Harlan Ellison - Shatterday

Camera came into closeup on the first witness as the splitscreen went to solo image.

“My name is Brandon Winslow. I have been a close personal friend, house guest and sometime-collaborator of Kercher Crowstairs for almost fourteen years; and I hereby declare that the man over there with all the credit cards is, in fact and as he’s stated, the Crowstairs he says he is.”

Well, well, I thought, oh my ears and whiskers.

“Sometime-collaborator.” Now there’s one phrase I never thought I’d hear in connection with Jimmy. So Bran had been paying off the loans and the live-in companionship with something more valuable than coin of the realm. He had worked on some of the books. That went a long way toward explaining how Jimmy could turn out his novel and a short story collection every year as regular as the swallows visiting Capistrano, plus finding the time for all the introductions, newspaper columns, background pieces for TV Guide; the lectures, the television talk show appearances, the writing workshops; and the women. He had another laborer in the vineyard. A bond slave.

I cast back through the long list of Crowstairs publications trying to figure out which ones had been co-written —entirely ghost-written?!?! —no, it was unthinkable—but then, collaboration had been unthinkable till Bran had let the black cat cross the path—and I came up with two immediately.

Bakelite Radio Fantasies and Fearsome Noises. They were gentler, more thoughtful than was Jimmy’s wont. There was greater lyricism in them, closer in tone to Bran’s own solo novel—his only novel —Knowledge of Two Kinds. They were a couple of my favorite Crowstairs creations.

And my heart contracted in my chest as I realized that in some way Bran Winslow had sold himself to Jimmy, had denied his own career, to add a few more chapters to the myth of Kercher Crowstairs. I didn’t want to know what Jimmy had had on Bran, that could make him, seemingly willingly, put aside his own work, to become a secret shadow of the public Kerch.

To me, it was unthinkable. The more I thought about it, the more often the word unthinkable burned in the darkness. Unthinkable: Jimmy was many kinds of a man, but blackmailer wasn’t one of them. Unthinkable: Brandon Winslow was as fiercely committed to his art as was I, as was Jimmy…

Unthinkable!

No one has that kind of charisma. I simply wouldn’t go for it. There had to be something deeper, something more potent. It was unthinkable that a writer of Bran Winslow’s sincerity and dedication would simply give over his life to Jimmy; it was unthinkable that Jimmy’s fever could be passed on to another writer—possibly a better writer, a more important writer, an intrinsically more valuable, a worthier writer—to cause him to deny the song of his own Muse. But now that I’d thought it, as unthinkable as it had seemed…

Kercher Crowstairs refused to acknowledge the night.

He had a quote from Thomas Carlyle taped to the molding of the bookcase right over his typewriter:

Produce! Produce! Were it but the pitifullest infinitesimal fraction of a Product, produce it, in God’s name! ‘Tis the utmost thou hast in thee: out with it, then. Up, up! whatsoever thy hand findeth to do, do it with thy whole might. Work while it is called Today; for the night cometh, wherein no man can work.

He refused to cower against the fear of scaled or furry or fanged creatures moving toward him. in the night.

He was a sharpened stick.

He was in motion, no sitting target.

He did not play poker, yet he never sat with his back to the door.

But such a level of energy has to dissipate itself before it can consume another writer. It has to! Sheer force of will, massed totality of personality, unleashed waves of charismatic power… no one has that. No one! Unthinkable goddam you Kerch Jimmy!

What the fuck did you have on Bran Winslow to turn him into your Uncle Tom? Your Stepin Fetchit? Your coolie laborer? Second sax in your brass section? Make-work creative typist?

Oh, Jesus, Jimmy, this is most hateful; and I don’t even know what was behind it.

Poor Bran.

Damn! Stop that! Stop thinking that way. There was a reason, a solid, good reason. There had to be. No writer can do that to another writer who knows how good he is, who has the books in him crying out to be released. No one. No damn you, no one!

My head was swimming. I felt sick to my stomach.

“Can you hold the tape,” I heard myself saying; and then as the film vanished and white screen appeared, I bolted out of my chair and rushed for the toilet.

That dyspeptic old fart Nelson Algren got three out of four. He wrote: “Never play cards with a man named Doc. Never eat in a place called Mom’s. Never sleep with a woman whose troubles are worse than your own.”

Close. Very close.

But he missed a fourth:

“Never let anyone catch you down on your knees puking into a toilet bowl.”

Especially not a woman whose troubles are worse than your own.

I should have locked the door. But the bile was pushing as if it were spring-loaded; I barely had time to get into the can before I felt it coming like the Sunshine Express. Down on my knees, loving the toilet bowl, and then the river of fire.

Leslie was in there, right behind me, trying to hold my forehead, for Christ’s consumptive sake, with me hurling and heaving like a boa constrictor that’s swallowed a Peterbilt. I shoved at her, ineffectually, as she continued to play Lady Bountiful to my bounty.

I flailed my free arm behind me, trying to get her to back off. I think in that moment I realized just how insensitive she is. There’d always been hints… such as her revelation at a group dinner many years before that she had, as a child, thrown a hamster into a window fan… and then, of course, she’d stayed married to Jimmy; that had to indicate more than a soupçon of the obdurate.

But the level of insensitivity it takes to force someone in the most degrading condition known to humanity to think that he’s being watched while he glops up his guts, no matter if it’s misguidedly interpreted as “concern” or “out of love,” is a bestial level whereon one finds only flagstones or spent shell casings. Back off!

After a while I got up, filled the sink with cold water, put my face into it completely, and lay there for quite a length pf time, allowing the spittle and other nastiness to float away on the tide. My eyes were burning. I could not, thank God, see my face in the water.

I emptied the bowl, washed thoroughly, gargled as best I could with icy water, and reached for a towel. Leslie was standing there with one in her outstretched hand.

I took it. “Thank you very much.”

“How do you feel?”

“Dandy. Just dandy.”

“That was awful.”

I looked a surprised look. “Oh, really? It usually brings down the house. The awestruck expressions of the crowd are usually upon me.” Back the fuck off!

“My God,” she said, “you know you’re even starting to talk like him?”

Have you never perceived that before, my love? Have you never caught on that my interior monologues are never in my own voice, never the way I write or speak? They are pure Jimmy. That quick-silver turn of the phrase, all that heat and color; not the plodding, methodical, reasonably reasoned wise uncle with good, solid thinking of Laurence Bedloe, but rather the bold, sure spring of the tiger, and I believe in you. Never caught that, eh? How sad, how sorry: if I were to write up the relationship between the Recently Departed and Larry Bedloe it would be in the assumed voice of Kerch Jimmy. You didn’t pick up on that? You’re simply not paying attention.