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Harlan Ellison: Spider Kiss

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Harlan Ellison Spider Kiss

Spider Kiss: краткое содержание, описание и аннотация

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He claims he’s not a fan of rock-and-roll, but somehow Harlan Ellison’s seminal novel based on the career of Jerry Lee Lewis ended up in the Rock and Roll Hall of Fame. One of the first — and still one of the best — dissections of the wildly destructive rock-and-roll lifestyle, Spider Kiss isn’t about giant cockroaches that attack Detroit or space invaders that smell like chicken soup. Instead, it’s the story of Luther Sellers, a poor kid from Louisville with a voice like an angel who’s renamed Stag Preston by a ruthless promoter. Preston’s meteoric rise on the music scene is matched only by the rise in his enormous appetites — and not just for home cooking — and soon the invisible monkey named Success is riding him straight to hell. This raucous early novel reinforces Ellison’s reputation as one of America’s most dynamic writers.

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Four years.

Shelly Morgenstern watched as Stag Preston finished his final number. There would be no curtain call. Stag would announce a “little private show” around back in the alley under his dressing room window, and the stampede would start out of the theatre. That, they had found, was the only way to cleanse the theatre of its prepared-to-stay-an-eternity-with-peanut-butter-sandwiches horde. The turnover had been slow till they had employed the old Martin-Lewis dodge to empty the theatre. How they followed him; they loved him; how they ached to touch his lean, hardrock body. It was sick, Shelly was certain of that, all arguments about Vallee and Sinatra and Valentino be damned. It was sick, and four years before, he had been steering for a poker game. Just that long ago he had been a hungry kid with too much moxie, too much hair, and no place to go.

Four years.

Shelly Morgenstern corrected himself. That wasn’t so, no place to go. The kid would have made it somehow; he had been too hungry, too anxious, too much on the grab to ever settle for a fink’s life in Louisville. If it hadn’t been Colonel Jack Freeport and Shelly Morgenstern, he would have done it another way. Yet it was phenomenal the way he had clawed his way up; even Jack Freeport—a tooth and nail career money-maker—had been amazed at the drive and verve with which the kid had pushed himself in so short a time. Amazed, a little frightened, but altogether impressed.

Four years.

Shelly Morgenstern stared at the advancing face of Stag Preston as it came offstage. One of the “gopher” flunkies waited with outstretched arm, presenting the ceremonial towel. The towel into which Stag Preston would wipe all that semi-holy Stag Preston sweat … which could easily be sold for twenty dollars to any of the screeching, drunk-with-adoration infants now jamming into the alley. The god sweated, yeah, it was true. But all the better. Don’t put him completely out of reach. Put him just a handhold away, with the characteristic humbleness of all the new teen-aged idols. A god, yet a man.

Stag Preston stopped directly in front of Shelly Morgenstern, his face buried in the towel. When he pulled it away the dark, penetrating eyes stared directly into the shorter man’s face. It was a good face, Stag Preston’s face, though under the eyes and in the cruel set of mouth, the Stygian darknesses under the cheeks, there was the hint of something too mature, too desperate.

Now, as Stag shoved the towel under his shirt, wiping his moist armpit, the change would take place. Watch the

remarkable, magical transformation , folks, Shelly thought. Watch as Sheldon Morgenstern, whose father was a cantor and whose mother had wanted her son to become a CPA, subtly undergoes a sea-change from publicity man for the great Stag Preston to pimp for the great, horny Stag Preston. Watch closely, folks, the degradation is faster than the eye .

“Shelly…”

Here it comes . “See one, Stag?”

The smile. The Motion Picture/Look/Life/Teen Magazine -famous smile guaranteed to contain 100% unadulterated sex appeal combined with bullshit. The smile, and, “A cutie, Shel. A little redhead down front with a ponytail. She’s got a sign says Stag Preston We Love You. Can’t miss her. She’ll be out in the alley. G’wan and round her up for me, how’s about, Shel.” There was no question in it; it was an order, despite the lisping, gentle Kentucky voice.

Sure, Stag . “Sure, Stag.”

Stag Preston made his way to the dressing room, and Sheldon Morgenstern made his way to the stage door. He paused to dump the old cigarette, light a fresh one, and open the huge metal door.

There they were. Growling, clamoring, straining for a sight of God on Earth. He watched them with the pitying scrutiny of a compassionate butcher, and found the little redhead. Stag had a good eye, there was no taking that away from him. She was too large in the chest for a kid her age, and the hair was a bit too brassy, but that was invariably the way Stag liked them.

He moved out into the crowd, reached her and tapped her shoulder. “Miss?” The wide, green eyes turned up to him, registered nothing.

“Miss, Stag would like to meet you.” He said it with no feeling, with, in fact, a definite absence of inflection in hopes she might be scared off. But they never were. Any of them.

Her breath went in like a train through a tunnel, fast and sharp and leaving emptiness behind it. “ Stag ? Me?”

He nodded. No encouragement, no deterrent.

She said something to a girl beside her, a fat girl with pimples (why did the best-looking ones always come with their comparison-friends, so they looked that much better?), and gave her the Stag Preston We Love You sign. Then she turned, with Roman candles in her eyes, and followed Shelly Morgenstern into the theatre.

Four years , he thought. Four years, and how did it all start? Was it that request from the Kentucky State Fair for Colonel Jack Freeport to judge the talent contest?

Had it started then, when they’d met Stag in Louisville? Or did it go further back, much further back to the days when Shelly had been trying to break away from the orthodox enslavement of his home, when he had discovered he could no longer believe in the terrible God of his father, and worshipped more easily at the heavenly throne of Success (and Money is his profit)? Did it go back to Jack Freeport, who needed more, more, more of everything … to rebuild a name that had been shattered as far back as the burning of Atlanta? Had it begun with hungers, or with simple supply-and-demand?

He knew how it had started.

And as he walked the little redhead into the lion’s mouth, he thought about it … about the four years.

Well tell it, then. Tell it, but make it quick.

We’ve still got three shows to do.

Two

Great White Father and the ferret. That was how they looked from the corner of the eye, in that side-of-sight glance hurriedly thrown by people at airports. First came the big man in the white linen suit. He paused at the head of the aluminum stairs, mopping his desert brow with a monogrammed handkerchief.

Even as his hand came away from his face, the armpits of his white-on-white shirt darkened through with perspiration.

Almost maliciously, he turned his face up to the sun, and the Louisville heat greeted him inhospitably.

“Cursed state,” he muttered, “always said it should have been plowed under by God.” He spoke with a thick Georgia accent, a touch of nobility, a touch of arrogance.

He was big in small ways. His face was almost leonine, with a snowy nimbus of hair capping his massive head splendidly. His hands were blocky, yet had a suppleness suggestive of fine Swiss watchmaking or brain surgery. He stood momentarily, staring from bleached-out eyes—the image of Great White Father—framed against the open port of the big Eastern Convair 440; he surveyed the crowd jammed against the fence.

With a satisfied tone he called back over his shoulder,

“Wharton sent no one, Shelly. I don’t see any badges from the fair.”

Then he deplaned from the twin-engine Silver Falcon.

Behind him, squinting, the wiry Palm Beach-suited ferret shied from the gagging humidity. It was not so much the olive coloring of his lean, hard face as the diamond-intensity of his black eyes that gave the impression of stealth … deviousness … attentiveness. He cursed softly, a Manhattan twang, and gripped the strap of the thin, cabretta-grain attaché case more tightly. It did not swing idly from his left hand. Shelly Morgenstern hurried after the older man.

Almost before they had passed the hurricane fence with its strict admonition of

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