chess set from the blackwood cabinet and set up the pieces. As he and Sanders played the opening moves Suzanne excused herself and slipped out.

Sanders waited an hour for her to come back. At ten o'clock he resigned his game and said good night to Max, leaving him mulling over the possibilities of the end game.

Unable to sleep, Sanders wandered around his chalet, drinking what was left of the whisky in the decanter. In one of the empty rooms he found a stack of French illustrated magazines and leafed through the pages, scanning the by-lines of the articles for Louise's name.

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