Paolo Bacigalupi - The Windup Girl

"You would do this?"

He laughs and shakes his head. "I like them better this way."

"I hate your kind."

"Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?"

Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first."

The old gaijin laughs. "That would have been exciting."

"We would have beaten you. Just like the cheshires."

"You may yet." He shrugs. "You do not fear cibiscosis or blister rust."

"No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont."

He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility…" He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals."

Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?"

The old man exchanges a glance with his ladyboy.

"Can you do it?" Emiko presses.

He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented."

Emiko slumps.

The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your children-in genetic terms, if not physical ones-they can be made fertile, a part of the natural world."

Emiko feels her heart pounding. "You can do this, truly?"

"Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more."

Acknowledgments

Without a number of supporters, The Windup Girl would have been a poorer effort. A heartfelt thanks goes out to the following people: Kelly Buehler and Daniel Spector, for hosting, tour guiding, and crash space in Chiang Mai while I was doing research; Richard Foss, for flywheels; Ian Chai, for kindly interceding and fixing glaring problems with Tan Hock Seng; James Fahn, author of A Land on Fire, for his expertise and insights into Thailand's environmental challenges; the gang at Blue Heaven-particularly my first readers Tobias Buckell and Bill Shunn-but also Paul Melko, Greg vanEekhout, Sarah Prineas, Sandra McDonald, Heather Shaw, Holly McDowell, Ian Tregillis, Rae Carson, and Charlie Finlay. I doubt I would have found my way to the book's conclusion without their wisdom. I'd also like to thank my editor Juliet Ulman, who helped identify and solve critical problems with the story when I was completely stymied. Bill Tuffin deserves a special note of thanks. I was lucky enough to get to know him when this book was still in its infancy, and he has proven to be both a rich source of cultural information in Southeast Asia and a good friend. And finally, I want to thank my wife Anjula, for her unflagging support over many many years. Her patience and faith are unmatched. Of course, while all these people helped bring out the best in this book, I am solely responsible for its errors, omissions and transgressions.

On a separate note, I would like to mention that while this book is set in a future version of Thailand, it should not be construed as representative of present-day Thailand or the Thai people. I enthusiastically recommend authors such as Chart Korbjitti, S. P. Somtow, Phra Peter Pannapadipo, Botan, Father Joe Maier, Kukrit Pramoj, Saneh Sangsuk and Kampoon Boontawee for far better windows into the Thai Kingdom and its many aspects.

Paolo Bacigalupi's writing has appeared in High Country News, Salon.com, The Magazine of Fantasy and Science Fiction, and Asimov's Science Fiction Magazine. It has been anthologized in various "Year's Best" collections of short science fiction and fantasy, been nominated for the Nebula and Hugo awards, and has won the Theodore Sturgeon Memorial Award for best sf short story of the year