'Well, well,' he said in a philosophical tone, expelling a sigh from his deep chest, 'a blow to the cause, that much is certain. A tragedy indeed. To escape Ferdinand's armies only to be shipwrecked on the shore of England! Oh, dear me, Steenie will be most upset, I can assure you of that. As of course will the Prince of Wales. Most upset. And I understand from what Steenie tells me of his little plot that Burlamaqui has already come up with most of the money. The Lord only knows where from, or what fantastic tale he might have told to his Italian bankers. But all is not lost, is it? By no means. Diving-bells, you say? A submarine?' He seemed to find the thought richly amusing. 'Well, Sir Ambrose is nothing if not resourceful. And the parchment… well… that at least has survived, has it not?'
His gaze had dropped to the cabinet that seemed to crouch between Vilém's feet. Vilém was perched on the edge of his chair, straight-backed and anxious.
'Yes,' he said slowly, 'the parchment. We made certain of it.'
'Yes, yes. The parchment,' Monboddo repeated. ' The Labyrinth of the World. There is that at least to be thankful for.'
His voice trailed dreamily away. He was studying the new plasterwork of the ceiling, a pattern of swirls and lobes incorporating Buckingham's coat of arms. Through the window behind his head Emilia could see a pair of green-liveried figures warping the sleek barge along the bottom of the landing-stairs. There were others in the boat now, also in livery. The hull struck one of the bollards with a hollow thud. Then the arras shrugged and the sight abruptly disappeared.
'Do you have the key, I wonder?' The bass voice was casual.
Vilém seemed to start. He raised his head, looking as if he were sniffing the air for some elusive scent, like a buck in a forest clearing who hears the soft snap of a twig.
'The key, sir?'
'Yes. The key to the chest. Has Sir Ambrose entrusted you with it by any chance? A pity,' he said in the same casual tone when Vilém, eyes wide, shook his head with nervous vigour. 'A great pity. It would have saved us a deal of effort.'
Then with a lazy motion and a creak of his silk-upholstered chair he leaned backwards and grasped in his hairy paw a tool-an iron crowbar-propped on the window-sill.
'Well, then, what do you think, my dears?' He waggled the tool in the air. 'Dare we open it?'
'No,' Vilém stammered. 'We must wait for…'
But Monboddo had already leaned forward and seized the casket in his thick paws. Vilém rose shakily from his chair. There came, from outside and below, the sound of feet crunching through the frost in the garden.
***
The cabinet took several minutes to prise open. It was a sturdy piece, having been fashioned from the wood of a mahogany tree felled on the shores of the Orinoco. It was also very valuable-one of the most valuable of Rudolf's many cabinets in the Spanish Rooms. The jewels encrusting its surface included, diamonds from Arabia, lapis lazuli from Afghanistan and emeralds from Egypt, along with 24-carat gold that had been mined in the mountains of Mexico and shipped across the ocean on the Spanish treasure fleet. Yet Monboddo the great connoisseur showed scant respect for either its beauty or its value. He had struck three violent blows across its lid and hinges before Vilém could intervene.
'Stop this, I say.' He had taken hold of Monboddo's burly arm as it drew back for yet another blow. 'Stop this before-' But he was sent sprawling across the floorboards as the larger man twisted round and gave him a violent push.
'A man must kill a few hogs,' Monboddo growled into his ruff as he struck the lid another blow, 'if he wishes to make a blood pudding.'
He was on his haunches beside the cabinet, grunting and red-faced like someone at his close-stool. Beads of sweat had formed in the deep furrows of his brow. He inserted the end of the crowbar under the hasp, then the staple, then the hook of the padlock, trying to force one of them free.
'Damn!'
The crowbar slipped and the lock rattled. The lid screeched as if in protest and then gave a dense ring as Monboddo reared back and struck it another furious blow with the iron bar. One of the jewels shattered and its fragments, bright and blue as damselflies, skittered across the floor and into the corner. Vilém, picking himself up from the boards, murmured another protest. Emilia stepped backwards a pace. She could hear, from below, the bang of a door and the sudden, fierce commotion of the hounds.
'Achille! Anton! No, no, no, no, no!'
Monboddo was kneeling on the cabinet now, cursing under his breath as he fitted the flat beak of the bar under the hasp and then forced the other end downwards with both hands, using his weight for leverage. His head trembled with the strain. Then the hasp's golden hinges gave another squeak as the metal warped and one of the pins popped free.
'Ha! We shall have it yet, my dears!'
The buckhounds were on their way upstairs, thumping and yelping. Emilia thought she could hear behind them, beneath their excited clamour, the sound of spurred boots treading the first of the steps. She looked to Vilém, but he was staring at the cabinet. A second pin had popped free. Monboddo was noisily freeing the bar from the warped hasp, head lowered like a bull, puffing heavily as he readied himself for another try. The cabinet gave a soft rattle as if its contents were shifting.
'Auguste! Aimé! No! No!'
The first of the hounds bounded into the chamber, followed by three companions, one of which knocked over a suit of rusted armour suspended on a wooden rack. A buckler and a visored helmet gonged to the floor, then skidded and spun towards Monboddo. He didn't so much as bat an eye. Four more hounds burst into the chamber, lunging at the scraps of food on the table. A plate was knocked to the floor and shattered. The spurred boots reached the corridor.
'By God-!'
With a loud groan the hasp broke free from its hinges. Monboddo gave another crow of triumph. He was still on his thick hams, bent over the cabinet, sweat dripping from his nose; Vilém knelt beside him, his face curiously pale. Emilia squinted in the poor light. She felt frozen, trapped in the eye of this whirlwind of rumbling boots, leaping hounds, clattering plates and armour. The cabinet gave another rattle as Monboddo grasped it between his hairy, looter's paws. Then, slowly, he raised the lid.
'Achille!'
Inside was another cabinet, exactly the same in every detail as the first, from its polished mahogany and gold hinges to its brilliant jewels. Monboddo raised it in his hands, holding it to the light and inspecting the ornate sides, brow knit. A nuzzling hound was thrust aside. Vilém was still beside him, head cocked, also looking puzzled. Monboddo lifted the lid of the second box to expose a third, even smaller, then a fourth, smaller still-a series of wooden shells that he tossed aside one by one.
'What? What's this?' He had reached a fifth casket, which was barely larger than a snuff-box. He swung his bullish head to face Vilém, who had turned even paler. 'What is the meaning of this? A joke? What have you done?' He hurled the tiny casket against the wall, where it shattered to expose a sixth. 'Do you toy with me? The parchment! Where is it, damn you!'
The spurs had ceased their jingling and now the hounds fell silent. Arduously Monboddo pushed himself upright, his boots crunching broken glass. Emilia, staring at the litter of boxes, felt Vilém recoil beside her.
'Gentlemen!' Monboddo had turned to face the door. 'Bad news, my good sirs. It would appear that Sir Ambrose and his friends have enjoyed a small joke at our expense.'
He gestured with his crowbar at the mahogany cabinets. Emilia, raising her head, saw three men in the doorway, the gold on their dark livery lit by the sash-window. Then a board creaked piteously and the first of them stepped into the chamber.
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