Stephen King - The Stand

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In 1978, science fiction writer Spider Robinson wrote a scathing review of The Stand in which he exhorted his readers to grab strangers in bookstores and beg them not to buy it. The Stand is like that. You either love it or hate it, but you can't ignore it. Stephen King's most popular book, according to polls of his fans, is an end-of-the-world scenario: a rapidly mutating flu virus is accidentally released from a U.S. military facility and wipes out 99 and 44/100 percent of the world's population, thus setting the stage for an apocalyptic confrontation between Good and Evil. "I love to burn things up," King says. "It's the werewolf in me, I guess.... The Stand was particularly fulfilling, because there I got a chance to scrub the whole human race, and man, it was fun! ... Much of the compulsive, driven feeling I had while I worked on The Stand came from the vicarious thrill of imagining an entire entrenched social order destroyed in one stroke." There is much to admire in The Stand: the vivid thumbnail sketches with which King populates a whole landscape with dozens of believable characters; the deep sense of nostalgia for things left behind; the way it subverts our sense of reality by showing us a world we find familiar, then flipping it over to reveal the darkness underneath. Anyone who wants to know, or claims to know, the heart of the American experience needs to read this book. –Fiona Webster

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She walked, and the afternoon advanced. Sweat rolled down her face. Quicksilver glimmered, always at the point where the highway met the faded-denim sky. She unbuttoned her light blouse and took it off, walking in her white cotton bra. Sunburn? So what? Frankly, my dear, I don’t give a fuck.

By dusk she had gone a terrible shade of red that was nearly purple along the raised ridges of her collarbones. The cool of the evening came suddenly, making her shiver, and making her remember that she had left her camping gear with the Vespa.

She looked around doubtfully, seeing cars here and there, some of them buried in drifting sand up to their hood ornaments. The thought of sheltering in one of those tombs made her feel sick—even sicker than her terrible sunburn was making her feel.

I’m delirious , she thought.

Not that it mattered. She decided she would walk all night rather than sleep in one of those cars. If this were only the Midwest again. She could have found a barn, a haystack, a field of clover. A clean, soft place. Out here there was only the road, the sand, the baked hardpan of the desert.

She brushed her long hair away from her face and dully realized that she wished she was dead.

Now the sun was below the horizon, the day perfectly poised between light and dark. The wind that now slipped over her was dead cold. She looked around herself, suddenly afraid.

It was too cold.

The buttes had become dark monoliths. The sand dunes were like ominous toppled colossi. Even the spiny stands of saguaro were like the skeletal fingers of the accusing dead, poking up out of the sand from their shallow graves.

Overhead, the cosmic wheel of the sky.

A snatch of lyric occurred to her, a Dylan song, cold and comfortless: Hunted like a crocodile… ravaged in the corn…

And on the heels of that, some other song, an Eagles song, suddenly frightening: And I want to sleep with you in the desert tonight… with a million stars all around…

Suddenly she knew he was there.

Even before he spoke, she knew.

“Nadine.” His soft voice, coming out of the growing darkness. Infinitely soft, the final enveloping terror that was like coming home.

“Nadine, Nadine… how I love to love Nadine.”

She turned around and there he was, as she had always known he would be someday, a thing as simple as this. He was sitting on the hood of an old Chevrolet sedan (had it been there a moment ago? she didn’t know for sure, but she didn’t think it had been), his legs crossed, his hands laid lightly on the knees of his faded jeans. Looking at her and smiling gently. But his eyes were not gentle at all. They gave lie to the idea that this man felt anything gentle. In them she saw a black glee that danced endlessly like the legs of a man fresh through the trapdoor in a gibbet platform.

“Hello,” she said. “I’m here.”

“Yes. At last you’re here. As promised.” His smile broadened and he held his hands out to her. She took them, and as she reached him she felt his baking heat. He radiated it, like a well-stoked brick oven. His smooth, lineless hands slipped around hers… and then closed over them tight, like handcuffs.

“Oh, Nadine,” he whispered, and bent to kiss her. She turned her head just a little, looking up at the cold fire of the stars, and his kiss was on the hollow below her jaw rather than on her lips. He wasn’t fooled. She felt the mocking curve of his grin against her flesh.

He revolts me , she thought.

But revulsion was only a scaly crust over something worse—a caked and long-hidden lust, an ageless pimple finally brought to a head and about to spew forth some noisome fluid, some sweetness long since curdled. His hands, slipping over her back, were much hotter than her sunburn. She moved against him, and suddenly the slim saddle between her legs seemed plumper, fuller, more tender, more aware. The seam of her slacks was chafing her in a delicately obscene way that made her want to rub herself, get rid of the itch, cure it once and for all.

“Tell me one thing,” she said.

“Anything.”

“You said, ‘As promised.’ Who promised me to you? Why me? And what do I call you? I don’t even know that. I’ve known about you for most of my life, and I don’t know what to call you.”

“Call me Richard. That’s my real name. Call me that.”

“That’s your real name? Richard?” she asked doubtfully, and he giggled against her neck, making her skin crawl with loathing and desire. “And who promised me?”

“Nadine,” he said, “I have forgotten. Come on.”

He slipped off the hood of the car, still holding her hands, and she almost jerked them away and ran… but what good would that have done? He would only chase after her, catch her, rape her.

“The moon,” he said. “It’s full. And so am I.” He brought her hand down to the smooth and faded crotch of his jeans and there was something terrible there, beating with a life of its own beneath the notched coldness of his zipper.

“No,” she muttered, and tried to pull her hand away, thinking how far this was from that other moonstruck night, how impossibly far. This was at the other end of time’s rainbow.

He held her hand against him. “Come out in the desert and be my wife,” he said.

“No!”

“It’s much too late to say no, dear.”

She went with him. There was a bedroll, and the blackened bones of a campfire under the silver bones of the moon.

He laid her down.

“All right,” he breathed. “All right, then.” His fingers worked his belt buckle, then the button, then the zipper.

She saw what he had for her and began to scream.

The dark man’s grin sprang forth at the sound, huge and glittering and obscene in the night, and the moon stared down blankly at them both, bloated and cheesy.

Nadine pealed forth scream after scream and tried to crawl away and he grabbed her and then she was holding her legs shut with all her strength, and when one of those blank hands inserted itself between them they parted like water and she thought: I will look up… I will look up at the moon… I will feel nothing and it will be over… it will be over… I will feel nothing…

And when the dead coldness of him slipped into her the shriek ripped up and out of her, bolted free, and she struggled, and the struggle was useless. He battered into her, invader, destroyer, and the cold blood gushed down her thighs and then he was in her, all the way up to her womb, and the moon was in her eyes, cold and silver fire, and when he came it was like molten iron, molten pig iron, molten brass , and she came herself, came in screaming, incredible pleasure, came in terror, in horror, passing through the pig-iron and brass gates into the desert land of insanity, chased through, blown through like a leaf by the bellowing of his laughter, watching his face melt away, and now it was the shaggy face of a demon lolling just above her face, a demon with glaring yellow lamps for eyes, windows into a hell never even considered, and still there was that awful good humor in them, eyes that had watched down the crooked alleys of a thousand tenebrous night towns; those eyes were glaring and glinting and finally stupid. He went again… and again… and again. It seemed he would never be used up. Cold. He was dead cold. And old. Older than mankind, older than the earth. Again and again he filled her with his nightspawn, screaming laughter. Earth. Light. Coming. Coming again. The last shriek coming out of her to be wiped away by the desert wind and carried into the farthest chambers of the night, out to where a thousand weapons waited for their new owner to come and claim them. Shaggy demon’s head, a lolling tongue deeply split into two forks. Its dead breath fell on her face. She was in the land of insanity now. The iron gates were closed.

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