John Scalzi - Agent to the Stars

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The space-faring Yherajk have come to Earth to meet us and to begin humanity's first interstellar friendship. There's just one problem: They're hideously ugly and they smell like rotting fish.
So getting humanity's trust is a challenge. The Yherajk need someone who can help them close the deal.
Enter Thomas Stein, who knows something about closing deals. He's one of Hollywood's hottest young agents. But although Stein may have just concluded the biggest deal of his career, it's quite another thing to negotiate for an entire alien race. To earn his percentage this time, he's going to need all the smarts, skills, and wits he can muster.

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"I got over it," Michelle said. "Which, apparently, is more than you can say."

"You planning to faint again?" Avika said.

"I won't if you won't," Michelle said. "Do we have a deal?"

"Fat chance," Avika said, and turned to Roland. "I'm leaving now, Roland." She turned to leave.

"Bitch," Michelle said.

Avika froze. Very slowly, she turned around.

" What did you just say?" She spat at Michelle.

"You heard me perfectly well," Michelle said, leaning back in her chair with an air of supreme relaxation. "I called you a bitch. I was going to call you a raging bitch, but then I thought, why give you the courtesy of a modifier? You're just a bitch, plain and simple."

Avika looked like the top of her head was going to pop off. She turned to me. "Tom, do you always let your clients insult the people who can give them the roles they want?"

"Hey," I said. "I'm just here for the show."

"I'm not calling anyone who will give me a role a bitch," Michelle said. "Clearly, you have no intention of giving me the role. As far as I can see, the only reason I'm calling you a bitch is because that is what you so obviously are."

"I don't need to be insulted by you," Avika said.

"Well, you need to be insulted by someone ," Michelle said. "And it looks like I'm the only one here with enough interest in you to do it. Sort of sad, really."

"Listen, you little shit," Avika said. "You don't even deserve to read for this part, much less play it."

"Well then, we're equal," Michelle said, "Since you don't deserve to make that decision."

"I'm her niece ," Avika said.

"You're her third cousin, twice removed," Michelle said. "I checked. And your only qualification is that you're tangentially related. All you're interested in is appearances. I don't fit your notion of who your sainted aunt was, so I'm out."

"You're nothing like my aunt," Avika said.

"I'd say I'm a lot like your aunt. Your aunt spent a lot of her time flying in the face of ignorant morons who decided the world was one way and there was no other way the world could be. As far as I can tell, I'm doing the same right now. I'm more like your aunt than you are."

"How dare you say that," Avika hissed. "You can't even act ."

Michelle smiled. "Neither could your aunt, bitch."

Roland, who had been observing the exchange between Michelle and Avika with an increasing expression of horror, glanced over at me with an expression that loosely translated to Get me out of here . I shrugged. There was nothing to do now but to ride this one out.

Michelle got up, grabbed a script, and walked over to Avika. "I'll tell you what, Avika," Michelle said. "I'll admit I could be wrong about you being a bitch. I'm entirely convinced you are, but it is within the realm of possibility that I'm wrong. But the only way you can prove it is to admit you might be wrong about me not being able to do the part."

Michelle slapped the script on Avika's chest. "The only way you're going to do that is to let me read. Come on, Avika. It can't hurt."

"I don't have to prove anything to you," Avika said, grabbing the script.

"Sure you do," Michelle said, turning around and heading back to her seat. "Because there's one difference between you and me, Avika. You see, I couldn't give a shit that you think I can't act. But it's clear that it bothers you that I think you're a bitch."

"Hardly," Avika said.

"Really?" Michelle said, sitting down. "Then why are you still here?"

Avika's mouth dropped open. Roland, a strapping man, looked like he wanted to curl up into a fetal ball.

"Come on, people," Michelle said. "Let's shit or get off the pot. Read me or don't, but let's make a decision."

Roland snapped out of it before Avika could utter another word. "What scene would you like, Miss Beck?"

"Your choice," Michelle said. "I really did memorize the script this time."

"The whole script?" Roland said.

"Sure, why not?" Michelle said, and glanced over to me mischievously. "Elvis did it."

Avika flipped the script open and read. "'How dare you tell me what I can and cannot do,'" Avika said. "'You are my wife, not my master.'"

"'I am your master's instrument, Josef,'" Michelle said, the words ripping out of her with an intensity that took us all by surprise. "'Go on the Judenrat and you turn your back on your people and your God. And you turn your back on me. For I am your wife, Josef. But cooperate with the Germans and we are not married. You will be as dead to me now as you will be soon enough by the hands of the Germans.'"

There was dead silence. We all stared in disbelief. Even me.

Michelle smiled sweetly. "Got your attention, didn't I?" she said.

Avika opened the script at random and quoted line after line. Line after line was responded to with the sort of stunning display of acting that you get to see one or twice in a lifetime. It was flabbergasting. It was impossible. It was the most incredible acting experience I'd ever seen. And it was just a line reading. We were all beginning to wonder what was going to happen once Michelle actually started acting for the record.

After an hour and a half, Avika dropped the script at her feet. "I wouldn't have believed it," she said, simply.

"I know you wouldn't," Michelle said, as simply. "And I thank you, Avika, my friend, for finally letting me show you."

Avika burst into tears and headed towards Michelle. Michelle burst into her own tears and met Avika halfway. They stood in the middle of the room, crying hysterically. Roland and I looked over at each other. Both of us had these incredibly smug smiles on our face.

We were in business.

Chapter Twenty One

A montage of the next year, as told through headlines:

Daily Variety, March 5th

MICHELLE BECK VOWS "HARD MEMORIES"

Michelle Beck, wasting no time after her near-death experience during the pre-production of Earth Resurrected, signed today to star in Hard Memories , a biopic of civil right activist and Holocaust survivor Rachel Spiegelman. Spiegelman became famous for her association with Martin Luther King during the late 50s and early 60s. Hard Memories is to be directed by Roland Lanois, and produced by Lanois in association with the Spiegelman family. Compensation package was not discussed, though with a total budget of less than $18 million, Beck is undoubtedly taking much less than the $12.5 million she scored for the ill-fated Earth Resurrected. Filming in the Czech Republic and Alabama is expected to begin in April for an Oscar-look release date of December 19th in New York and Los Angeles.

Beck is repped by Tom Stein of Lupo Associates.

Los Angeles Times Calendar Section, March 11th

Jewish Groups Protest Casting of "Promises."

Decry casting of Michelle Beck as "stunt"; producers, family stand firm behind their star.

BEVERLY HILLS — Michelle Beck is 25. Blonde. Blue eyed. Gentile. Rachel Spiegelman was brown haired. Brown eyed. Jewish. And at the height of her notoriety, she was well into her fifties.

So how did Michelle Beck get the call to play Spiegelman, noted civil-rights lawyer and Holocaust survivor, in the upcoming Roland Lanois-directed biographical film Hard Memories? It's a question that several Hollywood Jewish groups would like to have answered.

One of these groups, the Jewish Actors Association, went so far as to place a full-page ad in film industry trade magazine Variety on Friday, decrying the movie as "stunt casting" and calling upon director Lanois and the Spiegelman family to drop Beck for a more suitable actress.

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