Harlan Ellison - Shatterday

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Shatterday: краткое содержание, описание и аннотация

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Mercurial, belligerent, passionately in love with language and wild ideas, Harlan Ellison has, for half a century, steadily gathered to himself and his thirty-seven books an undeniably fanatical readership. Winner of more awards for imaginative literature than any other living writer, he is the only scenarist ever to win the Writers Guild of America award three times for outstanding teleplay. Though his contemporary fantasies have been compared favorably with the dark visions of Borges, Barthelme, Poe and Kafka, Ellison resists categorization with a vehemence that alienates critics and reviewers seeking easy pigeonholes for an extraordinary writer. The San Francisco Chronicle writes, "The categories are too small to describe Harlan Ellison. Lyric poet, satirist, explorer of odd psychological corners, moralist, purveyor of pure horror and black comedy; he is all these and more." In this, his thirty-seventh book, setting down as never before the mortal dreads we all share, Harlan Ellison has put together his best work to date: sixteen uncollected stories (half of which are award-winners), totaling a marvel-filled 105,000 words and including a brand-new novella, his longest work in over a dozen years.

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“The hamster isn’t the most awful I’ve ever heard,” I said, “although it is in the top tenth of a percentile of the most awful.”

“What are you talking about? Are you okay?”

“The most awful, I guess, was something Missy told me. She said that when she was a kid Down South they used to take baby ducks and chicks, and they’d bury them up to their no-necks in the dirt, and then they’d run the lawn mower over them. Now that is yucchh.”

Her face was all pulled out of shape. “I’m calling the doctor.”

There was a set of silver-backed military brushes on the counter. I picked them up and started brushing back my wet hair. I looked at her in the mirror and said, “Very good idea. You call the doctor. Make it a voodoo doctor, if you can get Inboard to clear a line to Haiti. Get a specialist in resurrection. Tell him we’re not sure Jimmy is completely all the way dead… that he seems to be clinging ferociously to life… your life, my life, Bran’s life…”

She started to cry. I put the brushes down and turned to her; but I didn’t take her in my arms, usually pro forma. I just stared at her. She had the heels of her hands in her eyes and she was starting to get into it.

“Come on, Leslie! Pack it in, darlin’!”

She fell against me, put her arms around me.

“Then,” I said, “he pushed her away.” And I pushed her away.

She looked at me. She said, “What?”

“He stared back at her,” I said, “and said simply, ‘We don’t walk backward, do we? You’re his wife; you’ll always be his wife, even if you remarry, even if you’re canonized; he owns you. You say no, but five years from now you’ll make a deal with Simon & Schuster and have poor Bran out there ghostwrite your memoirs— I Was Kercher’s Koncubine. ‘ And he shook his head sadly,” I said, “and he walked to the door and walked out.” And then I walked past her to the door and walked out.

Not so hard ghostwriting in the voice of a ghost.

They all looked at me as I reentered the library. I patted the Abominable Snowman on the belly and resumed my appointed seat, ready to let Jimmy have another go at me. Bamboo shoots under the fingernails would have been a happier prospect.

They were still looking at me as Leslie came in. “Something I ate, perhaps. An undigested bit of beef, a blot of mustard, a fragment of underdone potato. More of gravy than of grave. Do let’s continue with the show.” All but Leslie continued to stare at me, touched by astonishment. Ah, of what good are literary allusions in the Land of Functional Illiterates, close to the borders of the Kingdom of the Blind?

But we continued.

The videotape began playing again, and once” again we were in this library, weeks ago, only a moment after Bran had identified Jimmy as Jimmy and caused me to lose a perfectly lovely breakfast from DuPar’s Farmhouse. The tall, thin black woman I didn’t recognize now spoke, as the camera came in on her.

“My name is Eusona Parker, and I have been Mr. Crowstairs’s housekeeper for eighteen, going on nineteen years; and that’s him sitting right there; and don’t nobody try to say he’s not in his sound mind and body ‘cause I have known him all these years and he’ s just as sharp and clean and neat as a pin as he’s ever been. Is that what I’m supposed to say?”

No wonder I didn’t recognize her. Eusona Parker had lost about eighty pounds.

Every Wednesday. That was Eusona’s day. I’d only seen her half a dozen times through the years, when I was in Los Angeles and visiting Jimmy. But if anyone knew his state of health, it was Ms. Parker. She had been more of a true mother to Jimmy than his own natural mother. What I remembered best about her was the “hearing aid.”

She had a memory that should have been on display in the Smithsonian. It might be three or four years between our seeing each other; but when I’d come out of the blue guest room searching for coffee early on a Wednesday morning during one of my visits, there would be Eusona, dusting Jimmy’s vast, endless hoard of tchotchkes; and she’d look up and grin as if I’d been there uninterruptedly for years, and she’d say, “Good morning, Larry, sleep good?” And I’d scream at her, “Hello, Eusona, how are you?” And she’d answer, “Doin’ just fine, Larry; water’s still hot.” And I’d scream, “Thanks, Eusona.”

The reason I screamed was that she wore a hearing aid. One of those little button things shoved into her ear, the cord trailing down to disappear into the capacious pocket of her wraparound apron where the shape of the battery pack bulged.

And we went on that way, amiably, until one time she stopped me in the back corridor leading to the greenhouse, took me by the hand like a small boy who’s been caught eating worms in the schoolyard, and she said, “Mr. Bedloe, why do you always scream at me?”

She never called Jimmy “Mr. Crowstairs” unless he was behaving badly or living with a woman who left globs of mascara on the mirror in the bathroom, and she never called me anything but Larry unless I had left my bed unmade. Ms. Parker made it clear she was a housekeeper, not a maid; and if I slept in it, I ought to make it when I got out of it. “Mr. Bedloe” was her way of politely saying pay close attention now, asshole.

“Why, uh, I’m sorry, Eusona,” I said, terribly embarrassed as one can only be embarrassed when one has been caught staring at the empty place between eyes and mouth where a leper’s nose has fallen off. “I was speaking loudly because I wanted you to hear me.”

“Well, I’m not hard of hearin’, dear.”

That dear of hers: butter would not have melted in her mouth. I’ve never understood what that meant, it never made sense to me, butter not melting. Whatever it meant, it’s what that dear was all about. The dear you use when you say, “No, dear, the round hole is for the round peg.”

“You’re not?”

“No, Mr. Bedloe, dear, I’m not hard of hearing.”

Mr. Bedloe and dear.

“But you wear a hearing aid. “

Mistuh Bedloe, this is not a hearing aid.” And she pulled the earphone of the transistor radio in her apron, out of her ear and, faintly, like fairy trumpets, I heard the tinny sound of Steve Garvey batting the brains out of the Cardinals’ relief pitcher, bottom of the seventh, two out, a man on third.

All that went through my head as Kenneth L. Gross said, “Yes, Miss Parker, that’s all you have to do, is identify Mr. Crowstairs.”

“That’s him. I said it.”

“Thank you, Miss Parker.”

“Neat as a pin, everything right in place; always been like that, eighteen going on nineteen years.”

“Thank you, Miss Parker.”

“You’re welcome, dear.”

Then Missy identified him; then Jimmy as testator stated the date and stated that the will being made on that date took precedence over all other wills previously made by him, including any that might be found written in cuneiform on stone tablets by gas station attendants roaming in the Nevada deserts.

Then the roundelay went like this:

Kenny: Are you executing this document or prepared to execute this document with a complete satisfaction on your Pal. that it says what you wish it to say, and that you understand it in its entirety?

Jimmy: Affirmative. And it should be noted for the record that the last person to marry a duck lived four hundred years ago.

Kenny: Choke. Are you prepared to execute this document and accordingly state for the record, in my presence and in the presence of witnesses, that in so doing you are not acting under duress, undue influence, or under the influence of any drug or other substance that may impair your mental capacity?

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